Oaxaca de Juárez, or simply Oaxaca, is the capital and largest city of the eponymous Mexican state of Oaxaca. It is the municipal seat for the surrounding municipality of Oaxaca. It is in the Centro District in the Central Valleys region of the state, in the foothills of the Sierra Madre at the base of the Cerro del Fortín, extending to the banks of the Atoyac River. Heritage tourism makes up an important part of the city's economy, and it has numerous colonial-era structures as well as significant archeological sites and elements of the continuing native Zapotec and Mixtec cultures. The city, together with the nearby archeological site of Monte Albán, was designated in 1987 as a UNESCO World Heritage Site. It is the site of the month-long cultural festival called the "Guelaguetza", which features Oaxacan dance from the seven regions, music, and a beauty pageant for indigenous women.
Barro negro pottery is a style of pottery from Oaxaca, Mexico, distinguished by its color, sheen and unique designs. Oaxaca is one of few Mexican states which is characterized by the continuance of its ancestral crafts, which are still used in everyday life. Barro negro is one of several pottery traditions in the state, which also include the glazed green pieces of Santa María Atzompa; however, barro negro is one of the best known and most identified with the state. It is also one of the most popular and appreciated styles of pottery in Mexico. The origins of this pottery style extends as far back as the Monte Albán period and for almost all of this pottery's history, had been available only in a grayish matte finish. In the 1950s, a potter named Doña Rosa devised a way to put a black metallic like sheen onto the pottery by polishing it before firing. This look has made the pottery far more popular. From the 1980s to the present, an artisan named Carlomagno Pedro Martínez has promoted items made this way with barro negro sculptures which have been exhibited in a number of countries.
Chocho is a language of the Popolocan branch of the Oto-Manguean language family spoken in Mexico in the following communities of Oaxaca: San Miguel Chicahua, Teotongo, San Miguel Huautla, Santa Magdalena Jicotlán, San Pedro Nopala, San Miguel Tequixtepec, San Francisco Teopan, Ocotlán, Santa María Nativitas, San Juan Bautista Coixtlahuaca, and San Miguel Tulancingo. Chocho is Spoken by 770 speakers.
Rodolfo Morales was a Mexican painter, who incorporated elements of magic realism into his work.
Ocotlán de Morelos is a town and municipality in the state of Oaxaca, about 35 km south of the center of the city of Oaxaca along Highway 175. It is part of the Ocotlán District in the south of the Valles Centrales Region. The area was a significant population center at the time of the Spanish Conquest, and for that reason an important Dominican monastery was established here in the 16th century. The complex still exists, with the church still being used for worship and the cloister area used as a museum. While mostly quiet, the city is an important distribution and transportation center for the south of the Central Valleys region of Oaxaca, a function which is expected to be reinforced with the opening of new highway being built to connect the city of Oaxaca with the Pacific coast. The city is known for artist Rodolfo Morales, who painted aspects of his hometown in his works and sponsored projects to save and restore historic monuments here. For generations the municipality has been known for its crafts, with the ceramics making Aguilar family producing some of the best known craftsmen.
Asunción Ocotlán is a town and municipality in Oaxaca in south-western Mexico. The municipality covers an area of 12.76 km². It is part of the Ocotlán District in the south of the Valles Centrales Region. Its name "Asunción" alludes the assumption of Mary and Ocotlán means between ocotes -Oco (ocote) and tlan (between) in Nahuatl. It borders at north and west with Ocotlán de Morelos, south with San Pedro Apóstol and east with San Pedro Mártir. Almost all the lands are plains and its water sources come from the Mijangos and Atoyac rivers. Its economy is based in agriculture in spite of its semi-desert climate. The largest part of population isCatholic. Its main celebration is The Assumption of Virgin Mary on August 15, moreover they celebrate with a fair, dances and calendas (celebrations of the patron saints of the oaxacans churches. As of 2005, the municipality had a total population of 3257.
San Antonino Castillo Velasco is a town and municipality located south of the city of Oaxaca, in the Mexican state of Oaxaca. It is part of the Ocotlán District in the south of the Valles Centrales Region Its population is less than 5,000, but it was the scene of a number of violent confrontations in the 2000s. The town is known for its crafts, especially fine embroidery and items made with a flower known as flor inmortal, so called because it does not lose its color when it is dried. The name San Antonino is in honor of Anthony of Padua, who is the town's patron saint. “Castillo Velasco” was added in honor of José María Castillo Velasco, who was born here in 1820 and played important roles in the Reform War and French Intervention in Mexico.
San Bartolo Coyotepec is a town and municipality located in the center of the Mexican state of Oaxaca. It is in the Centro District of the Valles Centrales region about fifteen km south of the capital of Oaxaca.
