The topic of this article may not meet Wikipedia's notability guideline for music .(March 2013) |
Justin Hayford | |
---|---|
Birth name | Justin Hayford |
Born | March 11, 1970 |
Origin | Rochester, New York, United States |
Genres | Vocal jazz Cabaret |
Occupation(s) | Jazz singer Pianist Social activist Journalist |
Instrument(s) | Vocals piano |
Justin Hayford (born March 11, 1970) is a Chicago-based singer and pianist. He performs jazz and cabaret music and specializes in reviving obscure and forgotten songs from the past. Justin writes and presents cabaret shows at various venues in Chicago, and has released a number of albums.
He also worked as Case Manager of the Legal Council for Health Justice from 1991 through at least 2017, and wrote theater reviews for the Chicago Reader newspaper from 1987 until 2019. [1] [2] [3] [4]
Justin Hayford was born in Rochester, New York, on March 11, 1970.
The roots of Justin's musical talent are to be sought in his family: many of his family members are musicians. His mother, Charlotte Cain, and her two sisters formed a close-harmony singing group called The Cain Sisters, who sang on the Chicago radio station WLS in their own show, and later performed on NBC Radio. Charlotte's father, Noble Cain, was the choral director at Northwestern University, as well as the musical director at NBC Radio and a well known composer of a cappella music. Justin's father, John Hayford, plays the piano, clarinet and trombone, although this is not his main occupation.
Justin grew up in an environment where music was greatly appreciated, which formed his own appreciation of music. He, however, felt insecure about his musical skills. He was the only one in his family who did not get formal musical training. He taught himself to play the piano using the piano at his home, but he disliked singing. Trying to avoid all possibilities for a musical career, he started pursuing a degree in astrophysics at Northwestern University. He later switched to mathematical studies and subsequently moved on to a department called Interpretation which deals with the analysis and performance of literature. Eventually, he earned a master's degree in Interpretation.
That field of study drew him to the theater. Justin and his acquaintance Audrey Heller formed a group called Industrial Theater, and the two started creating original evening-length image-based performance pieces which examined contemporary social anxieties.
At that time Justin took an interest in the problems of people suffering from AIDS. He began volunteering at the AIDS Legal Council of Chicago (later renamed to Legal Council for Health Justice) which protects the rights of people living with HIV and AIDS and provides free legal services to them. Justin spent a year there as a volunteer and was then promoted to the position of case manager. [3] He worked at the Legal Council through at least 2017, advocating for people who have been discriminated against, fighting to secure their public benefits, helping them prepare the estate planning documents, struggling to secure green cards or asylum for recent legal immigrants.
Shortly after taking the job with the Legal Council Justin recommenced his musical pursuits. He started playing an electric piano as a means of recreation and relaxation. By continuous practice Justin gradually discovered the basics of music theory by himself, becoming more and more skillful by learning from his mistakes.
After learning about jazz chords for several years, Justin tentatively began to sing while he played. Initially, those attempts produced unsatisfactory results, but Justin persisted and achieved improvement. Justin got familiar with and started to admire the music of Matt Dennis, an American singer and pianist, whose voice was not very powerful but he used it to great effect. Justin found a resemblance between his voice and Dennis’ voice, so he saw in Dennis a model from which he could learn.
From that moment on Justin began to search out little known songs from the 1930s and 1940s and performed them before his friends. His first cabaret performance happened in Chicago at his birthday party. He performed 16 songs for an audience of about 30 people. Later Justin started performing in a piano bar on a regular basis which helped him develop his distinctive style. After that Justin began creating full-length cabaret shows and presenting them at Davenport's Piano Bar & Cabaret in Chicago.
Justin's main musical interest is in little-known songs from the Great American Songbook by composers such as Cole Porter, Frank Loesser, Bobby Troup. Justin revives songs that were forgotten a long time ago or that never became popular when they were created. Thus he rescues dozens of songs from undeserved obscurity. He believes that many of these overlooked songs are valuable and should not have sunk into oblivion.
The main feature of Justin's performances is understatement, i.e. singing quietly, withholding a lot, avoiding everything pushy and showy, communicating with the audience in an easy and relaxed manner, instead of trying to dominate.
Justin's style is to some extent an opposition to what he finds negative in the typical jazz singing. He believes that the song must stay in the foreground, while the singer must remain in the background. Unlike many jazz singers, he does not try to impress the audience with vocal virtuosity, but puts the emphasis on the beauty of the melody and lyrics of the song.
Justin says he is not a typical musician in the sense that he does not make special efforts to gain popularity or sell his records. He cherishes music too much to turn it into his job. For this reason his main occupation continues to be his legal work.
Justin has recorded at least four albums for Lee Lessack's LML Music label, which was dedicated to cabaret, jazz and Broadway music. All four albums are collections of little-known old songs.
For these albums, Justin worked with the bassist Jim Cox and the drummer Phil Gratteau, and sometimes with additional musicians.
In 2001 After Dark Chicago Magazine gave Justin its "Outstanding Cabaret Artist" Award.
His easygoing style harkens back to the days when they used to call men such as him crooners, and his wry sense of humor and laid-back manner instantly set an audience at ease. Then he lets his nimble fingers traipse over the ivories, and it all adds up to rare and grand entertainment.
