Isai Vellalar

Last updated
Isai Velalar
Classification Other Backward Class [1]
Religions Hinduism
Languages Tamil, Telugu
CountryFlag of India.svg  India
Populated states Tamil Nadu  • Kerala  • Andhra Pradesh  • Karnataka
RegionNorthern Tamil Nadu, Southern Andhra Pradesh
Ethnicity South Asian
Subdivisions • •Nayanakkarar •Nattuvanar •Melakkarar [2]

Isai Velalar is a community found in India in Tamil Nadu. They are traditionally involved as performers of classical dance and music in Hindu temples and courts of the patrons. [3] The term "Isai Velalar" is a recent community identity, people of minstrel occupation from various castes such as, Melakkarar, Nayanakkarar and Nattuvanar come under this term. [4] [5] [6]

Contents

Divisions

Isai Vellalars/Melakarars of Tamilnadu are mostly Tamil with some Telugu speaking Barber-Musicians identifying as Melakarars. Telugu Melakarars are musician cum barbers, but Tamil Melakarars do not engage in the profession of barber. Tamil Melakarars tend to align with Tamil Vellalars in customs and practice while Telugu Melakarars mimic Telugu Brahmins. [7]

Varna status

They are regarded as Shudras. And are classified under OBC category.

Etymology

The term Isai Vellalar derives from the Tamil words Isai meaning "music" and vellar a generic term roughly meaning "cultivator", thus translates as "cultivators of music". [6] This term was introduced after the legal abolition of the Devadasi system as a result of the reform and anti-nautch movement in 1947. [3]

History

The Isai Velalar communities were originally nomads. [8] Bardic traditions are referred in early Sangam literature and well into the early Pallava and Pandya periods. These were primarily ritualistic and defensive in nature. The artistic side of music and dance came to be strengthened during the Chola and Vijayanagara period.

Early Chola inscriptions mentions Tevaratiyar as recipients of food offering and ritual performers of the temples, and was a term carrying honorific and high connotations. [9] Inscriptional evidences indicates devadasis to have been independent professionals who enjoyed property (made large land donations to temples) and a respectable position in the society. The 11th-century inscription of Rajaraja I states that the Tevaratiyar were invited to serve the Brihadisvara Temple and were given land near the temple. [10]

Under the patronage of the Nayaks of Tanjavur and Thanjavur Maratha kings, Telugu musicians and Devadasis from Andhra Pradesh and Maharashtra migrated to the Thanjavur region. The Melakkarars of Thanjavur are therefore divided in two distinct linguistic groups – the Tamil and Telugu Melakkarar. [3]

With the entry of Colonial India, great loss of temple patronage resulted the Tevaratiyar to perceive other ways of income which degraded their social status. [10] The Devadasi system was legally abolished in 1947 after the campaigns of the social reformers Moovalur Ramamirtham and Muthulakshmi Reddi. The entry of Tamil Brahmins in music and dance was seen as a threat to the traditional performers of these art forms. This led communities traditionally associated with music and dance to start forming a politicized non-Brahmin caste association which they coined as "Isai Velalar Sangam" and thereby created a political unified identity. [3]

Notable people

Historical personalities

Social activists

Politicians

Business personalities

Arts

Cinema

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References

  1. ↑ Kerala, Government. "The Kerala State Commission for Backward Classes" (PDF). kscbc.kerala.gov.in.
  2. ↑ "Caste in Tamil Nadu - III". Economic and Political Weekly. 48 (8): 7–8. 5 June 2015.
  3. 1 2 3 4 University, Vijaya Ramaswamy, Jawaharlal Nehru (25 August 2017). Historical Dictionary of the Tamils. Rowman & Littlefield. pp. 114–115, 161–162. ISBN   9781538106860.{{cite book}}: CS1 maint: multiple names: authors list (link)
  4. ↑ Bannerji, Himani; Mojab, Shahrzad; Whitehead, Judith (2001). Of Property and Propriety: The Role of Gender and Class in Imperialism and Nationalism. University of Toronto Press. p. 162. ISBN   9780802081926.
  5. ↑ Soneji, Davesh (15 January 2012). Unfinished Gestures: Devadasis, Memory, and Modernity in South India. University of Chicago Press. pp. 143–144. ISBN   978-0-226-76809-0.
  6. 1 2 Pillai, Swarnavel Eswaran (27 January 2015). Madras Studios: Narrative, Genre, and Ideology in Tamil Cinema. SAGE Publications India. p. 231. ISBN   9789351502128.
  7. ↑ "castes and tribes of Southern India".
  8. ↑ Arunachalam, M. (1979). The Kalabhras in the Pandiya country and their impact on the life and letters there. University of Madras. p. 90.
  9. ↑ Orr, Leslie C. (9 March 2000). Donors, Devotees, and Daughters of God: Temple Women in Medieval Tamilnadu. Oxford University Press. pp. 5, 52, 56. ISBN   9780195356724.
  10. 1 2 Bhattacharya, Sabyasachi (2011). Approaches to History: Essays in Indian Historiography. Indian Council of Historical Research (ICHR). p. 206. ISBN   9789380607177.
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