An editor has performed a search and found that sufficient sources exist to establish the subject's notability. These sources can be used to expand the article and may be described in edit summaries or found on the talk page. The article may include original research, or omit significant information about the subject.(July 2023) |
Korg Nautilus Korg Nautilus AT | |
---|---|
Manufacturer | Korg |
Dates | 2021– |
Price | $2,000-$2,700 |
Technical specifications | |
Polyphony | up to 200 voices |
Timbrality | 16 |
Synthesis type | Sample-based synthesis, Physical modeling synthesis, Wave sequencing, Frequency modulation synthesis |
Aftertouch expression | No |
Velocity expression | Yes |
Storage memory | 2,560 programs (1920 preloaded), 1,792 combos (256 preloaded), 264 drum kits (104 preloaded), 256 GM2 programs and 9 GM2 drum kits. 60 GB internal mSATA SSD, 4 GB internal RAM (2 GB available for samples) |
Effects | 12 insert effects, 2 master effects, 2 total effects. 197 effect types, 783 presets, 1 EQ per track |
Hardware | Intel Atom D2550 processor on an ASRock IMB-140D-KMD motherboard |
Input/output | |
Keyboard | Korg Nautilus: 61- and 73-key semi-weighted, and 88-key piano-weighted Korg Nautilus AT: 61-key semi-weighted and 88-key piano-weighted, with channel aftertouch |
External control | Damper pedal, assignable switch, assignable pedal |
The Nautilus is a music workstation manufactured by Korg, a successor to Kronos 2, which comes with Kronos' nine different synthesizer sound engines and other similar features. It was announced in November 2020 with availability in January 2021. [1]
Just like its predecessors Kronos and OASYS, the Nautilus is a custom software synthesizer running on an Intel x86 processor and the Linux kernel with RTAI extensions. In comparison to its predecessors, the user interface on the Nautilus has been redesigned, but some software and hardware features of the earlier models are no longer included, with a reduction in list price.
On July 14, 2023 Korg announced an updated Nautilus AT in 61-key and 88-key versions which add channel aftertouch, also available as a factory upgrade option for the original models. [2]
Like its predecessor the Kronos, the Nautilus offers the same nine sound engines:
1) The SGX-2 Premium Piano - sampled acoustic grand piano, using continuous stereo piano samples with 12 velocity layers per key, modeled string resonance and support for soft pedal samples. Preset soundsets include a Steinway-styled "German2 D Piano ", Fazioli-styled "Italian F Piano", Yamaha-styled "Japanese Upright U Piano", and "Prepared Piano".
Other soundsets, like Steinway-styled "German D Piano", Yamaha-styled "Japanese C Piano", Bösendorfer-styled "Austrian D Piano" and Bechstein-styled "Berlin D Piano", are available as a user downloaded.
2) The EP-1 MDS Electric Piano - four models based on classic Rhodes electric pianos and two based on Wurlitzer pianos, with control over hammers, tines, reeds, and mechanical noise elements. It also simulates amplifiers, cabinets, speakers, and effects associated with those historic electric pianos.
3) The CX-3 Tonewheel Organ - a classic tonewheel organ based on Korg CX-3, including rotary speaker effects, vibrato and chorus effects, and tube amplifier. Nine hardware sliders on the control panel function as organ drawbar controllers.
4) The HD1 High Definition Synthesizer - sample-based synthesis and wave sequencing to generate sounds from the multisamples stored on an internal solid state drive.
5) The MS-20EX Legacy Analog Collection - an expanded version of the original Korg MS-20 semi-modular monophonic analog synthesizer.
6) The PolysixEX Legacy Analog Collection - an expanded version of the 6-voice Korg Polysix analog synthesizer.
7) The AL-1 Analog Synthesizer - analog subtractive synthesis, with a range of oscillator waveforms, filters, hard sync, analog-style FM, and ring modulation.
8) The MOD-7 Waveshaping VPM Synthesizer - classic FM sounds, SysEx compatibility with Yamaha DX7, Variable Phase Modulation (VPM), waveshaping, ring modulation, samples, subtractive synthesis, and modular patching.
9) The STR-1 Plucked Strings - emulates the physical properties of struck or plucked string sounds, like guitar, harpsichord and clavinet, harp, and bell sounds.
The Nautilus comes in versions with 61- and 73-key synth action and 88-key RH3 graded hammer action keyboards; all keyboards are only touch sensitive, and aftertouch sensing is not included. [3] On previous models, keyboards were aftertouch sensitive, and 73-key version used a graded hammer action keyboard.
Nautilus AT, released in 2023, has two versions with 61-key synth action and 88-key RH3 graded hammer action; both of them include channel aftertouch. Korg also offers a factory upgrade service for the original Nautilus models.
Comparing to the Kronos, the touchscreed size was reduced to 7" and KARMA algorithmic arpeggiator from the Korg KARMA is no longer included. [3] Instead, the Nautilus comes with dual arpeggiator equipped with 5 presets and 2,048 slots (1,593 preloaded) for ARP A and 128 slots for ARP B, as well as 1,272 slots for preset drum track patterns and 1000 user slots.
The Korg Triton is a music workstation synthesizer, featuring digital sampling and sequencing, released in 1999. It uses Korg's HI Synthesis tone generator and was eventually available in several model variants with numerous upgrade options. The Triton became renowned as a benchmark of keyboard technology, and has been widely featured in music videos and live concerts. At the NAMM 2007, Korg announced the Korg M3 as its successor.
