Kevin Short is an American operatic bass-baritone. A graduate of Morgan State University, the Curtis Institute of Music, and the Juilliard School, he won the bass-baritone award for the Middle Atlantic region Metropolitan Opera National Council Auditions in 1989. [1] Since 1991 he sang at the Metropolitan Opera, appearing in more than 200 performances. He notably created the role of Joseph in the world premiere of John Corigliano's The Ghosts of Versailles in 1991. Some of the other roles he has performed at the Met are Colline in La bohème , the Friar in Don Carlos , Happy in La fanciulla del West , the Jailer in Dialogues of the Carmelites , Lackey in Ariadne auf Naxos , Mandarin in Turandot , Masetto in Don Giovanni , Sciarrone in Tosca , Pirro in I Lombardi alla prima crociata , Yamadori in Madama Butterfly , and Zaretsky in Eugene Onegin . [2] He also sang several roles with the New York City Opera during the 1980s and 1990s, including Nourabad in Les pêcheurs de perles [3] and Raimondo in Lucia di Lammermoor . [4]
Since the late 1990s, Short has worked actively with opera houses internationally. From 2001 to 2004 he was a member of Theater Basel, singing such roles as Landgrave in Tannhäuser , Mephistopheles in Faust , Oroveso in Norma , Sarastro in The Magic Flute , Seneca in L'incoronazione di Poppea , and Simone in Gianni Schicchi . In 2003 he made his debut at the Vienna Volksoper as Leporello in Don Giovanni. He appeared in the original production of William Bolcom's A Wedding at the Lyric Opera of Chicago in January 2005. He has also appeared as a guest artist with the Bern Theatre, the Canadian Opera Company, the Houston Grand Opera, the Indianapolis Opera, the Los Angeles Opera, the Michigan Opera Theatre, the Opera Company of Philadelphia, Opera Omaha, Opera Pacific, the Opera Theatre of Saint Louis, the Santa Fe Opera, the Sarasota Opera, the Seattle Opera, the Vancouver Opera, the Washington National Opera, and the Zurich Opera among others. [5]
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. It is the most common male voice. The term originates from the Greek βαρύτονος (barýtonos), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second G below middle C to the G above middle C (G2 to G4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, Kavalierbariton, Verdi baritone, dramatic baritone, baryton-noble baritone, and the bass-baritone.
Alfredo Kraus Trujillo was a distinguished Spanish tenor from the Canary Islands, particularly known for the artistry he brought to opera's bel canto roles. He was also considered an outstanding interpreter of the title role in Massenet's opera Werther, and especially of its famous aria, "Pourquoi me réveiller?"
Louis Quilico, was a Canadian opera singer. One of the leading dramatic baritones of his day, he was an ideal interpreter of the great Italian and French composers, especially Giuseppe Verdi. He was often referred to as "Mr Rigoletto" in reference to the Verdi opera. During his 45-year-long career he shared performing credits with opera's greatest stars. He spent 25 consecutive years at the Metropolitan Opera in New York City. After his retirement from the stage in 1998 he continued to perform and record, most often with his second wife, pianist Christina Petrowska Quilico,, with whom he made four CDs. The couple also toured together extensively in concerts until Quilico's death in 2000. Quilico received the Governor General's Performing Arts Award, Canada's highest honour in the performing arts, in November 1999 for his lifetime contribution to classical music.
Piero Cappuccilli was an Italian operatic baritone. Best known for his interpretations of Verdi roles, he was widely regarded as one of the finest Italian baritones of the second half of the 20th century. He was enormously admired within the field of opera for his rich and abundant voice, fine vocal technique and exceptional breath control. In the great Italian tradition he fused words and music into elegant phrases. He focused on Italian repertory, particularly the operas of Verdi, singing 17 major roles.
Jean-François Lapointe is a Canadian baritone opera singer.
Diana Damrau is a German soprano who has achieved international fame for her performances, primarily in opera, but also in concert and lieder. She has been successful in coloratura soprano roles since her early career, and gradually proceeded into heavier roles of the 19th-century Italian bel canto repertoire. Her signature roles include the Queen of the Night in The Magic Flute, Zerbinetta in Ariadne auf Naxos, Lucia in Lucia di Lammermoor, and Violetta in La traviata.
