The Best of Dolly Parton | ||||
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Compilation album by | ||||
Released | November 9, 1970 | |||
Recorded | December 18, 1967–May 12, 1970 | |||
Studio | RCA Studio B (Nashville) | |||
Genre | Country | |||
Length | 30:52 | |||
Label | RCA Victor | |||
Producer | Bob Ferguson | |||
Dolly Parton chronology | ||||
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Singles from The Best of Dolly Parton | ||||
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The Best of Dolly Parton is a compilation album by American singer-songwriter Dolly Parton. It was released on November 9, 1970, by RCA Victor. The album was produced by Bob Ferguson. It includes some of Parton's early hits, a few non-single album tracks, and two previously unreleased tracks ("Mule Skinner Blues (Blue Yodel No. 8)" and "How Great Thou Art"). The album peaked at number 12 on the Billboard Top Country Albums chart. The single, "Mule Skinner Blues (Blue Yodel No. 8)" peaked at number three on the Billboard Hot Country Songs chart and earned Parton a nomination for Best Female Country Vocal Performance at the 13th Annual Grammy Awards. The album was certified Gold by the RIAA on June 12, 1978, for sales of 500,000 copies.
Two previously unreleased songs were included on the album. "Mule Skinner Blues (Blue Yodel No. 8)" was the only song recorded at the May 4, 1970 session at RCA Studio B in Nashville. "How Great Thou Art" was recorded on May 12, 1970, during the second of three sessions for what would be Parton's 1971 album The Golden Streets of Glory .
The album was released November 9, 1970, on LP.
The album's single, "Mule Skinner Blues (Blue Yodel No. 8)", was released in June 1970 [1] and peaked at number three on the US Billboard Hot Country Songs chart and number 4 in Canada on the RPM Country Singles chart.
Review scores | |
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Source | Rating |
AllMusic | [2] |
Christgau's Record Guide | A [3] |
The review published in the November 21, 1970 issue of Billboard said, "This LP teams with big hits, including "Mule Skinner Blues", "In the Good Old Days (When Times Were Bad)", and "Just Because I'm a Woman". Every tune is packed with that special emotion only Dolly Parton can render in a song. "Down from Dover" is a real tearjerker." [4]
Cashbox published a review in the November 14, 1970 issue which said, "It becomes difficult to choose the selections for a best hits album for Dolly, because almost everything she's recorded has been a hit! Nevertheless, this new album is just a small sampling of the enormous talent she has. "Mule Skinner Blues", "Down from Dover", "Gypsy, Joe and Me", "In the Ghetto", "Just Because I'm a Woman", "How Great Thou Art," and "Just the Way I Am" are included." [5]
The album peaked at number 12 on the US Billboard Top Country Albums chart.
Parton earned her first solo Grammy nomination for "Mule Skinner Blues (Blue Yodel No. 8)". It was nominated for Best Female Country Vocal Performance at the 13th Annual Grammy Awards. [6]
Award | Year | Category | Nominee/work | Result |
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Grammy Awards | 1971 | Best Female Country Vocal Performance | "Mule Skinner Blues (Blue Yodel No. 8)" | Nominated |
All songs written by Dolly Parton, except where noted.
No. | Title | Writer(s) | Recording date | Length |
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1. | "Mule Skinner Blues (Blue Yodel No. 8)" | May 4, 1970 | 3:10 | |
2. | "Down from Dover" (from The Fairest of Them All ) | September 4, 1969 | 3:42 | |
3. | "My Blue Ridge Mountain Boy" (from My Blue Ridge Mountain Boy ) | May 20, 1969 | 3:27 | |
4. | "In the Good Old Days (When Times Were Bad)" (from In the Good Old Days (When Times Were Bad) ) | September 9, 1968 | 2:46 | |
5. | "Gypsy, Joe and Me" (from My Blue Ridge Mountain Boy) | May 21, 1969 | 3:07 |
No. | Title | Writer(s) | Recording date | Length |
---|---|---|---|---|
1. | "In the Ghetto" (from My Blue Ridge Mountain Boy) | Mac Davis | June 2, 1969 | 2:46 |
2. | "Just Because I'm a Woman" (from Just Because I'm a Woman ) | December 18, 1967 | 3:01 | |
3. | "Daddy Come and Get Me" (from The Fairest of Them All) |
| October 31, 1969 | 2:59 |
4. | "How Great Thou Art" | Stuart K. Hine | May 12, 1970 | 3:27 |
5. | "Just the Way I Am" (from The Fairest of Them All) | October 31, 1969 | 2:27 |
Adapted from the album liner notes and RCA recording session records.
