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Joanna Kavenna (born 1974) [1] is an English novelist, essayist and travel writer of Welsh extraction. Her six novels have been widely rated and appreciated.
Welsh by family, with Scandinavian ancestry, Kavenna was born in Leicester [1] and spent her childhood in Suffolk and the Midlands as well as various other parts of Britain. She has also lived in the United States, France, Germany, Scandinavia and the Baltic States. [2] These travels led to her first book, The Ice Museum , which was published in 2005. It was nominated for the Guardian First Book Award in that year, and the Ondaatje Prize, and the Dolman Best Travel Book Award in 2006. Described by The New York Review of Books as "illuminating and consequential," [3] it combines history, travel, literary criticism and first-person narrative, as the author journeys through Scotland, Norway, Iceland, the Baltic and Greenland. Along the way, Kavenna investigates various myths and travellers' yarns about the northerly regions, focusing particularly on the ancient Greek story of Thule, the last land in the North. Before The Ice Museum she had written several novels that remain unpublished.
Kavenna studied at Linacre College, Oxford, and has held writing fellowships at St Antony's College, Oxford and St John's College, Cambridge. She was the writer-in-residence at St Peter's College, Oxford for a time. [4] Themes of the country versus the city, the relationship between self and place, and the plight of the individual in hyper-capitalist society recur through both Kavenna's novels and in some of her journalism. She has written for The New Yorker, The Huffington Post, The London Review of Books, The Guardian, The Observer, the International Herald Tribune and The New York Times, among other publications. She is now based in the Duddon Valley, Cumbria and has a partner and two young children. [5]
In 2013 she was included in the Granta list of 20 best young writers. [6]
Her first published novel, Inglorious, which appeared in 2007, alludes to classics of urban dislocation such as Knut Hamsun's Hunger , Robert Musil's The Man Without Qualities and Saul Bellow's Herzog . [7] It was shortlisted for the John Llewellyn Rhys Prize in 2007 and won the Orange Broadband Award for New Writers. [8]
Her second novel, The Birth of Love (2010) turns to ideas of power and childbirth and the nature of reality, portraying three characters in three periods of history, whose lives are wholly altered by their experiences of childbirth. Questions about the relationship between technology and nature run through the novel; also the permeable boundaries between reality and fantasy. The first, historical strand is based on the real-life Hungarian-born Ignaz Philipp Semmelweis, a doctor working in 19th-century Vienna, who realised that the spread of child-bed or puerperal fever could be prevented if doctors would wash their hands between patients. His theories were generally ignored, and he died in an asylum. [9] Kavenna turns a real-life history into an extract from a (fictional) Gothic novel, in which Semmelweis is visited by an invented character, Robert von Lucius, who begins as a sceptic like the other doctors, but comes to believe Semmelweis. In the second strand, in a recognisable present-day London, a woman called Brigid goes into labour with her second child. Meanwhile, in the third strand, also set in London today, a writer publishes his Gothic novel about Ignaz Semmelweis. In the fourth strand, set in a dystopian future, a prisoner and her captor argue about eugenics and the control of women's bodies. It gradually becomes clear that this society has taken to forcibly sterilising women after an environmental apocalypse, to control population numbers and demands on depleted resources. A group of dissidents has been uncovered, who hid a pregnant woman so that she could give birth naturally. This section clearly pastiches a tradition of dystopian dialogue, from William Morris through H. G. Wells, to Marge Piercy, as well as the classic sci-fi interrogation scene.
The Birth of Love is structured as a quartet. Kavenna draws all her strands together in a climactic final section, in which birth is shown to be a moment in which past, present and future merge. Kavenna has suggested that she wanted to write an "epic" about childbirth, emphasising its central role in the lives of both men and women. [7] It was long-listed for the Orange Prize 2011. [10] Writing about this novel in The Observer, Rachel Cusk said that the novel is not always "tasteful" but is ultimately "uninhibitedly truthful...daring...and brilliant". [11]
Kavenna's third novel, Come to the Edge (2012) is a satire, set in a fictionalised version of the Duddon Valley, Cumbria. Kavenna has explained that: "It's about what happens when you push people too far, when you keep whacking them with one injustice after another – when society gets too plainly iniquitous, and how finally they crack." [12] The novel tells of the surreal events that transpire when the narrator, at a loss in life, answers an advert to be a lodger and farm worker on a remote farm in the Lake District. She goes to the Lakes expecting some usual variation on the reviving and consoling country retreat, but she arrives and discovers the widowed farmer she will be living with, Cassandra White, is a paranoid survivalist and renegade philosopher with all sorts of theories about society, along with strong views on the evils of grain and the vices of "perverts" – Cassandra's term for the rich. The valley is a place of notable contrasts: between the poor who can barely afford to stay in their homes in the Valley, and the rich who buy up second homes and hardly use them. Goaded by a sense of riotous injustice and convinced that wider society cares little about the rural poor, Cassandra and the narrator develop a "resettlement scheme" – to resettle the poor in the empty houses of the rich. The novel is a dark comedy, yet it also makes a serious point throughout, about the iniquities of hyper-consumerist society and the free market notion of ceaseless growth as an inevitable good. [12] Kavenna wrote the book five years ago while living in the Duddon Valley and has said that it took a while to find the right editor for it. [13]
Kavenna has also suggested that the novel riffs on the old relationship of the prophet/sage and an interpreter, or the fabulous freak and a less charismatic companion: a venerable tradition from Plato and Socrates through the Romantics, which also forms the basis of such novels as Evelyn Waugh's Brideshead Revisited and Jack Kerouac's On the Road . [14]
Kavenna's fourth novel, A Field Guide to Reality (2016) imagines a parallel version of Oxford, where a professor has created a "manual for fixing existential angst;" [15] a vast compendium of philosophical thought through the ages. This is the Field Guide to Reality of the title. However, the manual has gone missing and all the characters are trying to find it, for various reasons. Throughout the book, Kavenna considers recurring philosophical questions about the nature of reality and truth. [16] Stuart Kelly in The Scotsman described it as a novel that "deals with the nature of light and enlightenment, quantum physics and strange attractors, grieving and gifting.... There is a very English kind of surrealism at play." [17] In The Spectator, Sam Byers argued for it as a "work of cunning misdirection and trickery – a mystery in thrall to mystery's beauty." [18] The Guardian, referring to "Joanna Kavenna's varied and prodigious output", argued that this "unusual novel... delighted and confounded the critics." [19] It is illustrated by the English songwriter, artist and filmmaker Oly Ralfe, of the Ralfe Band, who also worked with the Mighty Boosh.
