Santa Clara Pueblo ″Singing Water Village″, also known as ″Village of Wild Roses″ is a census-designated place (CDP) in Rio Arriba County, New Mexico, United States and a federally recognized tribe of Native American Pueblo people.
The Institute of American Indian Arts (IAIA) is a public tribal land-grant college in Santa Fe, New Mexico. The college focuses on Native American art. It operates the Museum of Contemporary Native Arts (MoCNA), which is housed in the historic Santa Fe Federal Building, a landmark Pueblo Revival building listed on the National Register of Historic Places as Federal Building. The museum houses the National Collection of Contemporary Indian Art, with more than 7,000 items.
Maria Margarita "Margaret" Tafoya was the matriarch of Santa Clara Pueblo potters. She was a recipient of a 1984 National Heritage Fellowship awarded by the National Endowment for the Arts, which is the United States government's highest honor in the folk and traditional arts.
Nathan Youngblood is a Native American potter from Santa Clara Pueblo, New Mexico, United States.
Diego Romero is a Cochiti Pueblo artist living in New Mexico.
Nora Naranjo Morse is a Native American artist and poet. She currently resides in Española, New Mexico just north of Santa Fe and is a member of the Santa Clara Pueblo. Her work can be found in several museum collections including the Heard Museum in Phoenix, Arizona, the Minneapolis Institute of Art in Minnesota, and the National Museum of the American Indian in Washington, DC, where her hand-built sculpture piece, Always Becoming, was selected from more than 55 entries submitted by Native artists as the winner of an outdoor sculpture competition held in 2005. In 2014, she was honored with a NACF Artist Fellowship for Visual Arts and was selected to prepare temporal public art for the 5x5 Project by curator Lance Fung.
Roxanne Swentzell is a Santa Clara Tewa Native American sculptor, ceramic artist, Indigenous food activist, and gallerist. Her artworks are in major public collections and she has won numerous awards.
The Poeh Museum is a museum in Pojoaque, New Mexico, U.S.A. The museum is located off U.S. Route 84. It is devoted to the arts and culture of the Puebloan peoples, especially the Tewas in the northern part of the state. It was founded by Pojoaque Pueblo in 1987, and is housed in the Poeh Center. The museum organizes changing exhibitions, and is a large repository of permanent artifacts and programs. The museum has run the Oral Histories Documentation, which is part of the Museum's records, which involved participation of 38 Tewa elders providing stories about their lives; the information is available in both Tewa and English.
Teri Greeves is a Native American beadwork artist, living in Santa Fe, New Mexico. She is enrolled in the Kiowa Indian Tribe of Oklahoma.
Harrison Begay, also known as Haashké yah Níyá was a renowned Diné (Navajo) painter, printmaker, and illustrator. Begay specialized in watercolors, gouache, and silkscreen prints. At the time of his death in 2012, he was the last living, former student of Dorothy Dunn and Geronima C. Montoya at the Santa Fe Indian School. His work has won multiple awards and is exhibited in museums and private collections worldwide and he was among the most famous Diné artists of his generation.
Douglas Miles is a San Carlos Apache-Akimel O'odham painter, printmaker and photographer from Arizona, who founded Apache Skateboards and Apache Skate Team.
Art of the American Southwest is the visual arts of the Southwestern United States. This region encompasses Arizona, New Mexico, and parts of California, Colorado, Nevada, Texas, and Utah. These arts include architecture, ceramics, drawing, filmmaking, painting, photography, sculpture, printmaking, and other media, ranging from the ancient past to the contemporary arts of the present day.
Jody Naranjo is a contemporary Tewa pottery maker from the Santa Clara Pueblo, New Mexico in the United States. She comes from a family of traditional Tewa potters. She learned the craft of pottery from her mother and other female relatives. She attended the Institute of American Indian Arts. Naranjo was selling her artwork at age fifteen at the New Mexico History Museum. Her style is identifiable and showcase her keen sense of humour. Jody has 3 daughters and maintains her connections to her heritage and friends.
Tammy Garcia is a Santa Clara Pueblo sculptor and Ceramic artist. Garcia translates Pueblo pottery forms and iconography into sculptures in bronze and other media.
Ramona Sakiestewa is a contemporary Hopi Native American artist who lives and works in Santa Fe, New Mexico. Sakiestewa is renowned for her tapestries, works on paper, public art, and architectural installations.
Paul Joseph "Speckled Rock" Tafoya was a Native American artist who was noted for his paintings, bear fetishes, bronze sculptures of Native American dancers, and redware and blackware pottery. A member of the Tewa and a resident of the Santa Clara Pueblo in New Mexico, Paul was the owner of the Merrock Galeria, which featured the work of contemporary pueblo artists.
Susan Folwell is a Native American artist from Santa Clara Pueblo, New Mexico, known for her work in the ceramic industry. Her work ties in Native designs and history and has been used by Folwell to demonstrate her viewpoints on society and politics. Folwell has been described by the Heard Museum as an "innovator in Pueblo pottery".
Black-on-black ware is a 20th- and 21st-century pottery tradition developed by Puebloan Native American ceramic artists in Northern New Mexico. Traditional reduction-fired blackware has been made for centuries by pueblo artists and other artists around the world. Pueblo black-on-black ware of the past century is produced with a smooth surface, with the designs applied through selective burnishing or the application of refractory slip. Another style involves carving or incising designs and selectively polishing the raised areas. For generations several families from Kha'po Owingeh and P'ohwhóge Owingeh pueblos have been making black-on-black ware with the techniques passed down from matriarch potters. Artists from other pueblos have also produced black-on-black ware. Several contemporary artists have created works honoring the pottery of their ancestors.
Pueblo pottery are ceramic objects made by the indigenous Pueblo people and their antecedents, the Ancestral Puebloans and Mogollon cultures in the Southwestern United States and Northern Mexico. For centuries, pottery has been central to pueblo life as a feature of ceremonial and utilitarian usage. The clay is locally sourced, most frequently handmade, and fired traditionally in an earthen pit. These items take the form of storage jars, canteens, serving bowls, seed jars, and ladles, serving the needs of daily life. Some utility wares were undecorated except from simple corrugations or marks made with a stick or fingernail, however many examples for centuries were painted with abstract or representational motifs. Some pueblos made effigy vessels, fetishes or figurines such as Cochiti Pueblo. During modern times, pueblo pottery was produced specifically as an art form to serve an economic function. This role is not dissimilar to prehistoric times when pottery was traded throughout the Southwest, and in historic times after contact with the Spanish colonialists.
