Just Because I'm a Woman | ||||
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Studio album by | ||||
Released | April 15, 1968 | |||
Recorded | December 11–20, 1967 | |||
Studio | RCA Studio B (Nashville) | |||
Genre | Country | |||
Length | 30:28 | |||
Label | RCA Victor | |||
Producer | Bob Ferguson | |||
Dolly Parton chronology | ||||
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Singles from Just Because I'm a Woman | ||||
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Just Because I'm a Woman is the second solo studio album by American singer-songwriter Dolly Parton. It was released on April 15, 1968, by RCA Victor. The album was produced by Bob Ferguson. It peaked at number 22 on the Billboard Top Country Albums chart. The album's title track was the only single released and it peaked at number 17 on the Billboard Hot Country Singles chart.
When Parton joined The Porter Wagoner Show in September 1967 she was still signed to Monument Records. In addition to having Parton join his show, Wagoner was instrumental in persuading RCA Victor to sign Parton to a recording contract. Parton's first three sessions for RCA were limited to duets with Wagoner as she could not record for RCA as a solo artist until her contract with Monument expired.
Recording sessions for the album took place on December 11, 18 and 20, 1967, at RCA Studio B in Nashville, Tennessee.
The title song, in which a woman admonishes her boyfriend for passing judgment on her previous sexual encounters even though he is guilty of the same behavior, was regarded as something of a daring statement to make at the time. It was written by Parton in response to her husband's questioning (and subsequent reaction) if she'd ever been with a man before him. "The Bridge", distinctive because of its subject matter and rather abrupt ending, details the story of a woman who falls in love with a man and becomes pregnant with his child. His abandonment leads the woman back to the bridge where she apparently commits suicide. The last verse states, "My feet are moving slowly, Closer to the edge, Here is where it started, And here is where I'll end it..." before simply ending, midway through the verse.
Parton re-recorded "Just Because I'm a Woman" for the 2003 tribute album Just Because I'm a Woman: Songs of Dolly Parton .
The album was released April 15, 1968, on LP.
The album's only single, "Just Because I'm a Woman", was released in May 1968 [1] and debuted at number 46 on the Billboard Hot Country Songs chart dated June 29. It peaked at number 17 on the chart dated September 14, its twelfth week on the chart. The single charted for a total of 14 weeks. It also peaked at number eight in Canada on the RPM Country Singles chart.
Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
The Encyclopedia of Popular Music | ![]() ![]() ![]() ![]() ![]() |
Billboard reviewed the album in the issue dated April 27, 1968, saying that "Dolly really makes it with this package. Her performances are packed with sincerity and style. The songs include "You're Gonna Be Sorry", "False Eyelashes", "Try Being Lonely", and some more earthy, realistic tunes." [4]
Cashbox published a review of the album which said, "After one duet smash with Porter Wagoner, and another just beginning to make the climb, Dolly Parton makes her first RCA solo flight with this LP. Soaring to some pretty heady heights with a dozen well-chosen tracks, the lark spreads her wings like a veteran, especially on such tracks as "Try Being Lonely" and "You're Gonna Be Sorry", as well as the title track, and can count on some excellent response." [5]
Mark Deming of AllMusic gave the album 4.5 out of 5 stars, calling it "one of Parton's best early albums and a superb showcase for her gifts as both a singer and songwriter." He noted that although there are only four Parton compositions on the album, they are four of the best songs included. He concluded by saying that "the album still sounds like a winner decades after its initial release." [2]
The album debuted at number 44 on the Billboard Top Country Albums chart dated May 4, 1968. It peaked at number 22 on the charted dated June 15, its seventh week on the chart. The album charted for a total of nine weeks.
The album was reissued on CD in 1995 as 2Gether on 1 with Porter Wagoner and Parton's first collaborative studio album, Just Between You and Me . It was reissued in 2003 with new liner notes and two bonus tracks recorded for Parton's 1970 live album A Real Live Dolly , including her first live performance of "Coat of Many Colors".