Kavenna has suggested that the novel was partly inspired by the Jorge Luis Borges story "The Garden of Forking Paths", and by contemporary debates about theories of everything. [20]
Ignaz Philipp Semmelweis was a Hungarian physician and scientist of German descent, who was an early pioneer of antiseptic procedures, and was described as the "saviour of mothers". Postpartum infection, also known as puerperal fever or childbed fever, consists of any bacterial infection of the reproductive tract following birth, and in the 19th century was common and often fatal. Semmelweis discovered that the incidence of infection could be drastically reduced by requiring healthcare workers in obstetrical clinics to disinfect their hands. In 1847, he proposed hand washing with chlorinated lime solutions at Vienna General Hospital's First Obstetrical Clinic, where doctors' wards had three times the mortality of midwives' wards. The maternal mortality rate dropped from 18% to less than 2%, and he published a book of his findings, Etiology, Concept and Prophylaxis of Childbed Fever, in 1861.
Joanna Trollope is an English writer. She has also written under the pseudonym of Caroline Harvey. Her novel Parson Harding's Daughter won in 1980 the Romantic Novel of the Year Award by the Romantic Novelists' Association.
Kamila Shamsie FRSL is a Pakistani and British writer and novelist who is best known for her award-winning novel Home Fire (2017). Named on Granta magazine's list of 20 best young British writers, Shamsie has been described by The New Indian Express as "a novelist to reckon with and to look forward to." She also writes for publications including The Guardian, New Statesman, Index on Censorship and Prospect, and broadcasts on radio.
Postpartum infections, also known as childbed fever and puerperal fever, are any bacterial infections of the female reproductive tract following childbirth or miscarriage. Signs and symptoms usually include a fever greater than 38.0 °C (100.4 °F), chills, lower abdominal pain, and possibly bad-smelling vaginal discharge. It usually occurs after the first 24 hours and within the first ten days following delivery.
Lindsey Hilsum is an English television journalist and writer. She is the International Editor for Channel 4 News, and a regular contributor to The Sunday Times, The Observer, The Guardian, New Statesman, and Granta.
Polly Samson is an English novelist, lyricist and journalist. She is married to musician and Pink Floyd's guitarist David Gilmour and has written the lyrics to many of Gilmour's songs, some of which appear on Pink Floyd's last two albums.
Monica Ali is a British writer of Bangladeshi and English descent. In 2003, she was selected as one of the "Best of Young British Novelists" by Granta based on her unpublished manuscript; her debut novel, Brick Lane, was published later that year. It was shortlisted for the Man Booker Prize. It was adapted as a 2007 film of the same name. She has also published four other novels. Her fifth novel, Love Marriage, was published by Virago Press in February 2022 and became an instant Sunday Times bestseller.
I Capture the Castle was Dodie Smith's first novel, written during the Second World War when she and her husband Alec Beesley, a conscientious objector, moved from their native England to California. Smith was already an established playwright and later became famous for writing the children's classic The Hundred and One Dalmatians.
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Diana Athill was a British literary editor, novelist and memoirist who worked with some of the greatest writers of the 20th century at the London-based publishing company Andre Deutsch Ltd.
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Joanna Briscoe is an English writer who has written six novels and several short stories and has worked as a freelance journalist. Her first novel, Mothers and Other Lovers, won a Betty Trask Award in 1993, and her third, Sleep with Me (2005), was adapted for television.
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The Contagiousness of Puerperal Fever is an essay written by Oliver Wendell Holmes which first appeared in The New England Quarterly Journal of Medicine in 1843. It was later reprinted in the "Medical Essays" in 1855. It is included as Volume 38, Part 5 of the Harvard Classics series.
Nida Jay is a Pakistani novelist who writes in the English language. She is the recipient of numerous international awards, amongst them the Dunnen First Novel Prize. The debut novel Heart of Eternity published by Mirador has gained worldwide plaudits and recognition making Jay an influential name in philosophical and religious literature. Jay is a Fellow of the Royal Society of Literature and is also a member of the Stanford University vibrant group of literary scholars
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Ingrid Persaud is a Trinidad and Tobago-born writer, artist, and academic, who lives in the United Kingdom. She won the BBC National Short Story Award in 2018, and the Commonwealth Short Story Prize in 2017, with her debut effort The Sweet Sop. The story is about an estranged father and son reunited through their shared love for chocolate.
Second Place is a 2021 novel by Rachel Cusk.
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