— 2001 After Dark Award
Nathaniel Adams Coles, known professionally by his stage name Nat King Cole, was an American singer, jazz pianist, and actor. Cole's career as a jazz and pop vocalist started in the late 1930s and spanned almost three decades where he found success and recorded over 100 songs that became hits on the pop charts.
Melvin Howard Tormé, nicknamed "The Velvet Fog", was an American musician, singer, composer, arranger, drummer, actor, and author. He composed the music for "The Christmas Song" and co-wrote the lyrics with Bob Wells. Tormé won two Grammy Awards and was nominated a total of 14 times.
Bruce Randall Hornsby is an American singer-songwriter and pianist. His music draws from folk rock, jazz, bluegrass, folk, Southern rock, country rock, jam band, rock, heartland rock, and blues rock musical traditions.
Homer and Jethro were the stage names of American country music duo Henry D. "Homer" Haynes (1920–1971) and Kenneth C. "Jethro" Burns (1920–1989), popular from the 1940s through the 1960s on radio and television for their satirical versions of popular songs. Known as the Thinking Man's Hillbillies, they received a Grammy Award in 1959 and are members of the Country Music Hall of Fame.
Largo, also called Café Largo, Largo, darling!, or Club Largo, is a nightclub and cabaret in Los Angeles, California. Largo is known for its musical and comedy shows and for the Friday night residency of singer-songwriter Jon Brion.
Lionel Cole is an American pianist and composer. He has served as a regularly touring member of Mariah Carey's live band. Cole also partnered with Malcolm-Jamal Warner, to create the jazz and funk band Miles Long. The first album, The Many Facets of Superman, featured En Vogue's Cindy Heron and soul icon Teena Marie.
Ute Gertrud Lemper is a German singer and actress. Her roles in musicals include playing Sally Bowles in the original Paris production of Cabaret, for which she won the 1987 Molière Award for Best Newcomer, and Velma Kelly in the revival of Chicago in both London and New York, which won her the 1998 Olivier Award for Best Actress in a Musical.
A piano bar consists of a piano or electronic keyboard played by a professional musician. Piano bars can be located in a cocktail lounge, bar, hotel lobby, office building lobby, restaurant, or on a cruise ship. Usually the pianist receives a small salary plus tips in a jar or basket on or near the piano, especially from patrons requesting a song traditionally written on a beverage napkin. Some piano bars feature a baby grand or grand piano surrounded by stools for patrons. Others have a bar surrounding the piano or keyboard.
"If I Were a Bell" is a song composed by Frank Loesser for his 1950 musical Guys and Dolls.
"Sooner or Later" is a song recorded by the American singer Madonna from her soundtrack album I'm Breathless. Written by American composer Stephen Sondheim and produced by Madonna and Bill Bottrell, the song was used in the parent film, Dick Tracy. "Sooner or Later" was composed to evoke the theatrical nature and style of the film. A 1930s-style jazz ballad with piano, drum, double bass, and horns, the track conjures up the atmosphere of a smoky nightclub. Madonna sings in her lowest register accompanied by a variable pitch.
Russ Lorenson is an American singer and actor. Though a stage actor since childhood, since the mid-2000s Lorenson has established a reputation as an interpreter of jazz standards. With a retro crooner style, Lorenson's sound and approach are an amalgam of Broadway, jazz, and pop.
Lionel Frederick Cole was an American jazz singer and pianist whose recording career spanned almost 70 years. He was the brother of musicians Nat King Cole, Eddie Cole, and Ike Cole, father of Lionel Cole, and uncle of Natalie Cole and Carole Cole.
Dominic Alldis is a jazz pianist, orchestral conductor, and arranger. He is also a business speaker and founder of Music & Management.
Beattie Casely-Hayford was a Ghanaian engineer. He was the first director of the Ghana Arts Council, a co-founder of the Ghana National Dance Ensemble, and a director of the Ghana Broadcasting Corporation (GBC).
Johnny Rodgers is an American singer-songwriter, pianist, Broadway star, and recording artist whom The New York Times described as an entertainer "[who] can't be found anywhere else" with "fused elements of Billy Joel, Peter Allen and Johnny Mercer."
Rondi Charleston is a jazz vocalist and songwriter. She is also an Emmy and Peabody Award-winning television journalist and investigative reporter for Primetime.
Frank Holder was a Guyanese jazz singer and percussionist. He was a member of bands led by Jiver Hutchinson, Johnny Dankworth and Joe Harriott.
Steven Richard Ross is an American cabaret singer and pianist, known for his interpretations of the Great American Songbook, particularly the music of George Gershwin, Cole Porter, Irving Berlin and Noël Coward. He is a revivalist of popular compositions from the early-to-mid 20th century, including ragtime, Tin Pan Alley, show tunes, musical theatre and patter songs. Ross has been dubbed "the Crown Prince of Cabaret", and his personal style described as "the epitome of sophisticated 'cafe' cabaret". Regarding his interpretations of Cole Porter, fellow cabaret pianist Michael Feinstein noted that Ross has, "an ability to create a reserve or an 'arch' quality that certain of his songs require and that eludes" other performers.
Audrey Morris was an American singer and pianist who specialized in jazz ballads.
Wesla Whitfield was an American singer who recorded more than a score of albums and performed at Carnegie Hall and the White House, among other sites. She used a wheelchair for the last four decades of her life, after surviving a gunshot injury. She specialized in the American standards genre of music.