No. | Title | Writer(s) | Recording date | Length |
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1. | "You're Gonna Be Sorry" | Dolly Parton | December 11, 1967 | 2:16 |
2. | "I Wish I Felt This Way at Home" | Harlan Howard | December 11, 1967 | 2:29 |
3. | "False Eyelashes" |
| December 20, 1967 | 2:30 |
4. | "I'll Oilwells Love You" |
| December 20, 1967 | 2:16 |
5. | "The Only Way Out (Is to Walk Over Me)" | Neal Merritt | December 11, 1967 | 2:55 |
6. | "Little Bit Slow to Catch On" | Curly Putman | December 18, 1967 | 2:19 |
No. | Title | Writer(s) | Recording date | Length |
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1. | "The Bridge" | Parton | December 20, 1967 | 2:34 |
2. | "Love and Learn" | Owens | December 20, 1967 | 2:33 |
3. | "I'm Running Out of Love" | Owens | December 18, 1967 | 2:06 |
4. | "Just Because I'm a Woman" | Parton | December 18, 1967 | 3:04 |
5. | "Baby Sister" | Shirl Milete | December 18, 1967 | 2:39 |
6. | "Try Being Lonely" |
| December 20, 1967 | 2:42 |
No. | Title | Writer(s) | Recording date | Length |
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13. | "Just Because I'm a Woman" (Live) | Parton | April 25, 1970 | 3:30 |
14. | "Coat of Many Colors" (Live) | Parton | April 25, 1970 | 3:19 |
Adapted from the album's 2003 CD reissue liner notes.
Chart (1968) | Peak position |
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US Top Country Albums (Billboard) [6] | 22 |
Region | Date | Format | Title | Label | Ref. |
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United States | April 15, 1968 | LP | Just Because I'm a Woman | RCA Victor | [7] |
Europe | September 4, 1995 | CD | 2Gether on 1 | RCA | [8] |
Various | October 7, 2003 | Just Because I'm a Woman |
| [9] [10] | |
Coat of Many Colors is the eighth solo studio album by American singer-songwriter Dolly Parton. It was released on October 4, 1971, by RCA Victor. The album was nominated for Album of the Year at the 1972 CMA Awards. It also appeared on Time magazine's list of the 100 Greatest Albums of All Time and at No. 257 on Rolling Stone's 2020 list of the 500 Greatest Albums of All Time. Parton has cited the title track on numerous occasions as her personal favorite of all the songs she has written.
All I Can Do is the seventeenth solo studio album by American singer-songwriter Dolly Parton. It was released on August 16, 1976, by RCA Victor. The album was co-produced by Parton and Porter Wagoner and would be the last of Parton's solo albums to have any involvement from Wagoner. It was nominated for Best Country Vocal Performance, Female at the 19th Annual Grammy Awards. The album spawned three singles: "Hey, Lucky Lady", "All I Can Do", and "Shattered Image".
Dolly is the sixteenth solo studio album by American entertainer Dolly Parton. It was released on September 15, 1975, by RCA Victor. To differentiate it from Parton's 2009 4-disc, career-spanning box set, which is also titled Dolly, the album is sometimes referred to as Dolly: The Seeker – We Used To.
Porter & Dolly is the thirteenth and final collaborative studio album by Porter Wagoner and Dolly Parton. It was released on August 4, 1980, by RCA Victor. The album is made up of previously unreleased material recorded during Wagoner and Parton's duet years (1967–76), with new studio overdubs. It was released as part of a settlement from legal action Wagoner took against Parton following her departure from his band and syndicated television series. Two singles were released from the album. "Making Plans" peaked at number two on the Billboard Hot Country Singles chart and "If You Go, I'll Follow You" peaked at number 12.
Touch Your Woman is the ninth solo studio album by American singer-songwriter Dolly Parton. It was released on March 6, 1972, by RCA Victor. The album's title song and single, "Touch Your Woman", was nominated for a Grammy.
The Best of Dolly Parton is a compilation album by American singer-songwriter Dolly Parton. It was released on November 9, 1970, by RCA Victor. The album was produced by Bob Ferguson. It includes some of Parton's early hits, a few non-single album tracks, and two previously unreleased tracks. The album peaked at number 12 on the Billboard Top Country Albums chart. The single, "Mule Skinner Blues " peaked at number three on the Billboard Hot Country Songs chart and earned Parton a nomination for Best Female Country Vocal Performance at the 13th Annual Grammy Awards. The album was certified Gold by the RIAA on June 12, 1978, for sales of 500,000 copies.
Hello, I'm Dolly is the debut studio album by American singer-songwriter Dolly Parton. It was released on September 18, 1967, by Monument Records. The album was produced by Fred Foster. It peaked at number 11 on the Billboard Top Country Albums chart. The album spawned two top 40 hits, "Dumb Blonde" and "Something Fishy", which peaked at numbers 24 and 17, respectively.
Just Between You and Me is the first collaborative studio album by Porter Wagoner and Dolly Parton. It was released on January 15, 1968, by RCA Victor. The album was produced by Bob Ferguson. It peaked at number eight on the Billboard Top Country Albums chart and spawned one single, "The Last Thing on My Mind", which peaked at number seven on the Billboard Hot Country Songs chart.
