Jamie Nares

Last updated

Jamie Nares (formerly James Nares; born 1953 in London, England [1] ) is a British transgender woman artist living and working in New York City since 1974. Nares makes paintings and films (most notably the no wave film Rome 78); played guitar in the no wave groups James Chance and the Contortions and the Del-Byzanteens (the latter also including Jim Jarmusch).

Contents

Early life and art education

Nares attended the Chelsea Art School in London from 1972 to 1973. She later studied at the School of Visual Arts in New York from 1974 to 1976.

Painting

Nares is best known as a contemporary art painter. Her method involves repeated strokes that eventually create a precise representation.

She is known for employing single but intricate gestural brush strokes in most of her works. Grace Glueck, New York Times art critic, described the effect of Nares's paintings as a combination of Japanese calligraphy and the 1960s cartoon works of Roy Lichtenstein. [2] These techniques have been compared to those of the Action Painters as well as Abstract Expressionists. [3] [4] Her work is exhibited in various museums in the United States: such as the Museum of Modern Art in New York, the Albright-Knox Art Gallery in Buffalo, NY, and the Whitney Museum of American Art in New York. Some of her solo exhibitions include 1976: Films and Other Works at Paul Kasmin Gallery, in New York in 2012, and Mixed Use, Manhattan: Photography and Related Practices 1970s to the present in 2010 at the Museo Nacional Centro de Arte Reina Sofia in Madrid, Spain.

Nares's other solo exhibitions include New Paintings in 2004 at the Hamiltons Gallery in London and the New Paintings and Chronophotographs exhibition in 2005 at the Goss Gallery in Dallas. Her works were also featured in the Painting and Sculpture exhibition at the Lehmann Maupin gallery in New York City in 2010.

Rizzoli published a monograph dedicated to Nares's works in 2013.

When speaking on her work, Nares once stated:

I try to embody the nature and combine the forms—it's like one and one making three—to expose a metaphor of some kind. It's searching for metaphors, for likeness, like a breeding ground. It seems to me, that's how a language develops. Everything breeds through metaphors. [5]

Video & film

In the mid-1970s, Nares made a series of short sculptural-related minimal art films. In 1978, she released a no wave 82-minute color Super-8 film entitled Rome 78, [6] her only venture into feature-length, plot-driven film. The narrative is about the Roman emperor Caligula now set in a shabby 1978 East Village apartment. [7] As such, it proposes an analogy between ancient Rome and modern America as cultural empires. [8] Despite its large cast in period costumes, the work is never made out to be a serious undertaking, with actors who interject scenes with self-conscious laughter, and deliver seemingly improvised lines with over the top bravado. The work features No Wave Cinema regular Lydia Lunch of Teenage Jesus and the Jerks along with artist David McDermott of McDermott & McGough as Caligula, James Chance, John Lurie, Eric Mitchell as a Roman general, Judy Rifka, Jim Sutcliffe, Lance Loud, Mitch Corber, Patti Astor, Anya Phillips as the Queen of Sheba and Kristian Hoffman, among others. [9]

Nares' 2012 video "Street" (with a score composed by Thurston Moore), later acquired by the National Gallery of Art, debuted at the Wadsworth Atheneum and depicted street scenes in Manhattan. [10] [11] The video was filmed with a Phantom Flex camera on the back of a sport utility vehicle, and featured the daily routines of pedestrians, tourists, and even pigeons in the city, as well as more known figures such as the Naked Cowboy. In 2013, "Street" was also exhibited at the Metropolitan Museum of Art alongside 77 works from the museum's collections, including drawings by Francisco Goya. [12] [13]

Selected solo exhibitions

Filmography

Related Research Articles

Juan Downey was a Chilean artist who was a pioneer in the fields of video art and interactive art.

<span class="mw-page-title-main">Phill Niblock</span> American multimedia artist (1933–2024)

Phillip Earl Niblock was an American composer, filmmaker, and videographer. In 1985, he was appointed director of Experimental Intermedia, a foundation for avant-garde music based in New York with a parallel branch in Ghent, Belgium.

