Korg i3

Last updated
Korg i3 synthesizer Korg i3 synthesizer.jpg
Korg i3 synthesizer

The Korg i3 is a keyboard instrument introduced by Korg in 1993. Known as an "Interactive Music Workstation", the i3 broke new ground for Korg, and defined a new type of instrument - the professional auto-accompaniment workstation. Contrary to popular belief, it was not Korg's first foray into the realm of auto-accompaniment - it had a minor hit in 1985 with the SAS-20, a home keyboard with built-in speakers. [1]

Previously, the auto-accompaniment concept was not taken seriously by professional users, who saw it more the preserve of home hobbyists, and the market had been dominated by low-cost machines made by the likes of Casio and Yamaha. Roland's E-Series line had made inroads into improving the reputation of auto-accompaniment, but there was still some way to go.

Retailing for $2500, the i3 used a 32-voice tone generation system derived from the X3, using the company's familiar AI2 synthesis system. All 340 tones were user-editable (max. 64 user voices could be saved in backed RAM + 2 user drum sets) and sampled at 32 kHz. The auto-accompaniment section consisted of 48 in-built styles, each consisting of 4 variations, 2 fill-ins, and 2 intros/endings. There were a further 4 "blank" spaces for user styles to be loaded into non-volatile RAM via a 3.5" DD floppy disk and 4 from a memory card. There were also two sequencers; a conventional 16-track General MIDI compatible system for the editing and playback of SMF data, whilst there was also a "Backing Sequencer" - effectively a simple recorder for recording of performances using the auto-accompaniment system, but had the ability to add a further 10 tracks over this. The most obvious sign to the user that the i3 was a departure from the usual auto-accompaniment keyboard format was the lack of built in speakers.

Early reviews of the i3 were favourable, and the company released a 76-note version (the i2) shortly afterward, whilst a version equipped with speakers, the i4S debuted in 1994. A further cut down version (the i5S) followed in 1996.

The auto-accompaniment workstation concept was quickly imitated by other manufacturers, most notably Roland's G-800, launched in 1995. Korg replaced the i3 in 1998 with the i30, and its speakered siblings the iS40 and iS50.

At NAMM 2020, Korg announced the release of a new i3, nearly 30 years after the original.

Related Research Articles

<span class="mw-page-title-main">Drum machine</span> Electronic musical instrument that creates percussion sounds

A drum machine is an electronic musical instrument that creates percussion sounds, drum beats, and patterns. Drum machines may imitate drum kits or other percussion instruments, or produce unique sounds, such as synthesized electronic tones. A drum machine often has pre-programmed beats and patterns for popular genres and styles, such as pop music, rock music, and dance music. Most modern drum machines made in the 2010s and 2020s also allow users to program their own rhythms and beats. Drum machines may create sounds using analog synthesis or play prerecorded samples.

<span class="mw-page-title-main">Music technology (electronic and digital)</span>

Digital music technology encompasses the use of digital instruments, computers, electronic effects units, software, or digital audio equipment by a performer, composer, sound engineer, DJ, or record producer to produce, perform or record music. The term refers to electronic devices, instruments, computer hardware, and software used in performance, playback, recording, composition, mixing, analysis, and editing of music.

A music sequencer is a device or application software that can record, edit, or play back music, by handling note and performance information in several forms, typically CV/Gate, MIDI, or Open Sound Control, and possibly audio and automation data for digital audio workstations (DAWs) and plug-ins.

A music workstation is an electronic musical instrument providing the facilities of:

<span class="mw-page-title-main">Sampler (musical instrument)</span> Device that records and plays back samples

A sampler is an electronic musical instrument that records and plays back samples. Samples may comprise elements such as rhythm, melody, speech, sound effects or longer portions of music.

<span class="mw-page-title-main">Electronic keyboard</span> Musical instrument

An electronic keyboard, portable keyboard, or digital keyboard is an electronic musical instrument based on keyboard instruments. Electronic keyboards include synthesizers, digital pianos, stage pianos, electronic organs and digital audio workstations. In technical terms, an electronic keyboard is a rompler-based synthesizer with a low-wattage power amplifier and small loudspeakers.

<span class="mw-page-title-main">Korg M1</span> Synthesizer

The Korg M1 is a synthesizer and music workstation manufactured by Korg from 1988 to 1995. The M1 was advertised as a 'workstation' rather than a synthesizer, integrating composition and performance features into a single device. It features 16-voice polyphony, high-quality digital samples, an integrated 8-track sequencer and digital effects processing.

<span class="mw-page-title-main">Roland D-50</span> Synthesizer

The Roland D-50 is a synthesizer produced by Roland and released in April of 1987. Its features include digital sample-based subtractive synthesis, on-board effects, a joystick for data manipulation, and an analog synthesis-styled layout design. The external Roland PG-1000 (1987) programmer could also be attached to the D-50 for more complex manipulation of its sounds. It was also produced in a rack-mount variant design, the D-550, with almost 450 user-adjustable parameters.

