Jill Feldman (born 21 April 1952 in Los Angeles) [1] is an American soprano who has acquired an international reputation for her interpretation of medieval, baroque and classical repertoires.
Her highly expressive singing art combines great vocal agility with a profound dramatic sense of drama, in constant respect for the text.
Feldman [2] obtained her musical diploma at the University of California at Santa Barbara. [1]
She perfected her skills with Lillian Loran [3] in San Francisco [4] and Nicole Fallien [5] in Paris, and in 1980 received an "Alfred Hertz Scholarship" to perfect her interpretation of early music under the direction of Andrea von Ramm in Basel. [4] [1]
As soon as she finished her studies, Jill Feldman took part successively in three prestigious productions: she appeared as La Musica in a production of Monteverdi's l'Orfeo , directed by Philip Brett at Berkeley in California, [4] as Clerio in Cavalli's Erismena at Spoleto (Italy), and played a role in Ordo Virtutum by Hildegard von Bingen during a tour of the ensemble "Sequentia".
In 1981, at the request of her countryman William Christie, she joined in Paris the baroque ensemble Les Arts Florissants [4] [1] which then was the spearhead of the "baroqueux" movement. With this famous ensemble, she played the title role of Charpentier's Médée . Its recording for the label Harmonia Mundi won the Gramophone Classical Music Awards in 1985, also the Prize of the Académie Charles Cros and the Grand Prix du Disque de Montreux. Afterwards, Feldman recorded two discs with the Philharmonia Baroque Orchestra under the direction of Nicholas McGegan in works by Handel, the cantata Clori, Tirsi e Fileno , and the oratorio Susanna (Harmonia Mundi USA). Later, she joined the Mala Punica medieval ensemble, with which she recorded five projects for Arcana and Erato.
Feldman was then invited by several conductors of the baroque repertoire. She performed under the direction of Frans Brüggen (Haydn's Die Schöpfung ), Andrew Parrott (Les Vêpres des Carmélites by Handel at EMI), Jordi Savall (Motets by Delalande), René Jacobs (Cesti's Orontea and Cavalli's Xerse at Harmonia Mundi). She played the role of Armida in Alessandro Stradella's Lo Schiavo Liberato [6] at the Théâtre de Modène and the Festival of Liège, as well as the title role in La Vita Humana [7] by Marazzoli at the Tramway of Glasgow. In the field of contemporary music, she performed at the Villa Medici in Rome, the Church of Santa Maria della Grazia in Milan, and the Ysbreker Festival in Amsterdam.
Feldman has been teaching at the Royal Conservatory of The Hague in the Netherlands, at the Music and Theatre College in Zurich, and at the Amici della Musica in Florence and the Accademia di musiga antiga of Portugal. [4] She gives master classes all over Europe, the United States, Japan and South Korea.
William Lincoln Christie is an American-born French conductor and harpsichordist. He is a specialist in baroque and classical repertoire and is the founder of the ensemble Les Arts Florissants.
René Jacobs is a Belgian musician. He came to fame as a countertenor, but later in his career he became known as a conductor of baroque and classical opera.
Dominique Visse is a French countertenor and founder of the Ensemble Clément Janequin.
Patricia Petibon is a French soprano.
Noémi Rime is a French soprano. She regularly appears in opera productions by William Christie's Les Arts Florissants ensemble. Her roles have included Cleone in Médée, Dido in Dido and Aeneas, and Fatime in Les Indes galantes. She currently teaches on the faculty of the Conservatoire à rayonnement régional de Poitiers.
Médée is a tragédie mise en musique in five acts and a prologue by Marc-Antoine Charpentier to a French libretto by Thomas Corneille. It was premiered at the Théâtre du Palais-Royal in Paris on December 4, 1693. Médée is the only opera Charpentier wrote for the Académie Royale de Musique. The opera was well reviewed by contemporary critics and commentators, including Sébastien de Brossard and Évrard Titon du Tillet, as well as Louis XIV whose brother attended several performances, as did his son; however, the opera only ran until March 15, 1694, although it was later revived at Lille.
Les Arts Florissants is a Baroque musical ensemble in residence at the Théâtre de Caen in Caen, France. The organization was founded by conductor William Christie in 1979. The ensemble derives its name from the 1685 opera Les Arts florissants by Marc-Antoine Charpentier. The organization consists of a chamber orchestra of period instruments and a small vocal ensemble. Current notable members include soprano Danielle de Niese and tenor Paul Agnew, who has served as assistant conductor since 2007. Jonathan Cohen is also on the conducting staff; Christie remains the organization's artistic director.
Sandrine Piau is a French soprano. She is particularly renowned in Baroque music although also excels in Romantic and modernist art songs. She has the versatility to perform works from Vivaldi, Handel, Mozart to Schumann, Debussy, and Poulenc. In addition to an active career in concerts and operas, she is prolific in studio recordings, primarily with Harmonia Mundi, Naïve, and Alpha since 2018.
Agnès Mellon is a French soprano who specializes in baroque music.
Kees Boeke is a Dutch recorder player and composer.
Sophie Daneman is a British soprano specializing in the baroque repertoire.
Concerto Vocale is a Belgian musical ensemble for baroque music.
Étienne Lestringant is a contemporary French tenor specialising in the baroque repertoire.
François Fauché is a French soloist singer specializing in baroque repertoire for bass.
Antoine Sicot is a contemporary French soloist singer specialising in the baroque repertoire for bass voice.
Philippe Cantor is a contemporary French bass-baritone.
Bruno Boterf is a contemporary French tenor, specialising in Baroque and early music.
Florence Malgoire was a French classical violinist, pedagogue and conductor.
Jérôme Correas is a French conductor, harpsichordist and bass baritone.
Bernard Deletré is a French operatic bass-baritone.