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KMET was a Los Angeles FM radio station owned by Metromedia (hence the "MET" in its call sign) that broadcast at 94.7 MHz beginning on May 2, 1966. [1] It signed off permanently on February 14, 1987 after a 21-year run on air. [2] The station, nicknamed "The Mighty Met" (among other nicknames), was a pioneering station of the "underground" progressive rock format.
As with many FM stations at the time, KMET featured an automated format (with female voices and middle-of-the-road music). The origin of KMET's freeform rock music format came about due to events at a rival radio station. In 1967, popular Top 40 disc jockey Tom Donahue (Rock Radio Hall of Fame inductee 2015) and his wife Raechel took the FM underground rock sound to KMPX in San Francisco, and soon, along with L.A. Top 40 personality B. Mitchel Reed, to KPPC-FM in Pasadena. Both stations quickly became popular with their innovative formats, and brought the owners more success than they encountered before. But it was to be short-lived. After conflicts with the stations’ owners, the Donahues, Reed and the rest of the KPPC and KMPX staff left both stations and went on strike. As prospects for resolving the strike looked hopeless (the owners had hired scabs to continue the rock programming), Tom Donahue looked elsewhere, and eventually convinced Metromedia to install KPPC's format at KMET in June 1968. They did likewise at KMET's sister station, KSAN-FM in San Francisco. Many of the personalities at both stations transferred to Metromedia.
The KPPC format was only mildly successful. After leaving KROQ AM/FM, Shadoe Stevens was hired by General Manager L. David Moorhead in 1974 to create something new for the struggling format KMET had put in place. With a staff that included B. Mitchell Reed, Stevens, Jimmy Rabbitt, [3] Brother John, and Mary ("The Burner") Turner, Stevens introduced a new rock format that retained some of Donahue's progressive freedom but gave it energy and consistency that featured programming and high production values similar to those that had been integrated at KROQ. Stevens also designed a futuristic billboard campaign called "Hollywood as seen from Mulholland Drive in the year 2525."
Artist Neon Park did ads for KMET as well as the famous billboards. With this new programming design and branded marketing, in 1975 KMET became the number one radio station in Los Angeles.http://www.shadoe.com/kroq-kmet-fm.html [ citation needed ]
KMET's station identification jingle, "A Little Bit of Heaven, Ninety-Four Point Seven - KMET - Tweedle-Dee" was originally written by Shadoe Stevens and the song was sung by the Pointer Sisters during an interview on his show. This ID "jingle" came to be emblematic for KMET.
Stevens left in 1975 to begin a production company and the station's programing was taken over by Sam Bellamy. Ms. Bellamy, who had been hired from Billboard Magazine, had been Stevens' assistant for most of the time he programmed the station.[ citation needed ]
At the time, the studios of KMET and its local AM counterpart, country-western KLAC, were located across the street from the La Brea Tar Pits on Wilshire Blvd. In Summer 1976, both stations moved to the then-Metromedia complex where KTTV Channel 11 was located.[ citation needed ]
KMET stood in direct contrast to other music stations of the era. KMET and other progressive-rock stations played more eclectic artists with much longer songs and more socially-conscious lyrics than the Top 40 AM stations. The disc jockeys talked far less, and in a more personal, relaxed manner. They voiced their opinions on controversial topics, such as the killing of whales, the spraying of marijuana with the toxic chemical Paraquat, the Vietnam War and civil rights, and most importantly they chose the music that they played on the air. Emblematic of this approach was longtime KMET late-night host Jim Ladd (fired October 25, 2011 by one-time rival KLOS-FM, later hosting his own show on SiriusXM, now deceased), whose laid-back philosophical ruminations usually led into a song, from artists such as Bob Dylan, John Lennon, Pink Floyd, The Doors or Led Zeppelin—that underscored his point.[ citation needed ]
KMET often mixed counterculture comedy skits by the Firesign Theatre and the Credibility Gap with the music. The Credibility Gap broadcast satirical skits during Pasadena's Tournament of Roses Parade in the 1970s. [4] Another KMET staple at the time was Dr. Demento, whose variety show began on KPPC-FM. The Dr. Demento Show moved to KMET-FM in 1972 and soon became the most listened-to Sunday evening radio program in Los Angeles.[ citation needed ] Following Dr. Demento on Sunday nights, Mike Harrison hosted a phone-in talk show called Harrison's Mike.[ citation needed ]
KMET aired live concerts that went on to become seminal recordings. David Bowie's show at the Santa Monica Civic Auditorium on 20 October 1972 during the Ziggy Stardust Tour was aired by KMET. Bootlegs of the broadcast were widely distributed, even in chain record stores, before it gained a semi-official release in 1994 and then an official release in 2008. According to author David Buckley, possessing a copy of the bootleg was the test of a "proper Bowie fan".