<span class="mw-page-title-main">Korg Triton</span> Workstation synthesizer

The Korg Triton is a music workstation synthesizer, featuring digital sampling and sequencing, released in 1999. It uses Korg's "HI Synthesis" system and was eventually available in several model variants with numerous upgrade options. The Triton became renowned as a benchmark of keyboard technology, and has been widely featured in music videos and live concerts. At the NAMM Show in 2007, Korg announced the Korg M3 as its successor.

<span class="mw-page-title-main">Kurzweil Music Systems</span> American electronic musical instrument manufacturer

Kurzweil Music Systems is an American company that produces electronic musical instruments. It was founded in 1982 by Stevie Wonder (musician), Ray Kurzweil (innovator) and Bruce Cichowlas.

<span class="mw-page-title-main">Yamaha QY10</span>

The Yamaha QY10 is a hand-held music workstation produced by the Yamaha Corporation in the early 1990s. Possessing a MIDI sequencer, a tone generator and a tiny single-octave keyboard, the portable and battery-powered QY10 enables a musician to compose music while traveling.

<span class="mw-page-title-main">Korg OASYS</span> Workstation synthesizer

The Korg OASYS is a workstation synthesizer released in early 2005, 1 year after the successful Korg Triton Extreme. Unlike the Triton series, the OASYS uses a custom Linux operating system that was designed to be arbitrarily expandable via software updates, with its functionality limited only by the PC-like hardware.

<span class="mw-page-title-main">Korg 01/W</span> Workstation synthesizer

The Korg 01/W series are workstation synthesizers, the first of which debuted in 1991, and were intended to replace the M1 and T series. The workstation/ROMpler was based on AI², an improved version of the AI Synthesis technology found in the M1. The success of the AI² architecture ensured it was used in the majority of subsequent Korg synths of the 1990s.

<span class="mw-page-title-main">Yamaha Motif</span> Series of music workstations

The Yamaha Motif is a series of music workstation synthesizers, first released by Yamaha Corporation in August 2001. The Motif replaced the EX series in Yamaha's line-up and was also based on the early Yamaha S series. Other workstations in the same class are the Korg Kronos and the Roland Fantom G. The series' successor is Yamaha Montage, released in 2016, followed up by the Yamaha Montage M in 2023.

<span class="mw-page-title-main">Roland MC-909</span> Combines the features of a synthesizer, sequencer, and sampler

The discontinued Roland MC-909 Sampling Groovebox combines the features of a synthesizer, sequencer, and sampler, with extensive hands-on control of both the sound engine and the sequencing flow. It was intended primarily for live performance of pre-programmed patterns consisting of up to 16 tracks of MIDI data. It was released by Roland Corporation on October 8, 2002. This product was announced at the AES Fall Convention in 2002. It is the direct successor to the Roland MC-505 and is the predecessor to the Roland MC-808. Which eventually ended the "Groovebox by year 2010" line of products by Roland which began in the year 1996 with the Original Roland MC-303 groovebox. The Roland Groovebox began again resurgence in the year 2019 with a two new modern & redesign Roland MC-707 GROOVEBOX/Roland MC-101 GROOVEBOX. The Roland MC-909 was developed from the blueprint of Roland's own "Roland Fantom-S Workstation & Roland Fantom-X Workstation" and uses the same structure and operating system, with some differences regarding the Patterns section, not implemented in the Roland Fantom S/X6/X7/X8 Workstation.

<span class="mw-page-title-main">Korg Wavestation</span> Synthesizer

The Korg Wavestation is a vector synthesis synthesizer first produced in the early 1990s and later re-released as a software synthesizer in 2004. Its primary innovation was Wave Sequencing, a method of multi-timbral sound generation in which different PCM waveform data are played successively, resulting in continuously evolving sounds. The Wavestation's "Advanced Vector Synthesis" sound architecture resembled early vector synths such as the Sequential Circuits Prophet VS.

<span class="mw-page-title-main">Roland Juno-G</span> Music workstation/synth

Roland Juno-G is a music workstation/synth introduced in 2006 by Roland Corporation. It is based on the Fantom-X series, having a vintage design that resembles the first Juno synthesizers, such as the Juno-106. The Juno-G's main competitors in the approximate price range, with similar features, when first released, were the Korg Triton Le/TR and Yamaha MO6 workstation synthesizers.

Casio's SDSynthesizers were a late-1980s line of analog synthesizers featuring a resonant filter. SD synthesis was traditional DCO-analog synthesis, with the main difference being that some of the SD waveforms' harmonic spectrums changed temporally, or dynamically in relation to the amplitude envelope.

<span class="mw-page-title-main">Korg Kronos</span> Music workstation

The Kronos is a music workstation manufactured by Korg that combines nine different synthesizer sound engines with a sequencer, digital recorder, effects, a color touchscreen display and a keyboard. Korg's latest flagship synthesizer series at the time of its announcement, the Kronos series was announced at the winter NAMM Show in Anaheim, California in January 2011.

References

  1. "Korg USA: new workstations aimed at commercial songwriters. (Korg U.S.A. Inc.'s new i2 and i3 Interactive Music Workstations)". Music Trades. Archived from the original on 2012-10-21. Retrieved 2008-09-09.