María Teresa Pomar (December 15, 1919 – January 12, 2010) was a Mexican art historian. She was a collector, researcher and promoter of Mexican handcrafts and folk art along with the communities associated with them. She began as a collector then working with museums to promote handcrafts and then working to found a number of museums and other organizations to the same purpose. She became one of Mexico's foremost experts on the subject, serving as director of different organizations and judge at competitions in Mexico and abroad. She died in 2010 while she was serving as the director of the Museo Universitario de Artes Populares of the University of Colima, which changed its name to honor her. [1] [2]
She was born on December 15, 1919, in Guanajuato. She moved to Guadalajara as a child, following her father who was a professional musician. There her mother died when she was only eight years old and was raised by her grandmother Antonia Badajos. [1]
Starting in 1940, she began collecting Mexican handcrafts and folk art. At first she kept her acquisitions in her apartment but soon it was overflowing and she rented the apartment across from her to use as storage. [1] Later she acquired a house in Coyoacán which was larger to accommodate her growing collection which included textiles, glass, miniatures, toys, cartonería, niños dios, nativity scenes and much more. [1]
She died on January 12, 2010, in Mexico City. [1] She was buried at the Panteón Jardín in Mexico City. [3]
As a collector, she began to research the items and the people who made them. She also made her collections available for special exhibitions in both Mexico and abroad until her death, for example the lending of 99 niños dios figures to the Instituto de Desarrollo Artesanal del Estado de Zacatecas for a temporary exhibit. [1] [4] She also made donations to museums in both Mexico and abroad including textiles to the Museo de Arte Popular in São Paulo, Brazil and the Sobichille Museum in Siena, Italy. [1] [5] Her donation of 1,700 pieces to the Museo de Guanajuato allowed for the opening of a hall dedicated to miniatures. [5]
She was an integral part of the establishment of museums and other institutions dedicated to the promotion of Mexican handcrafts and folk art including those in Hermosillo, Tabasco, Chiapas, Puebla, Jalisco, Querétaro, Veracruz, Mexico City, Tuxtla Gutiérrez, Tlaxcala and Monterrey. She also was founder or co-founder of other institutions as well such as the Na Bolom Cultural Association and the POPULART AC Association. [5] She participated at the formation of the Casa de las Artesanías of the State of Mexico, the Fondo Nacional para al Fomento de las Artesanías, the Populart Association and the Sna Jolobil organization in Chiapas. [5] [6]
Her work made her one of Mexico's foremost experts in handcrafts. [2] She was curator of over 130 exhibitions, the most important of which related to textiles. [5] She served as a judge for over three hundred handcraft competitions in Mexico. She also served in similar events in Cuba, Venezuela, Puerto Rico, Colombia and the United States. [5] Pomar was also a researcher, spending her life to research and preserve community and indigenous traditions along with handcrafts. [6] She was the director of the Museo Nacional de Artes e Industrias Populares of the Instituto Nacional Indigenista. She promoted the teaching of handcrafts in schools in order to keep it as a vital part of Mexican culture. [7] Her work documenting the copper work in Santa Clara del Cobre earned her the Manuel Gamio Prize in 1985. [5] She received the Diego Rivera State Art Prize by the Colima state congress in 2007. [2]
Olga Costa was a Mexican painter and cultural promoter. She began to study art at the Academy of San Carlos but left after only three months to help support her family. However, she met her husband, artist José Chávez Morado during this time. Her marriage to him involved her in Mexico's cultural and intellectual scene and she began to develop her ability to paint on her own, with encouragement from her husband. She had numerous exhibitions of her work in Mexico, with her work also sent to be sold in the United States. She was also involved in the founding and development of various galleries, cultural societies and three museums in the state of Guanajuato. She received the Premio Nacional de Ciencias y Artes among others for her work.