San Martín Tilcajete is a town and municipality located about 23 kilometres (14 mi) from the city of Oaxaca, in the state of Oaxaca, in the south of Mexico. It is part of the Ocotlán District in the south of the Valles Centrales Region
Green glazed pottery of Atzompa is a style of glazed pottery, which originates in the Oaxaca, Mexico town of Santa María Atzompa. Almost all of the pottery made here is of a jade-green color, due to the lead monoxide glaze which has been traditionally applied to it.
Ceramics in Mexico date back thousands of years before the Pre-Columbian period, when ceramic arts and pottery crafts developed with the first advanced civilizations and cultures of Mesoamerica. With one exception, pre-Hispanic wares were not glazed, but rather burnished and painted with colored fine clay slips. The potter's wheel was unknown as well; pieces were shaped by molding, coiling and other methods,
The Museo Estatal de Arte Popular de Oaxaca or MEAPO is a small museum in the municipality of San Bartolo Coyotepec just south of the city of Oaxaca in Mexico. It is run by the state of Oaxaca to showcase the entity's handcrafts and folk art tradition, through its permanent collection, online “cyber-museum,” collaboration with national and international entities, and sponsorship of events such as craft markets, conferences, and temporary exhibitions. It is dedicated to the crafts and to the artisans and the cultures behind the items. Its collection contains samples of most of the crafts produced in the state, especially the Central Valleys region, but most of its collection consists of barro negro pottery, the specialty of San Bartolo Coyotepec. It is run by director Carlomagno Pedro Martínez, a recognized artisan and artist in barro negro.
The Aguilar family of Ocotlán de Morelos are from a rural town in the state of Oaxaca, Mexico. This town produced only utilitarian items until Isaura Alcantara Diaz began creating decorative figures with her husband Jesus Aguila Revilla. The couple taught their five daughters who continued innovating their own styles and then teaching the two generations after them. Two of the sisters, Guilliermina and Irene have been named “grand masters” by the Fomento Cultural Banamex, for their figures and sets of figures related to the life and traditions of Oaxaca, as well as Mexican icons such as Frida Kahlo and the Virgin of Guadalupe. The younger generations have made their own adaptations with some attaining their own recognition such as Lorenzo Demetrio García Aguilar and Jose Francisco Garcia Vazquez.
The Blanco family of Santa María Atzompa, Oaxaca, Mexico is noted for their ceramic production, especially decorative pieces. Their fame began with Teodora Blanco, who as a young child added decorative elements to the more utilitarian wares made by her parents. Eventually her work became noted by a foreigner who not only bought her entire production, also encouraged her to create new forms, leading to mostly human figures called “muñecas”. Her form of decoration, called “pastillaje,” was also an innovation for the area’s pottery and consists of small pieces of clay added onto the main surfaces, often covering much of the area. Teodora taught her children and although she intended that only the oldest daughter carry on her work, today three generations of the family continues making mostly decorative pottery, mostly following her work. These include Irma García Blanco, who have been recognized by the Fomento Cultural Banamex and Fernando Félix Pegüero García, who has won prizes from the Friends of Oaxacan Folk Art in New York and Premio Nacional de Cerámica in Tlaquepaque, Jalisco.
José García Antonio is a Mexican potter from San Antonio Castillo Velasco in the municipality of Ocotlán, Oaxaca, a town noted for its handcrafts. He still has is house and workshop there, located beyond the church behind a tall gate that hides what is inside.
Agustín Cruz Tinoco is an artisan from San Agustín de las Juntas, Oaxaca, Mexico noted for his wood carvings. His work has been recognized both in Mexico and abroad.
Apolinar Aguilar Velasco is a traditional blacksmith who lives and works in the southern Mexican town of Ocotlán de Morelos, Oaxaca. Although there is a tradition of making blades in the town, the Aguilar workshop is the only one that still makes all pieces by hand, with no industrialization. The work of this craftsman, and that of his brother, Angel, have been used in movies. The workshop exports directly to buyers such as theaters, martial arts enthusiasts and collectors in both Mexico and the United States.
Oaxaca handcrafts and folk art is one of Mexico's important regional traditions of its kind, distinguished by both its overall quality and variety. Producing goods for trade has been an important economic activity in the state, especially in the Central Valleys region since the pre-Hispanic era which the area laid on the trade route between central Mexico and Central America. In the colonial period, the Spanish introduced new raw materials, new techniques and products but the rise of industrially produced products lowered the demand for most handcrafts by the early 20th century. The introduction of highways in the middle part of the century brought tourism to the region and with it a new market for traditional handcrafts. Today, the state boasts the largest number of working artisans in Mexico, producing a wide range of products that continue to grow and evolve to meet changing tastes in the market.
Angélica Delfina Vásquez Cruz, also known as the Ceramista del Preciosismo, is a potter from Oaxaca, Mexico.