No wave cinema was an underground filmmaking movement that flourished on the Lower East Side of New York City from about 1976 to 1985. Associated with the artists’ group Collaborative Projects, no wave cinema was a stripped-down style of guerrilla filmmaking that emphasized dark edgy mood and unrehearsed immediacy above many other artistic concerns – similar to the parallel no wave music movement in its raw and rapid style.

<span class="mw-page-title-main">Kenny Scharf</span> American artist (born 1958)

Kenny Scharf is an American painter known for his participation in New York City's interdisciplinary East Village art scene during the 1980s, alongside Jean-Michel Basquiat and Keith Haring. Scharf's do-it-yourself practice spanned painting, sculpture, fashion, video, performance art, and street art. Growing up in post-World War II Southern California, Scharf was fascinated by television and the futuristic promise of modern design. His works often include pop culture icons, such as the Flintstones and the Jetsons, or caricatures of middle-class Americans in an apocalyptic science fiction setting.

<span class="mw-page-title-main">Willoughby Sharp</span> American artist, curator, publisher, gallerist, teacher, author and telecom activist

Willoughby Sharp was an American artist, independent curator, independent publisher, gallerist, teacher, author, and telecom activist. Avalanche published interviews they conducted with contemporary artists such as Vito Acconci, Dennis Oppenheim and Yvonne Rainer. Sharp also was contributing editor to four other publications: Impulse (1979–1981); Video magazine (1980–1982); Art Com (1984–1985), and the East Village Eye (1984–1986). He published three monographs on contemporary artists, contributed to many exhibition catalogues, and wrote on art for Artforum, Art in America, Arts magazine, Laica Journal, Quadrum and Rhobo. He was editor of the Public Arts International/Free Speech documentary booklet in 1979. Sharp received numerous grants, awards, and fellowships; both as an individual or under the sponsorship of non-profit arts organizations.

James Whitney, younger brother of John, was a filmmaker regarded as one of the great masters of abstract cinema. Several of his films are classics in the genre of visual music.

Ross McLaren was a Canadian artist, filmmaker, and educator based in New York City.

<span class="mw-page-title-main">Keiichi Tanaami</span> Japanese artist (1936–2024)

Keiichi Tanaami was a Japanese pop artist who was active as multi-genre artist from the 1960s as a graphic designer, illustrator, video artist and fine artist.

Carey Burtt is a filmmaker and musician based in New York City, mainly working in the underground genre.

<span class="mw-page-title-main">Dennis Ashbaugh</span> American painter

Dennis John Ashbaugh is an American painter and artist who resides in River House in New York City, and also lives and works in Millbrook and Pawling, New York.

Richard Roger Reeves is a Canadian animated filmmaker. He is known for his whimsical abstract animated films created using a drawn on film technique.

<span class="mw-page-title-main">Barbara Rosenthal</span> American photographer, novelist, diarist, poet

Barbara Ann Rosenthal is an American avant-garde artist, writer and performer. Rosenthal's existential themes have contributed to contemporary art and philosophy. Rosenthal's pseudonyms are "Homo Futurus," which was taken from the title of one of her books, and "Cassandra-on-the-Hudson," which alludes to "the dangerous world she envisions" while creating art in her studio and residence on the Hudson River in Greenwich Village, NYC. Rosenthal successfully trademarked "Homo Futurus" in 2022.

<span class="mw-page-title-main">Andrej Zdravič</span> 20th and 21st-century Slovenian filmmaker and artist

Andrej Zdravič is a Slovenian independent filmmaker, sound and media artist. He was educated in Ljubljana, Algiers and Buffalo, receiving his BA (1975) and MA degrees (1980) in Media Studies at the State University of New York, Buffalo. He was awarded a Slovenian Prešeren Foundation Award in 1999 and received an honorary award for artistic achievement from University of Ljubljana in 2006.

Mark Innerst is an American painter known for his luminous urban landscapes.

Leandro Katz is an Argentine-born writer, visual artist and filmmaker known primarily for his films and photographic installations. His works include long-term, multi-media projects that delve into Latin American history through a combination of scholarly research, anthropology, photography, moving images and printed texts.