Juan Soriano was a Mexican artist known for his paintings, sculptures and theater work. He was a child prodigy whose career began early as did his fame with various writers authoring works about him. He exhibited in the United States and Europe as well as major venues in Mexico such as the Museo de Arte Moderno and the Palacio de Bellas Artes. His monumental sculptures can be found in various parts of Mexico and in Europe as well. Recognitions of his work include Mexico's National Art Prize, the Chevalier des Arts et Lettres and membership in France's Legion of Honour.
The Franz Mayer Museum, in Mexico City opened in 1986 to house, display and maintain Latin America’s largest collection of decorative arts. The collection was amassed by stockbroker and financial professional Franz Mayer, who collected fine artworks, books, furniture, ceramics, textiles and many other types of decorative items over fifty years of his life. A large portion comes from Europe and Asia but most comes from Mexico itself with items dating from the 15th to the 20th centuries. Many pieces in the collection are fine handcrafts, such as textiles and Talavera pottery, and they are important because they are items that often did not survive because most did not consider them worth preserving.
Manuel Felguérez Barra was a Mexican abstract artist, part of the Generación de la Ruptura that broke with the muralist movement of Diego Rivera and others in the mid 20th century.
José Chávez Morado was a Mexican artist who was associated with the Mexican muralism movement of the 20th century. His generation followed that of Diego Rivera, José Clemente Orozco and David Alfaro Siqueiros. Although Chávez Morado took classes in California and Mexico, he is considered to be mostly self-taught. He experimented with various materials, and was an early user of Italian mosaic in monumental works. His major works include murals at the Ciudad Universitaria, Secretaría de Comunicaciones y Transportes and Museo Nacional de Antropología in Mexico City as well as frescos at the Alhóndiga de Granaditas, which took twelve years to paint. From the 1940s on, he also worked as a cultural promoter, establishing a number of cultural institutions especially in his home state of Guanajuato including the Museo de Arte Olga Costa - José Chávez Morado, named after himself and his wife, artist Olga Costa.
María Dolores Velázquez Rivas, better known as "Lola" Cueto was a Mexican painter, printmaker, puppet designer and puppeteer. She is best known for her work in children's theater, creating sets, puppets and theatre companies performing pieces for educational purposes. Cueto took her last name from husband Germán Cueto, which whom she had two daughters, one of whom is noted playwright and puppeteer Mireya Cueto. Most of Cueto's artistic interest was related to Mexican handcrafts and folk art, either creating paintings about it or creating traditional works such as tapestries, papel picado and traditional Mexican toys.
Mexican handcrafts and folk art is a complex collection of items made with various materials and intended for utilitarian, decorative or other purposes. Some of the items produced by hand in this country include ceramics, wall hangings, vases, furniture, textiles and much more. In Mexico, both crafts created for utilitarian purposes and folk art are collectively known as “artesanía” as both have a similar history and both are a valued part of Mexico's national identity. Mexico's artesanía tradition is a blend of indigenous and European techniques and designs. This blending, called “mestizo” was particularly emphasized by Mexico's political, intellectual and artistic elite in the early 20th century after the Mexican Revolution toppled Porfirio Díaz’s French-style and modernization-focused presidency. Today, Mexican artesanía is exported and is one of the reasons why tourists are attracted to the country. However, competition from manufactured products and imitations from countries like China have caused problems for Mexico’s artisans.
The Museo Estatal de Arte Popular de Oaxaca or MEAPO is a small museum in the municipality of San Bartolo Coyotepec just south of the city of Oaxaca in Mexico. It is run by the state of Oaxaca to showcase the entity's handcrafts and folk art tradition, through its permanent collection, online "cyber-museum", collaboration with national and international entities, and sponsorship of events such as craft markets, conferences, and temporary exhibitions. It is dedicated to the crafts and to the artisans and the cultures behind the items. Its collection contains samples of most of the crafts produced in the state, especially the Central Valleys region, but most of its collection consists of barro negro pottery, the specialty of San Bartolo Coyotepec. It is run by director Carlomagno Pedro Martínez, a recognized artisan and artist in barro negro.