Chart (1970) | Peak position |
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US Top Country Albums (Billboard) [7] | 12 |
Region | Certification | Certified units/sales |
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Australia (ARIA) [8] | Gold | 35,000‡ |
United States (RIAA) [9] | Gold | 500,000^ |
^ Shipments figures based on certification alone. |
Here You Come Again is the nineteenth solo studio album by American entertainer Dolly Parton. It was released on October 3, 1977, by RCA Victor. The album was a commercial success, peaking at number 20 on the US Billboard 200 and at number 2 on the Hot Country Albums year-end chart and also being nominated for Favourite Country Album at the American Music Awards. It became Parton's first album to be certified platinum by the Recording Industry Association of America for shipping a million copies. The lead single and title track was also a success, entering the top five of the US Billboard Hot 100 and being nominated for Favourite Country Single at the American Music Awards.
Trio is a collaborative album by American singers Dolly Parton, Linda Ronstadt, and Emmylou Harris. It was released on March 2, 1987, by Warner Bros. Records. The album has platinum certification in the U.S. for sales of one million copies, and has total worldwide sales of approximately four million. A second collaborative album, Trio II, was released in 1999.
Coat of Many Colors is the eighth solo studio album by American singer-songwriter Dolly Parton. It was released on October 4, 1971, by RCA Victor. The album was nominated for Album of the Year at the 1972 CMA Awards. It also appeared on Time magazine's list of the 100 Greatest Albums of All Time and at No. 257 on Rolling Stone's 2020 list of the 500 Greatest Albums of All Time. Parton has cited the title track on numerous occasions as her personal favorite of all the songs she has written.
"Blue Yodel no. 8, Mule Skinner Blues" is a classic country song written by Jimmie Rodgers. The song was first recorded by Rodgers in 1930 and has been recorded by many artists since then, acquiring the de facto title "Mule Skinner Blues" after Rodgers named it "Blue Yodel #8".
New Harvest...First Gathering is the eighteenth solo studio album by American entertainer Dolly Parton. It was released on February 14, 1977, by RCA Victor. It is significant for being Parton's first self-produced album, as well as her first effort aimed specifically at the pop charts.
Touch Your Woman is the ninth solo studio album by American singer-songwriter Dolly Parton. It was released on March 6, 1972, by RCA Victor. The album's title song and single, "Touch Your Woman", was nominated for a Grammy.
Joshua is the seventh solo studio album by American singer-songwriter Dolly Parton. It was released on April 12, 1971, by RCA Victor. The album was produced by Bob Ferguson. It peaked at number 16 on the Billboard Top Country Albums chart and number 198 on the Billboard 200 chart. The album's single, "Joshua", was nominated for a Grammy and was Parton's first song to reach number one on the Billboard Hot Country Songs chart.
Just Because I'm a Woman is the second solo studio album by American singer-songwriter Dolly Parton. It was released on April 15, 1968, by RCA Victor. The album was produced by Bob Ferguson. It peaked at number 22 on the Billboard Top Country Albums chart. The album's title track was the only single released and it peaked at number 17 on the Billboard Hot Country Singles chart.
My Blue Ridge Mountain Boy is the fourth solo studio album by American singer-songwriter Dolly Parton. It was released on September 8, 1969, by RCA Victor. The album was produced by Bob Ferguson. It peaked at number six on the Billboard Top Country Albums chart, Parton's first solo top ten, and number 194 on the Billboard 200 chart. The album spawned three singles: "Daddy", "In the Ghetto", and the title track. "Daddy" was the most successful, peaking at number 40 on the Billboard Hot Country Songs chart.
