Kimberly Barber | |
---|---|
Born | Guelph, Ontario, Canada | 21 December 1959
Genres | classical, musical theatre |
Occupation(s) | Singer, teacher |
Instrument(s) | Voice (Mezzo-soprano) |
Kimberly Barber (born December 21, 1959) is a Canadian mezzo-soprano and vocal pedagogue.
She studied with Patricia Kern at the University of Toronto, graduating in 1983. She received a diploma in operatic performance from the university in 1985. She began her career as a member of the Canadian Opera Company Ensemble, also in 1985. [1]
While maintaining a professional opera career, she has been teaching at Wilfrid Laurier University since July 2002 and is currently Coordinator of the Opera Program there. [2]
From 1989 to 1994, Barber sang with Oper Frankfurt in Germany. [3]
Barber made her New York City Opera debut in 2002 as Nero in Handel's Agrippina and her Paris Opera debut as Annio in Mozart's La Clemenza di Tito . [4]
On November 18, 2003, Barber performed in recital with fellow mezzo-soprano Frederica von Stade and pianist Steven Blier at Wilfrid Laurier University's Maureen Forrester Recital Hall. [3]
In the 2006-2007 season, Barber created the role of Jessica in John Estacio’s opera Frobisher for Calgary Opera. [5]
Her discography includes Ravel’s L’heure espagnole on Deutsche Grammophon under André Previn, Handel’s Rinaldo on Naxos Records and a solo disc of Handel and Hasse arias for CBC Records.
Mary Violet Leontyne Price is an American spinto soprano who was the first African American soprano to receive international acclaim. From 1961 she began a long association with the Metropolitan Opera, where she was the first African American to be a leading performer. She regularly appeared at the world's major opera houses, including the Royal Opera House, San Francisco Opera, Lyric Opera of Chicago, and La Scala; at La Scala, she was also the first African American to sing a leading role. She was particularly renowned for her performances of the title role in Verdi's Aida.
Virginia Zeani was a Romanian-born opera singer who sang leading soprano roles in the opera houses of Europe and North America.
Kathleen Deanna Battle is an American operatic soprano known for her distinctive vocal range and tone. Born in Portsmouth, Ohio, Battle initially became known for her work within the concert repertoire through performances with major orchestras during the early and mid-1970s. She made her opera debut in 1975. Battle expanded her repertoire into lyric soprano and coloratura soprano roles during the 1980s and early 1990s, until her eventual dismissal from the Metropolitan Opera in 1994. She later has focused on recording and the concert stage. After a 22-year absence from the Met, Battle performed a concert of spirituals at the Metropolitan Opera House in November 2016.
Cecilia BartoliOMRI is an Italian coloratura mezzo-soprano opera singer and recitalist. She is best known for her interpretations of the music of Bellini, Handel, Mozart, Rossini and Vivaldi, as well as for her performances of lesser-known music from the Baroque and Classical period. She is known for singing both soprano and mezzo roles.
Lorraine Hunt Lieberson was an American mezzo-soprano. She was noted for her performances of both Baroque era and contemporary works. Her career path to becoming a singer was unconventional – formerly a professional violist, Lieberson did not shift her full-time focus to singing until she was in her thirties.
Maureen Kathleen Stewart Forrester, was a Canadian operatic contralto.
Lois Catherine Marshall, CC was a Canadian soprano. Her husband, Weldon Kilburn, had been her early coach and piano accompanist.
Tatiana Troyanos was an American mezzo-soprano of Greek and German descent, remembered as "one of the defining singers of her generation". Her voice, "a paradoxical voice — larger than life yet intensely human, brilliant yet warm, lyric yet dramatic" — "was the kind you recognize after one bar, and never forget", wrote Cori Ellison in Opera News.
Eleanor Steber was an American operatic soprano. Steber is noted as one of the first major opera stars to have achieved the highest success with training and a career based in the United States.
Vivica Genaux is an American coloratura mezzo-soprano. She was born in Fairbanks, Alaska. She has sung in major operas such as The Barber of Seville at the Metropolitan Opera, L'italiana in Algeri at Opéra National de Paris, and La Cenerentola with Dallas Opera and the Bavarian State Opera.
