Kevin Penkin | |
---|---|
Born | United Kingdom | 22 May 1992
Origin | Perth, Western Australia |
Genres | |
Occupation | Composer |
Years active | 2011–present |
Website | kpenkmusic |
Kevin Penkin (born 22 May 1992) is a British-born Australian composer, primarily for video games and anime. He is best known for composing the score of the anime Made in Abyss , which won Best Score at the 2nd Crunchyroll Anime Awards, and the score for the Tower of God anime adaptation, also won the same category at the fifth edition. [1]
Penkin was born on 22 May 1992 in the United Kingdom, [2] [3] and grew up in Perth, Western Australia. [4] Penkin's interest in video game music started from when he first heard the "Phendrana Drifts" theme from Metroid Prime ; [4] in a 2012 interview, he referred to the theme's electronic synths and acoustic instruments as "absolute bliss". [4]
Penkin began his career with composition credits in the 2011 short films Play Lunch and The Adventures of Chipman and Biscuit Boy. [4] In the same year, Penkin composed the soundtrack of the video game Jūzaengi: Engetsu Sangokuden; this soundtrack represented Penkin's first collaboration with Nobuo Uematsu. [4] Penkin has continued to collaborate with Uematsu in titles such as Norn9 and Defender's Quest II: Mists of Ruin. [5]
In 2013, Penkin received a Bachelor of Music in Composition and Music Technology at Edith Cowan University's Western Australian Academy of Performing Arts. In 2015, Penkin graduated from the Royal College of Music with a Master of Composition degree in Composition for Screen. [6] His studies were supported by a grant from the Tait Memorial Trust as the inaugural Tait Scholar at the Royal College of Music. [7]
In 2016, Penkin collaborated with Kinema Citrus on the Norn9 anime and the Under the Dog original video animation soundtracks. [8] Penkin's relationship with Kinema Citrus continued through to 2017 for the soundtrack of Made in Abyss , [8] winning the 2017 Crunchyroll Anime Award for Best Score with it. [1] In 2018, Penkin composed the score for the video game Florence . [9] Penkin composed the music for Kinema Citrus' anime adaptation of The Rising of the Shield Hero and NetEase's VR game Nostos in 2019. [10] He composed the score for the 2020 anime adaptation of the South Korean webtoon Tower of God . [11] Penkin was working with artist Takashi Murakami on the sequel to the movie Jellyfish Eyes , but the project was cancelled due to the COVID-19 pandemic. [12] In 2021, Penkin composed the score for "The Village Bride" episode in the Disney+ animated anthology series Star Wars: Visions . [13]
Penkin lived in the United Kingdom for some time, [8] but now lives in Melbourne, Australia. [14]
Year | Title | Note(s) |
---|---|---|
2016 | Under the Dog | [8] [15] |
Norn9 | [8] [15] | |
2017 | Made in Abyss | Won "Best Score" at the 2nd Crunchyroll Anime Awards [8] [15] |
2019 | The Rising of the Shield Hero | Nominated for "Best Score" at the 4th Crunchyroll Anime Awards [15] [16] |
2020 | Made in Abyss: Dawn of the Deep Soul | [15] |
Tower of God | Won "Best Score" at the 5th Crunchyroll Anime Awards [15] | |
2021 | Eden | [17] |
Star Wars: Visions | Episode "The Village Bride" [13] | |
2022 | The Rising of the Shield Hero 2 | [18] |
Made in Abyss: The Golden City of the Scorching Sun | [19] | |
Legend of Mana: The Teardrop Crystal | Composed the opening theme "Tear of Will" [20] | |
2023 | Pokémon: Paldean Winds | [21] |
The Apothecary Diaries | With Satoru Kōsaki and Alisa Okehazama [22] | |
The Rising of the Shield Hero 3 | [23] | |
2024 | Bye Bye, Earth | [24] |
Spice and Wolf: Merchant Meets the Wise Wolf | [25] | |
Tower of God season 2 | [26] [27] | |
2025 | Bâan: The Boundary of Adulthood | [28] |
Year | Title | Note(s) |
---|---|---|
2011 | Jūzaengi: Engetsu Sangokuden | With Nobuo Uematsu [4] [15] |
2012 | Defender's Quest: Valley of the Forgotten | [15] |
2013 | Norn9 | With Nobuo Uematsu [15] |
Deemo | Composed "I Race the Dawn" [15] | |
Leviathan: The Last Defense | [15] | |
2014 | Project Phoenix | [15] |
2015 | Implosion: Never Lose Hope | Composed cutscenes music [15] |
2017 | Kieru | [8] [15] |
2018 | Florence | Nominated at the 15th British Academy Game Awards for music [9] [15] |
This Is the Police 2 | With Ben Matthews [15] | |
2019 | Nostos | [10] [15] |
Rebel Cops | With Ben Matthews [15] | |
2020 | Necrobarista | [29] [30] |
2021 | Grow: Song of the Evertree | [31] |
Arknights | Composed "Heal the World" [32] | |
2022 | Sin Chronicle | With various others [33] |
TBA | Defender's Quest II: Mists of Ruin | [5] [34] |
Renaine | With various others [35] |
Year | Title | Note(s) |
---|---|---|
2013 | Blossom Crossroads | Perth Symphony Orchestra [36] |
Looking for Serenity | Perth Chamber Orchestra | |
Altered Illustrations | Perth Chamber Orchestra Joshua Webster, cimbalom [37] | |
2014 | Atmosphere | RCM Student Film Orchestra Anaïs Laugenie, cello |
Changing Feet | Tait Memorial Trust Chamber Orchestra Nicola Crowe, flute [38] | |
2015 | First Blood | "And So Forth" Opera Company Rebecca Hardwick, soprano |
2016 | Throughtones | Greywing Ensemble [39] |
Houn Maru | Commissioned by Rio Tinto, Perth Symphony Orchestra [40] |
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