Museo Universitario de Artes Populares María Teresa Pomar is a museum dedicated to Mexico's handcrafts and folk art tradition, called “artesanía.” It is part of the University of Colima in the city of Colima, founded by artesanía collector and promoter María Teresa Pomar. It contains one of the most important collections of its type in Mexico, covering traditions from around the country as well as the artesanía and traditions of the state of Colima.
Jazzamoart is a Mexican artist best known for his painting which is mostly connected to jazz music in some way. Born Francisco Javier Vázques Estupiñán in Irapuato, Guanajuato, his talent was recognized early and he took his professional name from his dual passions of jazz and art. He is best known as a painter with over 400 individual and collective exhibitions on several continents, but he has also done monumental sculpture, stage scenery and has collaborated with musicians. He lives in Mexico City.
Traditional metal working in Mexico dates from the Mesoamerican period with metals such as gold, silver and copper. Other metals were mined and worked starting in the colonial period. The working of gold and silver, especially for jewelry, initially declined after the Spanish conquest of the Aztec Empire. However, during the colonial period, the working of metals rose again and took on much of the character traditional goods still have. Today, important metal products include those from silver, gold, copper, iron, tin and more made into jewelry, household objects, furniture, pots, decorative objects, toys and more. Important metal working centers include Taxco for silver, Santa Clara del Cobre for copper, Celaya for tin and Zacatecas for wrought iron.
Rosa Castillo Santiago was a Mexican sculptor, and founding member of the Salón de la Plástica Mexicana.
Guillermo Ríos Alcalá is a Mexican potter, restoration expert and educator from the state of Colima.
Guanajuato handcrafts and folk art are mostly of European origin, although some indigenous work still survives in some communities. The most notable craft is the making of glazed mayolica pottery, followed by handmade traditional toys of various materials, especially a hard paper mache called cartonería. While handcrafts are not a large an industry here as in some other states, it does have several major handcraft markets which sell to tourists and foreign residents. Other handcraft traditions include wrought iron work, tin and glass, wood carving and leather working.
Handcrafts and folk art in Mexico City is a microcosm of handcraft production in most of the rest of country. One reason for this is that the city has attracted migration from other parts of Mexico, bringing these crafts. The most important handcraft in the city is the working of a hard paper mache called cartonería, used to make piñatas and other items related to various annual celebrations. It is also used to make fantastic creatures called alebrijes, which originated here in the 20th century. While there are handcrafts made in the city, the capital is better known for selling and promoting crafts from other parts of the country, both fine, very traditional wares and inexpensive curio types, in outlets from fine shops to street markets.
Marta Turok is a Mexican applied anthropologist focusing on socio-economic development, and one of the foremost schools on Mexican folk art. Through research, government work, education and advocacy, she has worked to raise the prestige of Mexican handcrafts and folk art and to help artisans improve their economic status. Her work has been recognized with awards from various governmental and non-governmental agencies.
Tlaxcala handcrafts and folk art is that which comes from the smallest state in Mexico, located in the center-east of the country. Its best-known wares are the "canes of Apizaco", sawdust carpets and the making of Saltillo-style serapes. However, there are other handcraft traditions, such as the making of pottery, including Talavera type wares, cartoneria, metalworking and stone working. The state supports artisans through the activities of the Fideicomiso Fondo de la Casa de las Artesanía de Tlaxcala
Ruth D. Lechuga (1920–2004) was an Austrian-born, naturalized Mexican citizen who became a physician and a collector of Mexican folk art. Her interest led her to produce anthropological studies on the cultures of the different states of Mexico. She gave up her medical lab work to work in anthropology, curating several museum collections. Lechuga published research on indigenous Mexican culture and craftwork. Her ethnographic photographs earned her notice as one of the major professionals in the field. Her private collection of 20,000 ethnographic photographs and over 10,000 artifacts were donated upon her death to the magazine Artes de México and the Franz Mayer Museum. Several posthumous showings of the collection have taken place and in 2016, a research center bearing her name was opened in the former basement of the Franz Mayer Museum.