Eric Mitchell is a French born writer, director, and actor who moved to downtown New York City in the early 1970s. He has acted in many No Wave films such as Permanent Vacation (1980) by Jim Jarmusch, but is best known for his own films that are usually written and directed by him: Kidnapped, Red Italy, Underground U.S.A. and The Way It Is or Eurydice in the Avenues, starring Steve Buscemi, Vincent Gallo, Mark Boone Junior and Rockets Redglare. Mitchell worked out of New York City's sordid East Village area in conjunction with Colab and other performance artists and noise musicians. There he created a series of scruffy, deeply personal, short Super 8mm and 16mm films in which he combined darkly sinister images to explore the manner in which the individual is constrained by society.

Mitch Corber is a New York City neo-Beat poet, an eccentric performance artist, and no wave videographer known for his rapid whimsically comical montage and collage style. He has been associated with Collaborative Projects, Inc., participated in Public Arts International/Free Speech and The Times Square Show, and is creator-director of cable TV long-running weekly series Poetry Thin Air in New York City and its on-line poetry/video archive. He has worked closely with ABC No Rio, Colab TV and the MWF Video Club and his audio art have been published on Tellus Audio Cassette Magazine three times. He is a recipient of a NY Foundation for the Arts Fellowship grant (1987) in the field of emerging artforms.

<span class="mw-page-title-main">Deborah Stratman</span>

Deborah Stratman is a Chicago-based artist and filmmaker who explores landscapes and systems. Her body of work spans multiple media, including public sculpture, photography, drawing and audio.

<span class="mw-page-title-main">Kasmin Gallery</span>

The Kasmin Gallery, formerly known as the Paul Kasmin Gallery, is a New York City fine art gallery, founded in SoHo in 1989.

Allison Schulnik is an American painter, sculptor and animated filmmaker. She is known for her heavily textured, impasto oil paintings and her animated short videos.

References

  1. ↑ "James Nares comes out as trans woman, in Philippe de Montebello Curates at Park Avenue Armory, and More". Art News. 16 July 2019.
  2. ↑ James Nares on Swissre
  3. ↑ Daniel, Gillian (1 March 2014). "Fluid Motion". Elephant Magazine (18): 112–121 – via Frame Publishers.
  4. ↑ O'Brien, Glenn (23 November 2008). "James Nares". Interview Magazine. Retrieved 8 July 2024.
  5. ↑ Sussler, Betsy (Spring 1989). "Interview with James Nares". BOMB Magazine . Archived from the original on 14 May 2013. Retrieved 15 May 2013.
  6. ↑ Boch, Richard (2017). The Mudd Club. Port Townsend, WA: Feral House. p. 81. ISBN   978-1-62731-051-2. OCLC   972429558.
  7. ↑ Halter, Ed (13 May 2008). "James Nares's Downtown Empire Strikes Back". The Village Voice. Archived from the original on 8 July 2013. Retrieved 8 July 2024.
  8. ↑ Masters, Marc (2007). No Wave. London: Black Dog Publishing. pp. 148–149.
  9. ↑ "Rebellion of the quiet Retrospective of James Nares, No Wave's subtlest filmmaker". Archived from the original on 1 September 2013. Retrieved 14 June 2013.
  10. ↑ Schwendener, Martha (10 August 2013). "A Galloping City Captured in Slow Motion". The New York Times.
  11. ↑ Wilk, Deborah (September 2014). "James Nares". Modern Painters. 26 (8): 40–41 – via Art & Architecture Source.
  12. ↑ Viveros-Fauné, Christian (27 March 2013). "Taking it Slow at the Met's Street". The Village Voice . Archived from the original on 18 October 2013. Retrieved 8 July 2024.
  13. ↑ Camhi, Leslie (5 March 2013). "Urban Legends: James Nares Premieres Street at the Met Museum". Vogue Magazine. Archived from the original on 27 February 2014. Retrieved 8 July 2024.

Further reading

This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.