Jonathan Handel | |
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Education | Harvard University (AB, JD) |
Jonathan Handel is an American entertainment lawyer, journalist, author and commentator. [1] [2] [3]
Handel is an expert on entertainment labor, having reported extensively on the WGA, SAG-AFTRA, DGA, IATSE and other unions. [4] He has previously served as outside Special Counsel to SAG-AFTRA, and on the legal staff of the WGA. [5] [6] [7] [8] [2]
Prior to this, he was a journalist at The Hollywood Reporter, and has also written for the Los Angeles Times, Variety and Puck. [9] [10] [11] Additionally, he has authored five books and is an adjunct professor at Southwestern Law School and lecturer in law at the USC Gould School of Law. [12] [13]
He currently practices entertainment and technology law at TroyGould and serves as an executive at WIO. [14] [15]
Handel studied Applied Mathematics, graduating from Harvard College in 1982, and Harvard Law School in 1990. [16] [17]
He began his law career clerking for Judge Irving Goldberg on the United States Court of Appeals for the Fifth Circuit in Dallas, TX. [18]
In 1991, he was selected to serve as a federal associate independent counsel to investigate alleged White House political misconduct related to the search of then-Arkansas Gov. Bill Clinton's passport files. [19] [2] [20] [21]
In the months prior to the 2007–2008 Writers Guild of America strike, Handel began publishing a series of blogs on the Huffington Post, leading to him becoming recognized as an expert regarding Hollywood unions. [2] [22] [23] [24]
From 2010 to 2020, Handel was a journalist at The Hollywood Reporter. [25] [26]
In 2020, he was appointed as outside Special Counsel to SAG-AFTRA. [8]
As of 2022, Handel serves as an executive at WIO, an entertainment software company. [27] [28] [29]
Handel regularly provides legal analysis for media outlets such as The New York Times , BBC, Reuters, NBC, CNN, ABC and CBS. [30] [31] [32] [33] [34] [35] [36] [37]
Handel is an expert on entertainment royalties, having authored the only book on residuals. [38] [39] [40]
Handel is the son of late sociologist Gerald S. Handel.
The Screen Actors Guild (SAG) was an American labor union which represented over 100,000 film and television principal and background performers worldwide. On March 30, 2012, the union leadership announced that the SAG membership voted to merge with the American Federation of Television and Radio Artists (AFTRA) to create SAG-AFTRA.
Gabrielle Anne Carteris is an American actress and trade union leader. Her best known acting role is as Andrea Zuckerman in Beverly Hills, 90210.
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The American Federation of Television and Radio Artists (AFTRA) was a performers' union that represented a wide variety of talent, including actors in radio and television, radio and television announcers and newspersons, singers and recording artists, promo and voice-over announcers and other performers in commercials, stunt persons and specialty acts—as the organization itself publicly stated, "AFTRA's membership includes an array of talent". On March 30, 2012, the members of AFTRA and of the Screen Actors Guild (SAG) voted to merge and form SAG-AFTRA.
Ned Vaughn is an American film and television actor who served as vice president of the Screen Actors Guild prior to becoming the founding executive vice president of SAG-AFTRA. He resigned that position on 21 August 2013, when he announced he would run as a Republican candidate for California's 66th State Assembly district, representing Los Angeles County's South Bay region. However, he later withdrew from the race.
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The Screen Actors Guild - American Federation of Television and Radio Artists is an American labor union that reflects the 2012 merger of SAG and AFTRA. It represents approximately 160,000 media professionals worldwide. SAG-AFTRA is a member of the AFL-CIO, the largest federation of unions in the United States. SAG-AFTRA is also a member of the International Federation of Actors (FIA).
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From October 2016 to September 2017, SAG-AFTRA, representing video game voice actors, went on strike against American video game companies over failed contract renegotiation terms of the Interactive Media Agreements that had been in discussion since February 2015. The union sought to have actors, voice actors, and motion-capture actors who contribute to video games be better compensated with residuals based on video game sales atop their existing recording payments; the game companies asserted that the industry as a whole eschews the use of residuals, and by giving the actors these, they would trivialize the efforts of the developers who are "most responsible" for the development of the games. In exchange, the companies had offered a fixed increase in rates and a sliding-scale upfront bonus for multiple recording sessions, which the union had rejected. Other issues highlighted by the strike include better transparency in what roles and conditions actors would perform, more safety precautions and oversight to avoid vocal stress for certain roles, and better safety assurances for actors while on set.
A nationwide strike by the members of the Screen Actors Guild and the American Federation of Television and Radio Artists against the American Association of Advertising Agencies began on May 1, 2000, and ended on October 30, 2000.
The 1980 actors strike was a labor strike held in July–October 1980 by the Screen Actors Guild (SAG) and the American Federation of Television and Radio Artists (AFTRA), two labor unions representing actors in the American film industry. The strike was caused by a breakdown in labor contract negotiations between the two unions and representatives of film studios, television networks, and other independent producers. The primary point of contention regarded residuals from home media, such as videocassettes and pay television. Specifically, the union was seeking a form of profit sharing wherein they would receive a percentage of the revenue made from home media releases. Additionally, the unions wanted a 35 percent salary increase across the board for their members. By mid-July, the union and industry representatives were at an impasse, and the strike started on July 21. Several days later, the American Federation of Musicians also went on strike for similar reasons.
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