Mariusz Kwiecień is a Polish artistic director and retired operatic baritone who sang leading roles in the major opera houses of Europe and North America. He received particular distinction in the title role of Mozart's Don Giovanni, which he sang at the Metropolitan Opera, Lyric Opera of Chicago, Vienna State Opera, Bilbao Opera, Houston Grand Opera, San Francisco Opera, Santa Fe Opera, Warsaw Opera, Royal Opera House, London, and Seattle Opera, where he won the company's 2006–07 Artist of the Year award for the role.
Gabriel Bacquier was a French operatic baritone. One of the leading baritones of the 20th century and particularly associated with the French and Italian repertoires, he was considered a fine singing actor equally at home in dramatic or comic roles and gave regular song recitals. He was a long-term member of the Opéra-Comique and the Paris Opera, but forged a long career internationally at leading opera houses in Europe and the U.S. His large discography spans five decades, and he was considered as “the ambassador of French song”.
Frank Guarrera was an Italian-American lyric baritone who enjoyed a long and distinguished career at the Metropolitan Opera, singing with the company for a total of 680 performances. He performed 35 different roles at the Met, mostly from the Italian and French repertories, from 1948 through 1976. His most frequent assignments at the house were as Escamillo in Georges Bizet's Carmen, Marcello in Giacomo Puccini's La Bohème, Valentin in Charles Gounod's Faust, and Ping in Puccini's Turandot. He was also an admired interpreter of Mozart roles, establishing himself in the parts of both Guglielmo and Don Alfonso in Così fan tutte and Count Almaviva in Le nozze di Figaro. Most of the roles he portrayed were from the lyric repertoire, such as the title role in Tchaikovsky's Eugene Onegin, but he also sang some heavier roles at the Met like Amonasro in Aïda, Jack Rance in La fanciulla del West and Il conte di Luna in Il trovatore.
Annick Massis is a French operatic soprano whose career is primarily based in Europe. She performed roles from various classical music eras, spanning from baroque, operas by Mozart, to 19th-century Italian and French repertoire.
Eric Cutler is an American tenor notable for his performances of bel canto repertoire and Mozart operas in particular. He is a native of Adel, Iowa, and a graduate of Luther College. Cutler is an alumnus of the Metropolitan Opera Lindemann Young Artist Development Program and was a winner of the Metropolitan Opera National Council Auditions in 1998. He won the Richard Tucker Award in 2005.
Gail Robinson was an American operatic soprano who sang with many of the world's leading opera companies during the 1970s and 1980s. She spent most of her career singing lyric coloratura roles at the Metropolitan Opera. After her performance career ended she taught singing to young artists and also directed the Metropolitan Opera's Young Artist Program for over ten years. Upon leaving the Met, she joined the voice faculty at the University of Kentucky.
Youngok Shin is a South Korean lyric coloratura soprano known for her interpretations of the bel canto repertoire.
Barry McCauley was an American operatic tenor. He sang leading roles with major opera companies throughout the world, including the Metropolitan Opera and the Paris Opera.
Olga Alexandrovna Peretyatko is a Russian operatic soprano. She has been known for lyric and coloratura soprano roles, most notably in operas by Rossini and Mozart. In recent years, she has been taking up heavier and more lyrical roles.
Liam Bonner is a retired professional opera singer (baritone) from Pittsburgh, PA.
The Devriès family were operatic singers over three generations, of Dutch descent. They were mainly active in France, Belgium and the USA in the second half of the 19th and the early 20th centuries.
Marilyn Mims is an American operatic soprano who had an active career during the 1980s and 1990s. A regular performer at the Metropolitan Opera from 1988 to 1992, her singing career was cut short after being diagnosed with endometriosis in 1995. She notably sang the role of Ortlinde on the Met's 1987 recording of Die Walküre under James Levine for Deutsche Grammophon, which won the Grammy Award for Best Opera Recording. She currently teaches on the voice faculty at Palm Beach Atlantic University.
Nicolas Testé is a French opera singer in the bass and baritone vocal range.
Roberto Tagliavini, born 1976 in Parma, is an Italian operatic bass.