Just the Two of Us is the second collaborative studio album by Porter Wagoner and Dolly Parton. It was released on September 9, 1968, by RCA Victor. The album was produced by Bob Ferguson. It peaked at number five on the Billboard Top Country Albums chart and number 184 on the Billboard 200 chart. The album spawned three singles. "Holding on to Nothin'" and "We'll Get Ahead Someday" were top ten hits on the Billboard Hot Country Songs chart, peaking at numbers seven and five, respectively. The third single, "Jeannie's Afraid of the Dark", peaked at number 51.
My Blue Ridge Mountain Boy is the fourth solo studio album by American singer-songwriter Dolly Parton. It was released on September 8, 1969, by RCA Victor. The album was produced by Bob Ferguson. It peaked at number six on the Billboard Top Country Albums chart, Parton's first solo top ten, and number 194 on the Billboard 200 chart. The album spawned three singles: "Daddy", "In the Ghetto", and the title track. "Daddy" was the most successful, peaking at number 40 on the Billboard Hot Country Songs chart.
In the Good Old Days (When Times Were Bad) is the third solo studio album by American singer-songwriter Dolly Parton. It was released on February 3, 1969, by RCA Victor. The album was produced by Bob Ferguson. It peaked at number 15 on the Billboard Top Country Albums chart. The album's title track was the only single released and it peaked at number 25 on the Billboard Hot Country Songs chart.
Always, Always is the third collaborative studio album by Porter Wagoner and Dolly Parton. It was released on June 30, 1969, by RCA Victor. The album was produced by Bob Ferguson. It peaked at number five on the Billboard Top Country Albums chart and number 162 on the Billboard 200 chart. "Yours Love" and the album's title track were released as singles, peaking at numbers nine and 16, respectively.
The Fairest of Them All is the fifth solo studio album by American singer-songwriter Dolly Parton. It was released on February 2, 1970, by RCA Victor. The album was produced by Bob Ferguson. It was the first of Parton's albums on which she wrote the majority of the songs. The Fairest of Them All peaked at number 13 on the Billboard Top Country Albums chart. The album's only single, "Daddy Come and Get Me", peaked at number 40 on the Billboard Hot Country Songs chart.
A Real Live Dolly is the first live album by American singer-songwriter Dolly Parton. It was released on June 29, 1970, by RCA Victor. The album was produced by Bob Ferguson and was recorded on April 15, 1970, at Sevier County High School in Sevierville, Tennessee. It peaked at number 32 on the Billboard Top Country Albums chart and number 154 on the Billboard 200 chart.
Porter Wayne and Dolly Rebecca is the fourth collaborative studio album by Porter Wagoner and Dolly Parton. It was released on March 9, 1970, by RCA Victor. The album was produced by Bob Ferguson. It peaked at number four on the Billboard Top Country Albums chart and number 137 on the Billboard 200 chart. Two top ten singles were released from the album, "Just Someone I Used to Know" and "Tomorrow Is Forever", peaking at numbers five and nine, respectively. "Just Someone I Used to Know" was nominated for Best Country Performance by a Duo or Group at the 12th Annual Grammy Awards.
Once More is the fifth collaborative studio album by Porter Wagoner and Dolly Parton. It was released on August 3, 1970, by RCA Victor. The album was produced by Bob Ferguson. It peaked at number 7 on the Billboard Top Country Albums chart and number 191 on the Billboard 200 chart. The album's single, "Daddy Was an Old Time Preacher Man", peaked at number 7 on the Billboard Hot Country Songs chart and was nominated for Best Country Performance by a Duo or Group at the 13th Annual Grammy Awards.
Two of a Kind is the sixth collaborative studio album by Porter Wagoner and Dolly Parton. It was released on February 8, 1971, by RCA Victor. The album was produced by Bob Ferguson. It peaked at number 13 on the Billboard Top Country Albums chart and number 142 on the Billboard 200 chart. No singles were released from the album, but "Oh, the Pain of Loving You" was included as the B-side of the 1971 single "The Right Combination".
The Best of Porter Wagoner & Dolly Parton is a compilation album by Porter Wagoner and Dolly Parton. It was released on July 19, 1971, by RCA Victor. The album contains tracks from each of their collaboration albums released up to that point, with the exception of 1969's Always, Always. The album included one previously unreleased track, the Grammy-nominated single, "Better Move It on Home".
The Right Combination • Burning the Midnight Oil is the seventh collaborative studio album by Porter Wagoner and Dolly Parton. It was released on January 3, 1972, by RCA Victor.
Together Always is the eighth collaborative studio album by Porter Wagoner and Dolly Parton. It was released on September 11, 1972, by RCA Victor.