Rose Bampton was an American opera singer who had an active international career during the 1930s and 1940s. She began her professional career performing mostly minor roles from the mezzo-soprano repertoire in 1929 but later switched to singing primarily leading soprano roles in 1937 until her retirement from the opera stage in 1963.
Patricia Kern was a British mezzo-soprano and voice teacher.
Dame Sarah Patricia Connolly is an English mezzo-soprano. Although best known for her baroque and classical roles, Connolly has a wide-ranging repertoire which has included works by Wagner as well as various 20th-century composers. She was appointed a Commander of the Order of the British Empire (CBE) in the 2010 New Year Honours and a Dame Commander of the Order of the British Empire (DBE) in the 2017 Birthday Honours for services to music.
Ida Joséphine Phoebe Éva Gauthier was a Canadian-American mezzo-soprano and voice teacher. She performed and popularized songs by contemporary composers throughout her career and sang in the American premieres of several works by Erik Satie, Maurice Ravel and Igor Stravinsky, including the title role in the latter's Perséphone.
Joyce DiDonato is an American lyric-coloratura mezzo-soprano. She is notable for her interpretations of operas and concert works in the 19th-century romantic era in addition to works by Handel and Mozart.
Julia Mikhaylovna Lezhneva is a Russian soprano opera singer and recitalist, specializing in soprano and coloratura mezzo-soprano material of the 18th and early 19th century. She studied with Tamara Cherkasova, Irina Zhurina, Elena Obraztsova, Dennis O'Neill and Yvonne Kenny.
Geeta Novotny is an American mezzo-soprano, actor, writer and columnist. As a classical singer, Novotny has performed principal roles nationally with opera companies and symphony orchestras at Carnegie Hall, the American Ballet Theatre, the Metropolitan Opera, the Los Angeles Opera and the Aspen Music Festival. Novotny has sung lead vocals on film soundtracks and has a career as a principal stage and film actor. She is also a project leader and roster artist for the charitable organization Sing For Hope. Novotny is an artist on the David Lynch Foundation Music Online Record Label.
Pamela Dellal is an American mezzo-soprano in opera and concert, a musicologist and academic teacher. She has performed classical music from the medieval Hildegard von Bingen to contemporary. She is on the faculty of the Boston Conservatory, Brandeis University, and the Longy School of Music of Bard College. She is known for having translated all texts that Johann Sebastian Bach set to music.
Heidi Stober is an American operatic soprano who has performed leading roles in major opera houses internationally, including the Dutch National Opera, the Garsington Opera, the Lyric Opera of Chicago, the Metropolitan Opera, the Municipal Theatre of Santiago, the Semperoper, and the Vienna State Opera. She has been particularly active with the Houston Grand Opera where she has performed in more than a dozen operas since 2004, including the world premieres of Daniel Catán's Salsipuedes: a Tale of Love, War and Anchovies (2004), Mark Adamo's Lysistrata (2005), and Ricky Ian Gordon's The House without a Christmas Tree (2017). She has also performed in more than ten operas with the San Francisco Opera since 2010. Since 2008 she has been a resident artist at the Deutsche Oper Berlin where she has primarily performed roles from the lyric soprano repertoire. Also active as a concert soprano on the international stage, she has performed with the Berlin Radio Symphony Orchestra, the Hong Kong Philharmonic Orchestra, the Houston Symphony, the Los Angeles Philharmonic, the New York Philharmonic, the Milwaukee Symphony Orchestra, the Philadelphia Orchestra, the Oslo Philharmonic, and the Radio Filharmonisch Orkest among other orchestras. She is particularly admired for her interpretations of the works of George Frideric Handel and Wolfgang Amadeus Mozart.
Katie Emily Bray is an English mezzo-soprano and is best known as the winner of the Dame Joan Sutherland Audience Prize at the BBC Cardiff Singer of the World in 2019. She is particularly noted for her baroque repertoire.