Louis Robert Wolheim was an American actor, of both stage and screen, whose rough physical appearance relegated him to roles mostly of thugs, villains and occasionally a soldier with a heart of gold in the movies, but whose talent allowed him to flourish on stage. His career was mostly contained during the silent era of the film industry, due to his death at the age of 50 in 1931.
Milton George Gustavus Sills was an American stage and film actor of the early twentieth century.
Charles Edgar Schoenbaum A. S. C. was an American cinematographer. His known film credits began in 1917—although he probably had earlier films—and ended with his untimely death from cancer in 1951 at age 57. He was nominated for an Academy Award in 1949 for his work on Little Women.
Arthur Hohl was an American stage and motion-picture character actor.
Bertram Mortimer Lytell was an American actor in theater and film during the silent film era and early talkies. He starred in romantic, melodrama, and adventure films.
Film Booking Offices of America (FBO), registered as FBO Pictures Corp., was an American film studio of the silent era, a midsize producer and distributor of mostly low-budget films. The business began in 1918 as Robertson-Cole, an Anglo-American import-export company. Robertson-Cole began distributing films in the United States that December and opened a Los Angeles production facility in 1920. Late that year, R-C entered into a working relationship with East Coast financier Joseph P. Kennedy. A business reorganization in 1922 led to its assumption of the FBO name, first for all its distribution operations and ultimately for its own productions as well. Through Kennedy, the studio contracted with Western leading man Fred Thomson, who grew by 1925 into one of Hollywood's most popular stars. Thomson was just one of several silent screen cowboys with whom FBO became identified.
Lew Cody was an American stage and film actor whose career spanned the silent film and early sound film age. He gained notoriety in the late 1910s for playing "male vamps" in films such as Don't Change Your Husband.
Marguerite Snow was an American silent film and stage actress. In her early films she was billed as Margaret Snow.
Hobart Henley was an American silent film actor, director, screenwriter and producer. He was involved in over 60 films either as an actor or director or both from 1914 to 1934.
Legare Rogers Lytton was an American film actor of the silent era and an architect. He appeared in more than 90 films between 1912 and 1924. Prior to entering films he had a substantial stage career behind him.
The Silent Command is a 1923 American silent drama film directed by J. Gordon Edwards featuring Bela Lugosi as a foreign saboteur in his American film debut. The film, written by Anthony Paul Kelly and Rufus King, also stars Edmund Lowe, Alma Tell, and Martha Mansfield. Shot in New York, The Silent Command began Lugosi's career in the American film industry. The film's focus on his eyes, at times in extreme close-up, helped to establish his image for later roles.
The Shepherd King is a 1923 American silent biblical epic film directed by J. Gordon Edwards and starring Violet Mersereau, Nerio Bernardi, and Guido Trento. It is a film adaptation of a 1904 Broadway play by Wright Lorimer and Arnold Reeves. The film depicts the biblical story of David (Bernardi), a shepherd prophesied to replace Saul (Trento) as king. David is invited into Saul's court, but eventually betrayed. He assembles an army that defeats the Philistines, becomes king after Saul's death in battle, and marries Saul's daughter Michal (Mersereau).
Tongues of Flame is a 1924 American silent melodrama film produced by Famous Players–Lasky and distributed through Paramount Pictures. It is based on a novel by Peter Clark MacFarlane and was directed by Joseph Henabery. The film starred Thomas Meighan and Bessie Love. It was produced by Famous Players–Lasky and distributed by Paramount Pictures.
J. Gordon Edwards (1867–1925) was a Canadian American film director, screenwriter, and producer of the silent era. His oeuvre consists of over fifty feature films made between 1914 and 1924. He is perhaps best known for directing twenty-four films starring vamp actress Theda Bara—including Cleopatra, her most famous role— and also the 1921 epic The Queen of Sheba. Edwards was born in Montreal and educated at a military academy with the expectation that he would pursue a career as a British Army officer. He decided against a life in the military in favor of a future in theater. At the time, the Canadian theater and film industry was limited primarily to repertory theatre, so Edwards became one of many to emigrate to the United States to work in the field. He had a short career as an actor before becoming a stage director. By 1910, he was working for American motion picture producer William Fox, who sent him to Europe to study film production.
Life's Shop Window is a 1914 American silent drama film directed by J. Gordon Edwards and starring Claire Whitney and Stuart Holmes. It is a film adaptation of the 1907 novel of the same name by Annie Sophie Cory. The film depicts the story of English orphan Lydia Wilton (Whitney), and her husband Bernard Chetwin (Holmes). Although Wilton's marriage is legitimate, it was conducted in secret, and she is accused of having a child out of wedlock. Forced to leave England, she reunites with her husband in Arizona. There, she is tempted by infidelity with an old acquaintance, Eustace Pelham, before seeing the error of her ways and returning to her family.
The Ancient Mariner is a 1925 American silent fantasy drama film based on the popular 1798 poem, The Rime of the Ancient Mariner by Samuel Taylor Coleridge. The film was directed by Henry Otto and Chester Bennett, and it was adapted for the screen by Eve Unsell. The film stars Clara Bow, Gladys Brockwell, Nigel De Brulier and was distributed by Fox Film Corporation. The film is presumed to be lost.
The Net is a 1923 American silent melodrama film directed by J. Gordon Edwards and starring Barbara Castleton, Raymond Bloomer, and Albert Roscoe. It is a film adaptation of the 1919 Broadway play of the same name, itself based on the novel The Woman's Law by Maravene Thompson. The film depicts the story of Allayne Norman (Castleton) and her husband Bruce (Bloomer). Bruce commits murder and convinces Allayne to help him blame the crime on a man suffering from amnesia (Roscoe). After Bruce dies and the man recovers, he marries Allayne.
Mary Mersch, sometimes credited as May Mersch, was an American actress active from the silent era up to 1938. She was under contract with Fox, and often worked with directors like William Farnum and Frank Lloyd.
The Unattainable is a 1916 American Black and White silent drama directed by Lloyd B. Carleton. The film is based on the story by Elwood D. Henning. The photoplay stars Dorothy Davenport and Emory Johnson.
Louise Emerald Bates was an American actress whose photo was covered in the 1915 issue of Motion Picture Classic. Born in Massachusetts, U.S, she left the stage and theater productions, where she starred in musical comedies, for Thanhouser's Falstaff comedies produced at its New Rochelle studio. She was a female lead in Falstaff comedies. In 1916 she worked at Thanhouser's studio in Jacksonville, Florida. where the Falstaff crew relocated. In 1916, actor Harris Gordon was noted as her husband. She married Edmund Mortimer and became Louise Bates Mortimer.
