Kevin Penkin | |
|---|---|
| Born | 22 May 1992 United Kingdom |
| Origin | Perth, Western Australia |
| Genres | |
| Occupation | Composer |
| Years active | 2011–present |
| Website | kpenkmusic |
Kevin Penkin (born 22 May 1992) is a British-born Australian composer, primarily for video games and anime. He is best known for composing the score of the anime Made in Abyss , which won Best Score at the 2nd Crunchyroll Anime Awards, and the score for the Tower of God anime adaptation, also won the same category at the fifth edition. [1]
Penkin was born on 22 May 1992 in the United Kingdom, [2] [3] and grew up in Perth, Western Australia. [4] Penkin's interest in video game music started from when he first heard the "Phendrana Drifts" theme from Metroid Prime ; [4] in a 2012 interview, he referred to the theme's electronic synths and acoustic instruments as "absolute bliss". [4]
Penkin began his career with composition credits in the 2011 short films Play Lunch and The Adventures of Chipman and Biscuit Boy. [4] In the same year, Penkin composed the soundtrack of the video game Jūzaengi: Engetsu Sangokuden; this soundtrack represented Penkin's first collaboration with Nobuo Uematsu. [4] Penkin has continued to collaborate with Uematsu in titles such as Norn9 and Defender's Quest II: Mists of Ruin. [5]
In 2013, Penkin received a Bachelor of Music in Composition and Music Technology at Edith Cowan University's Western Australian Academy of Performing Arts. In 2015, Penkin graduated from the Royal College of Music with a Master of Composition degree in Composition for Screen. [6] His studies were supported by a grant from the Tait Memorial Trust as the inaugural Tait Scholar at the Royal College of Music. [7]
In 2016, Penkin collaborated with Kinema Citrus on the Norn9 anime and the Under the Dog original video animation soundtracks. [8] Penkin's relationship with Kinema Citrus continued through to 2017 for the soundtrack of Made in Abyss , [8] winning the 2017 Crunchyroll Anime Award for Best Score with it. [1] In 2018, Penkin composed the score for the video game Florence . [9] Penkin composed the music for Kinema Citrus' anime adaptation of The Rising of the Shield Hero and NetEase's VR game Nostos in 2019. [10] He composed the score for the 2020 anime adaptation of the South Korean webtoon Tower of God . [11] Penkin was working with artist Takashi Murakami on the sequel to the movie Jellyfish Eyes , but the project was cancelled due to the COVID-19 pandemic. [12] In 2021, Penkin composed the score for "The Village Bride" episode in the Disney+ animated anthology series Star Wars: Visions . [13]
Penkin lived in the United Kingdom for some time, [8] but now lives in Melbourne, Australia. [14]
| Year | Title | Note(s) |
|---|---|---|
| 2016 | Under the Dog | [8] [15] |
| Norn9 | [8] [15] | |
| 2017 | Made in Abyss | Won "Best Score" at the 2nd Crunchyroll Anime Awards [8] [15] |
| 2019 | The Rising of the Shield Hero | Nominated for "Best Score" at the 4th Crunchyroll Anime Awards [15] [16] |
| 2020 | Made in Abyss: Dawn of the Deep Soul | [15] |
| Tower of God | Won "Best Score" at the 5th Crunchyroll Anime Awards [15] | |
| 2021 | Eden | [17] |
| Star Wars: Visions | Episode "The Village Bride" [13] | |
| 2022 | The Rising of the Shield Hero 2 | [18] |
| Made in Abyss: The Golden City of the Scorching Sun | [19] | |
| Legend of Mana: The Teardrop Crystal | Composed the opening theme "Tear of Will" [20] | |
| 2023 | Pokémon: Paldean Winds | [21] |
| The Apothecary Diaries | With Satoru Kōsaki and Alisa Okehazama [22] | |
| The Rising of the Shield Hero 3 | [23] | |
| 2024 | Bye Bye, Earth | [24] |
| Spice and Wolf: Merchant Meets the Wise Wolf | [25] | |
| Tower of God season 2 | [26] [27] | |
| 2025 | The Apothecary Diaries Season 2 | With Satoru Kōsaki and Alisa Okehazama [28] |
| Bâan: The Boundary of Adulthood | [29] |
| Year | Title | Note(s) |
|---|---|---|
| 2011 | Jūzaengi: Engetsu Sangokuden | With Nobuo Uematsu [4] [15] |
| 2012 | Defender's Quest: Valley of the Forgotten | [15] |
| 2013 | Norn9 | With Nobuo Uematsu [15] |
| Deemo | Composed "I Race the Dawn" [15] | |
| Leviathan: The Last Defense | [15] | |
| 2014 | Project Phoenix | [15] |
| 2015 | Implosion: Never Lose Hope | Composed cutscenes music [15] |
| 2017 | Kieru | [8] [15] |
| 2018 | Florence | Nominated at the 15th British Academy Game Awards for music [9] [15] |
| This Is the Police 2 | With Ben Matthews [15] | |
| 2019 | Nostos | [10] [15] |
| Rebel Cops | With Ben Matthews [15] | |
| 2020 | Necrobarista | [30] [31] |
| 2021 | Grow: Song of the Evertree | [32] |
| Arknights | Composed "Heal the World" [33] | |
| 2022 | Sin Chronicle | With various others [34] |
| TBA | Defender's Quest II: Mists of Ruin | [5] [35] |
| Renaine | With various others [36] |
| Year | Title | Note(s) |
|---|---|---|
| 2013 | Blossom Crossroads | Perth Symphony Orchestra [37] |
| Looking for Serenity | Perth Chamber Orchestra | |
| Altered Illustrations | Perth Chamber Orchestra Joshua Webster, cimbalom [38] | |
| 2014 | Atmosphere | RCM Student Film Orchestra Anaïs Laugenie, cello |
| Changing Feet | Tait Memorial Trust Chamber Orchestra Nicola Crowe, flute [39] | |
| 2015 | First Blood | "And So Forth" Opera Company Rebecca Hardwick, soprano |
| 2016 | Throughtones | Greywing Ensemble [40] |
| Houn Maru | Commissioned by Rio Tinto, Perth Symphony Orchestra [41] |
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