Jason Alder | |
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| Background information | |
| Born | Livonia, Michigan, U.S. |
| Genres | Contemporary classical, jazz, world, electroacoustic, experimental, free improvisation |
| Occupation | Musician |
| Instrument(s) | Clarinet, saxophone |
| Website | www |
Jason Alder is an American-born clarinetist, bass clarinetist, and saxophonist. [1] He is best known for his work in contemporary music, free improvisation, and electro-acoustic music.
Alder grew up in Westland, a suburb of Detroit, and performed with the Michigan Youth Band at the University of Michigan in Ann Arbor while in high school. [2] He holds a degree in music from Michigan State University, where he studied clarinet with Frank Ell. [3] In 2006 he moved to Amsterdam, Netherlands, to study bass clarinet at the Conservatorium van Amsterdam with Erik van Deuren, where he obtained a second degree. He received an MMus from the Artez Conservatorium in Arnhem, Netherlands, studying free improvisation in the New Dutch Swing program with saxophonist and bass clarinetist Frank Gratkowski and double bassist Wilbert de Joode. In 2017 he began a PhD program at the Royal Northern College of Music in Manchester, UK researching the contrabass clarinet. His other teachers have included Richard Hawkins, Kimberly Cole, Yaniv Nachum, Michael Lowenstern, David Krakauer, Ernesto Molinari, and Claudio Puntin. [4]
Alder specializes in contemporary classical music and working with electronics. In 2010 he created a Max/MSP patch to perform Karlheinz Stockhausen's "Solo für melodieinstrument und Rückkopplung" using only a computer in place of the 6 reel-to-reel tape machines and 4 assistants originally required to perform the piece. [5] Alder has also worked with composers to develop electronics for their compositions. In 2013 he collaborated with Robert Ratcliffe on his piece "Wake up Call", originally for bass clarinet and fixed-medium electronic accompaniment. Alder created a Max/MSP patch which allowed for adding effects to the bass clarinet, as well as rearranging the sections of the piece, as is specified by Ratcliffe in the score. [6] He has worked with and/or premiered pieces from a number of composers, including Christian Wolff, Stefan Prins, Gabriel Prokofiev, André Douw, Francisco Castillo Trigueros, Andys Skordis, Thanos Chrysakis, Rodrigo Tascón, Yu Oda, and Thanasis Deligiannis. He also performs with flutist Katalin Szanyi in the Shadanga Duo, which worked with composer Louis Aguirre and other members of the Danish composers group Snow Mask to commission and premiere new works. [7] In 2018, he became the first person to play the contrabass clarinet in Cuba with a solo performance at the Havana Festival of Contemporary Music.
In addition to composed music, Alder is an improviser and has performed solo, in Sonido 13- an electroacoustic duo with saxophonist Harry Cherrin, and with other improvisers such as Tom Jackson and Alex Ward. [8] In duo with Austrian vocalist Magdalena Hahnkamper as megalodon/na, he won the Lyrik Live prize from the Austrian radio station Ö1 for a free improvisation theater/performance art/video piece. [9]
Alder also performs in jazz and world music bands such as the klezmer-jazz band Payazen!, gypsy punk band Victor Menace, afrobeat bands JORO and Matuki, with Bangladeshi/British singer Shapla Salique, and with the Balkan-jazz band Mimika. He has also studied karnatic music. In 2014 Alder toured with Idina Menzel and Rob Mounsey, and has played in other pop and rock bands such as The Lazlo Device, The Palumbo Phunk, Novack, Canvas Blanco, and RaskalBOMFukkerz. He played bass guitar in the bands Spinfist and June Ruin.
Alder has performed at festivals around the world, such as ClarinetFest, [10] [11] [12] European Clarinet Festival, Istanbul Woodwind Festival, [13] American Single Reed Summit, [14] Gaudeamus Contemporary Music Festival, Ultima Oslo Contemporary Music Festival, Havana Festival of Contemporary Music, International Festival for Artistic Innovation, [15] and the Ferrara Buskers Festival. [16]
Alder has authored extended range quarter-tone fingering charts for both clarinet and bass clarinet. [17] [18] [19] [20] [21] [22]
In 2015 he became the editor of The Clarinet [Online] for the International Clarinet Association. [1] [23]
Soundtracks
The clarinet is a single-reed musical instrument in the woodwind family, with a nearly cylindrical bore and a flared bell.
A jazz band is a musical ensemble that plays jazz music. Jazz bands vary in the quantity of its members and the style of jazz that they play but it is common to find a jazz band made up of a rhythm section and a horn section.
The bass clarinet is a musical instrument of the clarinet family. Like the more common soprano B♭ clarinet, it is usually pitched in B♭, but it plays notes an octave below the soprano B♭ clarinet. Bass clarinets in other keys, notably C and A, also exist, but are very rare. Bass clarinets regularly perform in orchestras, wind ensembles and concert bands, and occasionally in marching bands, and play an occasional solo role in contemporary music and jazz in particular.
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The contra-alto clarinet, E♭ contrabass clarinet, is a large clarinet pitched a perfect fifth below the B♭ bass clarinet. It is a transposing instrument in E♭ sounding an octave and a major sixth below its written pitch, between the bass clarinet and the B♭ contrabass clarinet.
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English Folk Song Suite is one of English composer Ralph Vaughan Williams' most famous works. It was first published for the military band as Folk Song Suite and its premiere was given at Kneller Hall on 4 July 1923, conducted by Lt Hector Adkins. The piece was then arranged for full orchestra in 1924 by Vaughan Williams' student Gordon Jacob and published as English Folk Song Suite. The piece was later arranged for British-style brass band in 1956 by Frank Wright and published as English Folk Songs Suite. All three versions were published by Boosey & Hawkes; note the use of three different titles for the three different versions. The suite uses the melodies of nine English folk songs, six of which were drawn from the collection made by Vaughan Williams' friend and colleague Cecil Sharp.
The Klezmorim, founded in Berkeley, California, in 1975, was the world's first klezmer revival band, widely credited with spearheading the global renaissance of klezmer in the 1970s and 1980s. Initially featuring flute and strings—notably the exotic fiddling of co-founder David Skuse—the ensemble reorganized into a "loose, roaring, funky" brass/reed/percussion band fronted by co-founder Lev Liberman's saxophones and founding member David Julian Gray's clarinets. As a professional performing and recording ensemble focused on recreating the lost sounds of early 20th century klezmer bands, The Klezmorim achieved crossover success, garnering a Grammy nomination in 1982 for their album Metropolis and selling out major concert venues across North America and Europe, including Carnegie Hall and L'Olympia in Paris. The band performed steadily until 1993, regrouping in 2004 for a European tour.
David Krakauer is an American clarinetist who performs klezmer, jazz, classical music, and avant-garde improvisation.
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The clarinet family is a woodwind instrument family of various sizes and types of clarinets, including the common soprano clarinet in B♭ and A, bass clarinet, and sopranino E♭ clarinet.
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Howard J. Buss is an American composer of contemporary classical music. Buss’ works include instrumental solos, chamber music, symphonic, choral, and band works. His music has received awards, including from the 2011 Lieksa Brass Week Composition Competition in Finland, the 2015 American Trombone Workshop National Composition Competition, the National Flute Association’s Newly-Published Music Competition, the Erik Satie Mostly Tonal Award, State of Florida Fellowships, ASCAP Plus Awards., and The American Prize.
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