| Knight Orc | |
|---|---|
 Cover art | |
| Developer(s) | Level 9 |
| Publisher(s) | Rainbird Software |
| Engine | KAOS |
| Platform(s) | Amiga, Amstrad CPC, Atari 8-bit, Atari ST, BBC Micro, Commodore 64, MS-DOS, ZX Spectrum, Macintosh, MSX |
| Release | 1987 |
| Genre(s) | Interactive fiction |
| Mode(s) | Single-player |
Knight Orc is a text adventure game, with limited graphics on some platforms, by Level 9 released in 1987. It comes with a short novella by Peter McBride ("The Sign of the Orc") explaining the background to the story.
After a night of heavy drinking with friends, Grindleguts the orc awakes to find himself strapped to a horse and about to joust with a human knight. His "friends" are nowhere to be seen, and he must somehow escape from his predicament and get even with them. Grindleguts must survive in a world of hostile humans while seeking revenge against his tormentors.
After the first chapter, the game switches to a science fiction setting, where Grindleguts is revealed to be a malfunctioning non-player character in a futuristic massively multiplayer online role-playing game. Using his power of transitioning between fantasy and reality, he convinces several other bots to join him, and escapes from the simulated reality facility.
The game is a text adventure with limited graphics on some systems. Gameplay is similar to the later Level 9 adventure Gnome Ranger , which uses the same game engine (KAOS). The game flows in real time; each person and creature goes on about their daily lives and follows their schedule. The player must explore the settings while collecting useful items and interacting with various non-player characters to solve puzzles and problems.
Sinclair User had this to say:
"Knight Orc is no ordinary adventure. Oh no, this is a multi-user adventure ... only the other players are simulated. One nice touch is the little bits that are added on to the end of descriptions which tell you what the other players are doing, such as 'Somewhere, a male voice cries out "Has anyone got any spare treasure?"' ... The location descriptions are exquisite and more than make up for the absence of graphics ... The humour worked into the text is like something out of a Douglas Adams novel, quick-fire and very enjoyable. Never droll... But the high spot of the game is the interactive characters... All have their own characters and their own goal to complete. And, the one thing they all have in common is that they all hate Orcs... Technically The Pawn may be superior, but in plot, enjoyment and atmosphere Knight Orc wins hands down." [1]
Computer Gaming World stated that the graphics were a waste of disk space and the puzzles were "uneven". However, the excellent parser and other virtues resulted in an "above average" game. [2]
Your Computer magazine said it was "Disappointing", [3] while the Atari magazine Page 6 said it was excellent value for money about the Atari 8-bit version. [4]
Computer & Video Games gave the Knight Orc the C+VG HIT! award, praising the story and the unique protagonist perspective, additionally noting that the accompanying novella, The Sign of the Orc, is "a good read in its own right." [5]
Interactive fiction, often abbreviated IF, is software simulating environments in which players use text commands to control characters and influence the environment. Works in this form can be understood as literary narratives, either in the form of Interactive narratives or Interactive narrations. These works can also be understood as a form of video game, either in the form of an adventure game or role-playing game. In common usage, the term refers to text adventures, a type of adventure game where the entire interface can be "text-only", however, graphical text adventure games, where the text is accompanied by graphics still fall under the text adventure category if the main way to interact with the game is by typing text. Some users of the term distinguish between interactive fiction, known as "Puzzle-free", that focuses on narrative, and "text adventures" that focus on puzzles.
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