Joan of Arc is a patron saint of France, honored as a defender of the French nation for her role in the siege of Orléans and her insistence on the coronation of Charles VII of France during the Hundred Years' War. Claiming to be acting under divine guidance, she became a military leader who transcended gender roles and gained recognition as a savior of France.
The siege of Orléans marked a turning point of the Hundred Years' War between France and England. The siege took place at the pinnacle of English power during the later stages of the war, but was repulsed by French forces inspired by the arrival of Joan of Arc. The French would then regain the initiative in the conflict and began to recapture territories previously occupied by the English.
Jacques Rivette was a French film director and film critic most commonly associated with the French New Wave and the film magazine Cahiers du Cinéma. He made twenty-nine films, including L'Amour fou (1969), Out 1 (1971), Celine and Julie Go Boating (1974), and La Belle Noiseuse (1991). His work is noted for its improvisation, loose narratives, and lengthy running times.
The Messenger: The Story of Joan of Arc is a 1999 English-language French epic historical drama film directed by Luc Besson and starring Milla Jovovich, John Malkovich, Faye Dunaway and Dustin Hoffman. The screenplay was written by Besson and Andrew Birkin, and the original score was composed by Éric Serra.
Joan of Arc was a French woman who is known for her role in the Hundred Years' War and as a religious figure, also called The Maid
Joan of Arc is a 1948 American epic historical drama film directed by Victor Fleming, and starring Ingrid Bergman as the eponymous French religious icon and war heroine. It was produced by Walter Wanger and is based on Maxwell Anderson's successful Broadway play Joan of Lorraine, which also starred Bergman, and was adapted for the screen by Anderson himself, in collaboration with Andrew Solt. It is the last film Fleming directed before his death in 1949.
Joan of Arc is a 1900 French silent film directed by Georges Méliès, based on the life of Joan of Arc.
John II of Alençon was a French nobleman. He succeeded his father as Duke of Alençon and Count of Perche as a minor in 1415, after the latter's death at the Battle of Agincourt. He is best known as a general in the last phase of the Hundred Years' War and for his role as a comrade-in-arms of Joan of Arc.
Isabelle Romée, also known as Isabelle de Vouthon and Isabelle d'Arc (1377–1458) and Ysabeau Romee, was the mother of Joan of Arc. She grew up in Vouthon-Bas and later married Jacques d'Arc. The couple moved to Domrémy, where they owned a farm consisting of about 50 acres (200,000 m2) of land. After their daughter's famous exploits in 1429, the family was granted noble status by Charles VII in December of that year. Isabelle moved to Orléans in 1440 after her husband's death and received a pension from the city. She petitioned Pope Nicholas V to reopen the court case that had convicted Joan of heresy, and then, in her seventies, addressed the opening session of the appellate trial at Notre Dame cathedral in Paris. The appeals court overturned Joan's conviction on 7 July 1456. Isabelle died two years later, probably at Sandillon near Orléans.
Jeanne d'Arc or Joan of Arc (1412–1431) was a French soldier and religious leader, also called La Pucelle
Gilles de Rais, Baron de Rais, was a knight and lord from Brittany, Anjou and Poitou, a leader in the French army during the Hundred Years' War, and a companion-in-arms of Joan of Arc. He is best known for his reputation and later conviction as a confessed serial killer of children.
The Nun is a 1966 French drama film directed by Jacques Rivette from a screenplay he co-wrote with Jean Gruault, based on the novel of the same title by Denis Diderot.
Due to inconsistent record keeping and different contemporary customs, the name of Joan of Arc at birth is not known for certain.
Jean d'Aulon (1390–1458) was a French knight and lord best known for serving alongside Jeanne d'Arc as her soldier, steward, bodyguard, and squire. Some sources incorrectly attribute the role of d'Arc's bodyguard to Gilles de Rais. d'Aulon was an avid and detailed journaler and his records, considered to be honest and straightforward, set the foundation for what we know about Jeanne d'Arc, including her apparent amenorrhea.
Sainte-Jeanne-d'Arc, Ste-Jeanne-d'Arc, or variation, may refer to various places or buildings:
Lionel-Noël Royer was a French painter. He was most famous for painting large scenes of the life of Joan of Arc in the Basilica of Bois-Chenu in Domrémy.
Michel Berto was a French actor. He was married to the actresses Juliet Berto and Marie Berto. His body was found on 3 January 1996, hence the exact date of his death is uncertain.
Jeanne de Béthune, Viscountess of Meaux, Countess of Ligny, was a French noblewoman, the suo jure Viscountess of Meaux, having inherited the title upon her father's death in 1408. Her father was Robert VIII de Béthune, Viscount of Meaux. Jeanne married twice; firstly to Robert of Bar, and secondly John II of Luxembourg, Count of Ligny who held Joan of Arc prisoner following her capture by the Burgundians in May 1430. Jeanne was one of the three women who cared for Joan during her imprisonment.
Jean-Louis Richard was a French actor, film director and scriptwriter.
Jacques Rivette was a French film director, screenwriter and film critic. He wrote and directed twenty feature films, including the two-part Joan the Maiden, eight short films and a three-part television documentary. He also acted in small roles and participated in documentaries. After making his first short film, Aux quatre coins, in his hometown of Rouen, Rivette moved to Paris in 1949 to pursue a career in filmmaking. While attending film screenings at Henri Langlois' Cinémathèque Française and other ciné-clubs he gradually befriended many future members of the French New Wave, including François Truffaut, Jean-Luc Godard, Éric Rohmer and Claude Chabrol. Rivette's association with this group of young cinephiles led to the start of both his filmmaking career and his work in film criticism. In collaboration with his new friends, Rivette made two more short films and worked as a cinematographer and editor on films by Rohmer and Truffaut. He also worked in small roles and as an assistant director to Jean Renoir on French Cancan and Jacques Becker on Ali Baba and the Forty Thieves. During this period he began writing film criticism for the magazine Gazette du Cinéma and later Cahiers du Cinéma, and was one of the most respected writers by his peers.