On July 7, 1978, KMET aired Bruce Springsteen's concert live from the Roxy. Many songs from that broadcast were included on Bruce Springsteen and the E Street Band's album Live/1975–85 .[ citation needed ]
KMET was a member of a group of progressive-rock stations that emerged across the country in the late 1960s and early 1970s, along with KSAN, WNEW-FM in New York City, WMMR in Philadelphia, WBCN in Boston, WMMS in Cleveland, and KQRS-FM in Minneapolis.[ citation needed ]
The 1978 movie FM , written by former employee Ezra Sacks, was reportedly loosely based on KMET. The lead character was based around Mike Herrington, the program director for much of the era preceding the film. Much of the history of KMET is documented in Jim Ladd's book Radio Waves, where the station is referred to as Radio KAOS and many of the DJs are given pseudonyms. [5] Arguably, 1978 was the pinnacle year at the station. The line-up was impressive. Jeff Gonzer, Bob Coburn, Cynthia Fox, Jack Snyder, Mary Turner, and Jim Ladd. Ace Young and Patrick 'Paraquat' Kelley provided the breaking news and views of the day.
The progressive format thrived on KMET throughout the 1970s and into the early 1980s, at one time becoming one of the most successful FM stations in the country.[ citation needed ] But changing trends in music, culture and society, and the advent of strict formatting in radio eventually turned KMET into a relic. The station experienced staff turnover, radio consultants, tight playlists and an increasingly-impersonal approach typical of the more mainstream album oriented rock format.[ citation needed ]
KMET is also notable for broadcasting the program The Mighty METal Hour, which was hosted by Jim Ladd on Friday nights from 10PM to midnight, [6] and showcased the music of many then-up-and-coming hard rock and heavy metal bands, including Metallica, Slayer, Megadeth, Anthrax, Iron Maiden, Queensrÿche, Mötley Crüe, Motörhead, Y&T, Metal Church, Great White, Armored Saint, Dio, W.A.S.P., Ratt, Quiet Riot, Twisted Sister, Saxon, Riot, Loudness, Warrior and Agent Steel.
Metromedia fired the entire KMET on-air staff on February 9, 1987, signing off its album rock format at Noon on February 14, 1987, with The Beatles' "Golden Slumbers Medley" (Golden Slumbers / Carry That Weight / The End). KMET was replaced by the new-age KTWV "The Wave". [7] Today, "The Wave" has evolved into a Smooth Jazz format, though now plays Urban Adult Contemporary and is owned by Entercom, which merged with CBS Radio in 2017. The KMET call letters have been since reassigned to an AM Talk radio station, KMET in Banning, California.
On June 21, 2009, Los Angeles radio station KSWD ("The Sound 100.3") announced that on July 10, 2009, it would do a one-day revival of KMET complete with the original airchecks and many of the on-air staff from the station's heyday. [8] The Sound had another KMET reunion from November 1 to 3, 2013. [9]
KMET was inducted into the Rock Radio Hall of Fame in the "Legends of Rock Radio-Stations" category in 2014.[ citation needed ]
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Barret Eugene Hansen, known professionally as Dr. Demento, is an American radio broadcaster and record collector specializing in novelty songs, comedy, and strange or unusual recordings dating from the early days of phonograph records to the present. Hansen created the Demento persona in 1970 while working at Pasadena, California station KPPC-FM. He played "Transfusion" by Nervous Norvus on the radio, and DJ "The Obscene" Steven Clean said that Hansen had to be "demented" to play it, and the name stuck. His weekly show went into syndication in 1974 and was syndicated by the Westwood One Radio Network from 1978 to 1992. Broadcast syndication of the show ended on June 6, 2010, but the show continues to be produced weekly in an online version.
Shadoe Stevens is an American radio host, voiceover actor, and television personality. He was the host of American Top 40 from 1988 to 1995. He currently hosts the internationally syndicated radio show Top of the World, and co-hosts Mental Radio, an approach to UFOs and paranormal topics. He was co-founder and creator of Sammy Hagar's rock station "Cabo Wabo Radio" which broadcast from the Cabo Wabo Cantina in Cabo San Lucas, Mexico. In television, he was the announcer for The Late Late Show with Craig Ferguson on CBS and, as of July 2015, serves as the primary continuity announcer for the Antenna TV network. His voice can also be heard as the voiceover for "G.O.D." in the Off-Broadway musical Altar Boyz. Stevens is also often heard on Hits & Favorites, calling in at least once a week to share wisdom with his brother Richard Stevens and their friend Lori St. James.
James William Ladd was an American disc jockey, radio producer and writer. He was one of the last notable remaining freeform rock DJs in United States commercial radio.