The Yamaha AN1x is a DSP-based analog modeling synthesizer, produced by Yamaha Corporation from 1997 to 1998, and was marketed as an "analog physical modelling control synthesizer".
The Korg OASYS is a workstation synthesizer released in early 2005, 1 year after the successful Korg Triton Extreme. Unlike the Triton series, the OASYS uses a custom Linux operating system that was designed to be arbitrarily expandable via software updates, with its functionality limited only by the PC-like hardware.
The microKORG is a MIDI-capable digital synthesizer/vocoder from Korg featuring DSP-based analog modelling. The synthesizer is built in such a way that it is essentially a Korg MS-2000 with a programmable step arpeggiator, a less advanced vocoder, lack of motion sequencing, lack of an XLR microphone input, and in a smaller case with fewer real-time control knobs.
The Korg DW-8000 synthesizer is an eight-voice polyphonic hybrid digital-analog synthesizer 61-note keyboard instrument released in 1985. By the time of its launch, Korg had already begun a common trend in 1980s synthesizer design: using numerical codes to access or change parameters with its predecessor - the Korg Poly-61, which was widely regarded as the company's first "knobless" synthesizer. This was a move away from the heavily laden, complex control panels of earlier designs.
The Korg 01/W is a workstation synthesizer, released in 1991, and was intended to replace the M1 and T series. The workstation/ROMpler was based on AI², an improved version of the AI Synthesis technology found in the M1. The success of the AI² architecture ensured it was used in the majority of subsequent Korg synths of the 1990s.
The Yamaha Motif is a series of music workstation synthesizers, first released by Yamaha Corporation in August 2001. The Motif replaced the EX series in Yamaha's line-up and was also based on the early Yamaha S series. Other workstations in the same class are the Korg Kronos and the Roland Fantom G. The series' successor is Yamaha Montage.
The Korg Prophecy is considered one of the earliest (mid-nineties) virtual analog synthesizers, although its synthesis capabilities went beyond many of its VA contemporaries.
The Korg Polysix(PS-6) is a six-voice programmable polyphonic analog synthesizer released by Korg in 1981.
The Fantom-X (Xa/X6/X7/X8/XR) is a music workstation/synthesizer produced by Roland Corporation. It was introduced in 2004 as an upgrade from the Fantom S series. The Fantom-X competes with the Korg Triton/Triton Extreme, the Yamaha Motif ES and other similar large-scope keyboards such as the discontinued Alesis Fusion. In 2008 it was succeeded by the Fantom-G*, which was devised to compete with the new Korg and Yamaha flagship keyboards.
The Korg Wavestation is a vector synthesis synthesizer first produced in the early 1990s and later re-released as a software synthesizer in 2004. Its primary innovation was Wave Sequencing, a method of multi-timbral sound generation in which different PCM waveform data are played successively, resulting in continuously evolving sounds. The Wavestation's "Advanced Vector Synthesis" sound architecture resembled early vector synths such as the Sequential Circuits Prophet VS.
A synthesizer is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments and may be synchronized to other equipment via MIDI.
Korg M3 is a music workstation synthesizer manufactured by Korg Corporation and introduced at the Winter NAMM show during January, 2007, being released four months later. The M3 is the successor of the famous Triton series. The name is based on the former M1, which was considered a revolutionary synth at the time.
The Korg Mono/Poly (MP-4) is a 44 key "mono-polyphonic" analog synthesizer manufactured by Korg from 1981 to 1984. This keyboard is the sister synthesizer to the Korg Polysix. It has four highly stable voltage-controlled oscillators (VCOs), a 4-pole, self-oscillating low pass filter (LPF), wide modulation capabilities and pseudo-polyphony (paraphony).
The Kronos is a music workstation manufactured by Korg that combines nine different synthesizer sound engines with a sequencer, digital recorder, effects, a color touchscreen display and a keyboard. Korg's latest flagship synthesizer series at the time of its announcement, the Kronos series was announced at the winter NAMM Show in Anaheim, California in January 2011.
The Korg Z1 is a physical modelling sound synthesiser released in 1997. Touted as a polyphonic Prophecy, the Z1 implements 13 synthesis types, all derived from the original OASYS synthesizer.
The Korg OASYS PCI is a DSP-based PCI-card for PC and Mac released in 1999. It offers many synthesizer engines from sampling and substractive to FM and physical modelling. Because of its high market price and low polyphony, production was stopped in 2001. About 2000 cards were produced.
The Yamaha EX5 is a synthesizer/workstation produced by Yamaha from 1998 to 2000. The EX5 combines several methods of sound generation. The later released EX7 was a cheaper version of the EX5 with fewer keys, polyphony, sounds and functions. The Yamaha EX music synthesizers, along with the early Yamaha S series, were the predecessors of the Motif workstation series.
The Korg Collection 4 is the one of the largest collections of VST instruments from Korg and was released in 2004 with updates and more Synths added over time. The original 2004 release consists of the Korg MS-20, Korg Polysix and Korg Wavestation, and LegacyCell, a VST which layers combinations of any of the past 3 synths mentioned. In 2006, they added the Korg Mono/Poly, Korg M1, and Korg MDE-X Multi FX processor. On December 21, 2017, the ARP Odyssey was made into a VST and added to the collection, and the Korg Triton was added on for Christmas 2019. All of these synths were revamped in the spring of 2020 and renamed, collectively, the Korg Collection 2. With the addition of the Korg Triton Extreme, MiniKORG 700s and Korg Prophecy, it was renamed the Korg Collection 3.