In the Good Old Days (When Times Were Bad) is the third solo studio album by American singer-songwriter Dolly Parton. It was released on February 3, 1969, by RCA Victor. The album was produced by Bob Ferguson. It peaked at number 15 on the Billboard Top Country Albums chart. The album's title track was the only single released and it peaked at number 25 on the Billboard Hot Country Songs chart.
The Fairest of Them All is the fifth solo studio album by American singer-songwriter Dolly Parton. It was released on February 2, 1970, by RCA Victor. The album was produced by Bob Ferguson. It was the first of Parton's albums on which she wrote the majority of the songs. The Fairest of Them All peaked at number 13 on the Billboard Top Country Albums chart. The album's only single, "Daddy Come and Get Me", peaked at number 40 on the Billboard Hot Country Songs chart.
A Real Live Dolly is the first live album by American singer-songwriter Dolly Parton. It was released on June 29, 1970, by RCA Victor. The album was produced by Bob Ferguson and was recorded on April 15, 1970, at Sevier County High School in Sevierville, Tennessee. It peaked at number 32 on the Billboard Top Country Albums chart and number 154 on the Billboard 200 chart.
Porter Wayne and Dolly Rebecca is the fourth collaborative studio album by Porter Wagoner and Dolly Parton. It was released on March 9, 1970, by RCA Victor. The album was produced by Bob Ferguson. It peaked at number four on the Billboard Top Country Albums chart and number 137 on the Billboard 200 chart. Two top ten singles were released from the album, "Just Someone I Used to Know" and "Tomorrow Is Forever", peaking at numbers five and nine, respectively. "Just Someone I Used to Know" was nominated for Best Country Performance by a Duo or Group at the 12th Annual Grammy Awards.
Once More is the fifth collaborative studio album by Porter Wagoner and Dolly Parton. It was released on August 3, 1970, by RCA Victor. The album was produced by Bob Ferguson. It peaked at number 7 on the Billboard Top Country Albums chart and number 191 on the Billboard 200 chart. The album's single, "Daddy Was an Old Time Preacher Man", peaked at number 7 on the Billboard Hot Country Songs chart and was nominated for Best Country Performance by a Duo or Group at the 13th Annual Grammy Awards.
Two of a Kind is the sixth collaborative studio album by Porter Wagoner and Dolly Parton. It was released on February 8, 1971, by RCA Victor. The album was produced by Bob Ferguson. It peaked at number 13 on the Billboard Top Country Albums chart and number 142 on the Billboard 200 chart. No singles were released from the album, but "Oh, the Pain of Loving You" was included as the B-side of the 1971 single "The Right Combination".
The Golden Streets of Glory is the sixth solo studio album by American singer-songwriter Dolly Parton. It was released on February 15, 1971, by RCA Victor. The album was produced by Bob Ferguson. It peaked at number 22 on the Billboard Top Country Albums chart. No singles were released from the album, but the title track was released as the B-side of the religious single "Comin' for to Carry Me Home" in May 1971. The album was nominated for Best Sacred Performance at the 14th Annual Grammy Awards. The album's liner notes were written by Parton's maternal grandfather, Rev. Jake Owens.
The Best of Porter Wagoner & Dolly Parton is a compilation album by Porter Wagoner and Dolly Parton. It was released on July 19, 1971, by RCA Victor. The album contains tracks from each of their collaboration albums released up to that point, with the exception of 1969's Always, Always. The album included one previously unreleased track, the Grammy-nominated single, "Better Move It on Home".
The Right Combination • Burning the Midnight Oil is the seventh collaborative studio album by Porter Wagoner and Dolly Parton. It was released on January 3, 1972, by RCA Victor.
Honky Tonk Angels is a collaborative studio album by Dolly Parton, Loretta Lynn and Tammy Wynette. It was released on November 2, 1993, by Columbia Records. The album was certified Gold by the RIAA on January 5, 1994, for sales of 500,000 copies.
"The Last Thing on My Mind" is a song written by American musician and singer-songwriter Tom Paxton in the early 1960s and recorded first by Paxton in 1964. It is based on the traditional lament song "The Leaving of Liverpool". The song was released on Paxton's 1964 album Ramblin' Boy, which was his first album released on Elektra Records.