KLOS is a commercial radio station that is licensed to Los Angeles, California, and serves the Greater Los Angeles area. The station is owned by Meruelo Media. KLOS airs a mainstream rock radio format and has broadcast rock music in some form since 1969. The studios are on West Olive Avenue in Burbank.
KSCA is a commercial FM radio station licensed to Glendale, California and broadcasting to the Greater Los Angeles area. KSCA is owned by TelevisaUnivision, and it airs a Regional Mexican radio format. The station has studios and offices on Center Drive in West Los Angeles. KSCA's transmitter is on Mount Wilson.
KTWV is a commercial radio station licensed to Los Angeles, California, and broadcasting to the Greater Los Angeles area. The station is owned by Audacy, Inc., and airs an urban adult contemporary radio format. KTWV has studios on Wilshire Boulevard in the Miracle Mile district of Los Angeles. As "94.7 The Wave," the station was known for pioneering the smooth jazz radio format in the late 1980s.
KSOL is a Spanish language radio station in San Francisco, California. KSQL simulcasts the station in Santa Cruz. KSOL and KSQL program a format consisting of regional Mexican music and talk shows. Both stations are owned by TelevisaUnivision USA. Its studios are located at 1940 Zanker Road in San Jose, and the KSOL transmitter is on Mount Sutro.
KBUE is a commercial radio station licensed to Long Beach, California, that serves the Los Angeles metropolitan area. It is owned by Estrella Media and airs a Regional Mexican radio format. Studios and offices are on Hollywood Boulevard in Los Angeles.
KOME was a commercial FM radio station in San Jose, California, broadcasting at 98.5 MHz. KOME was on the air from 1971 through 1998. Currently, the 98.5 FM frequency is home to KUFX "K-Fox," a classic rock station.
Progressive rock is a radio station programming format that emerged in the late 1960s, in which disc jockeys are given wide latitude in what they may play, similar to the freeform format but with the proviso that some kind of rock music is almost always played. It enjoyed the height of its popularity in the late 1960s and 1970s. The name for the format began being used circa 1968, when serious disc jockeys were playing "progressive 'music for the head'" and discussing social issues in between records. During the late 1960s, as long-playing records began to supplant the single in popularity with rock audiences, progressive rock stations placed more emphasis on album tracks than did their AM counterparts. Throughout the 1970s, as FM stations moved to more structured formats, progressive rock evolved into album-oriented rock (AOR).
Raechel Donahue is a rock radio pioneer generally associated with her husband Tom Donahue, who died in 1975. She was the original entertainment reporter for CNN, briefly served as VJ for Cable Music Channel and a longtime radio personality in San Francisco on KSAN and in Los Angeles on KMET, KROQ-FM, KIIS-FM, and in 2006 was heard on SIRIUS Satellite Radio (SIRIUS), Classic Vinyl and Sirus Gold.
KROQ was a radio station licensed to Burbank, California, serving the Los Angeles metropolitan area.
Tom "Big Daddy" Donahue, was an American rock and roll radio disc jockey, record producer and concert promoter.
KFRC-FM is a commercial radio station in San Francisco, California, serving the San Francisco Bay Area. It currently simulcasts sister station KCBS, which carries an all-news format. The station transmits its signal from Mount Beacon atop the Marin Headlands above Sausalito, California, while studios were shared with formerly co-owned CBS O&O station KPIX-TV in downtown San Francisco.
The year 1968 saw a number of significant events in radio broadcasting history.
B. Mitchel Reed was a successful and popular American disc jockey on both Top 40 and album-oriented rock radio stations, working in New York and Los Angeles during his 25-year career.
KYLD is a commercial radio station in San Francisco, California, serving the San Francisco Bay Area and owned by San Antonio–based iHeartMedia. The station airs a Top 40 (CHR) format on its analog primary signal. The station has studios located in the SoMa district of San Francisco, and the transmitter is located atop the San Bruno Mountains.
KROQ-FM is a commercial radio station licensed to Pasadena, California, serving the Greater Los Angeles. Owned by Audacy, Inc., it broadcasts an alternative rock format known as "The World Famous KROQ".
Marion Elbridge Herrington, best known as Captain Mikey, was an American disc jockey; voice-over actor, who was the national voice for Sears; and innovative radio program director, who "pioneered album-oriented rock formats at San Jose's KOME and Los Angeles' KMET", and was described as "one of the very best programmers in Top 40 radio as well as what we called progressive rock on FM."
KPPC was a radio station in Pasadena, California, United States, broadcasting on 1240 kHz between 1924 and 1996. Operating as a limited-hours, low-power station for most of its history, it carried primarily Christian radio programming and was originally owned by the Pasadena Presbyterian Church. Toward the end of its existence, it also aired ethnic programs. KPPC also spawned KPPC-FM 106.7, which was an influential free form, progressive rock station in the late 1960s and early 1970s and went on to become KROQ-FM.
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