The Korg Triton is a music workstation synthesizer, featuring digital sampling and sequencing, released in 1999. It uses Korg's "HI Synthesis" system and was eventually available in several model variants with numerous upgrade options. The Triton became renowned as a benchmark of keyboard technology, and has been widely featured in music videos and live concerts. At the NAMM Show in 2007, Korg announced the Korg M3 as its successor.
The Korg OASYS is a workstation synthesizer released in early 2005, 1 year after the successful Korg Triton Extreme. Unlike the Triton series, the OASYS uses a custom Linux operating system that was designed to be arbitrarily expandable via software updates, with its functionality limited only by the PC-like hardware.
The microKORG is a MIDI-capable digital synthesizer/vocoder from Korg featuring DSP-based analog modelling. The synthesizer is built in such a way that it is essentially a Korg MS-2000 with a programmable step arpeggiator, a less advanced vocoder, lack of motion sequencing, lack of an XLR microphone input, and in a smaller case with fewer real-time control knobs.
The Korg MS-20 is a patchable semi-modular monophonic analog synthesizer which Korg released in 1978 and which was in production until 1983. It was part of Korg's MS series of instruments, which also included the single oscillator MS-10, the keyboardless MS-50 module, the SQ-10 sequencer, and the VC-10 Vocoder. Additional devices included the MS-01 Foot Controller, MS-02 Interface, MS-03 Signal Processor, and MS-04 Modulation Pedal.
The Korg DW-8000 is a polyphonic hybrid digital-analog synthesizer released in 1985. It blends digital waveforms with an analog filter and amplifier, followed by a digital delay for adding echo effects. It boasts eight-note polyphony and its keyboard is equipped with velocity sensitivity and aftertouch.
The Korg Trinity is a synthesizer and music workstation released by Korg in 1995. It was Korg's first modern workstation and marked a significant evolution from its predecessors by offering features such as built-in digital audio recording, 32-note polyphony, an extensive internal sound library, assignable effects, and a large touchscreen for advanced control and editing functions, a feature not previously seen on any musical instrument. It also offered modular expansion for not only sounds, but also studio-grade features such as ADAT, various sound engine processors, audio recording capability, and more.
The Korg Poly-61(PS-61) is an analog programmable polyphonic synthesizer released by Korg in 1982, as a successor to the Polysix. It was the first affordable synthesizer to feature two oscillators per voice, and was Korg's first largely "knobless" synthesizer, replacing the traditional knobs and switches found on the Polysix with a series of parameter selectors and two incrementing buttons that allowed the user to program sounds one section at a time.
The Korg Polysix(PS-6) is a six-voice polyphonic analog synthesizer released by Korg in 1981. It was one of the first affordable polyphonic synthesizers on the market, and was released as a cheaper alternative to the Sequential Prophet-5 and Oberheim OB-X, priced at approximately a third of the cost of its contemporaries in the polysynth market. It includes one VCO per voice, enhanced by a chorus/ensemble effect for added richness. It also comes equipped with 32 program memories and an integrated arpeggiator.
The Korg DSS-1 is a polyphonic sampling synthesizer released by Korg in 1986. As Korg's initial entry into the sampling market, the DSS-1 combines sampling, additive synthesis, and waveform drawing with an analog signal path. The DSS-1 was released a time when major synthesizer manufacturers like Yamaha and Casio were beginning to explore sampling, an area of sound design dominated by companies like Fairlight, E-mu, and Ensoniq. Korg did not stay long in the sampling arena; the DSS-1 was the company's only sampler until 1998 when Korg introduced sampling options on their Triton and Trinity series of workstations.
The Korg RADIAS is a virtual analog synthesizer and Vocoder, released by Korg in 2006. The RADIAS' MMT engine was based on the Korg OASYS synthesizer module, providing for several different synthesis methods, two of which may be combined in a single voice e.g. phase distortion synthesis can be combined with subtractive synthesis. The different synthesis methods employed by MMT represent the majority of methods used historically in other Korg synthesizers: digital waveguide synthesis Korg first used in the Korg Z1 and phase distortion synthesis was first used in the Korg DS-8. This flexibility allows for very realistic emulations of past Korg synthesizers, though stays away from trying to emulate the Korg M1 and the Korg Wavestation,. As well as using the in-built waveforms for the basis of sound creation, the RADIAS allows for the input of an external signal which may be routed through the various sound shaping devices. The RADIAS has a comprehensive matrix modulation specification and to further enhance a sound the 'Wave Shaper' module allows for various sound distortion effects.
The Korg Mono/Poly (MP-4) is a paraphonic analog synthesizer released by Korg in 1981, bridging the gap between monophonic and polyphonic synthesis. Released in the same year as the Korg Polysix, as a complementary synth, The Mono/Poly is equipped with four VCOs and can operate as a four-voice paraphonic synth with limited capabilities, or as a monophonic synth using all four oscillators. Upon its release, it was the only monophonic synthesizer with an integrated quad-VCO design available on the market.
The Kronos is a music workstation manufactured by Korg that combines nine different synthesizer sound engines with a sequencer, digital recorder, effects, a color touchscreen display and a keyboard. Korg's latest flagship synthesizer series at the time of its announcement, the Kronos series was announced at the winter NAMM Show in Anaheim, California in January 2011.
The Korg Z1 is a digital synthesizer released by Korg in 1997. The Z1 built upon the foundation set by the monophonic Prophecy released two years prior by offering 12-note polyphony and featuring expanded oscillator options, a polyphonic arpeggiator and an XY touchpad for enhanced performance interaction. It was the world's first multitimbral physical modelling synthesizer.
The Korg OASYS PCI is a DSP-based PCI-card for PC and Mac released in 1999. It offers many synthesizer engines from sampling and substractive to FM and physical modelling. Because of its high market price and low polyphony, production was stopped in 2001. About 2000 cards were produced.
The Korg Minilogue is a polyphonic analog synthesizer released in 2016 by Korg. It offers users four-voice polyphony with two analog VCOs per-voice and was designed to be affordable. It was designed by Korg engineer and synthesizer designer Tatsuya Takahashi, who said "the concept of the Minilogue was to build an analog synthesizer that doesn't rely on the fame and success of an old synth".
The Korg PE-1000(Polyphonic Ensemble) is a preset-based polyphonic analog synthesizer released by Korg in 1976. It was Korg's first polyphonic synthesizer and was marketed in the US as the Univox K4.
The Korg Collection is a suite of virtual instruments and effects that emulate Korg's various hardware synthesizers. The original release included virtual versions of the MS-20, Polysix and Wavestation. Subsequent additions have expanded the collection to feature emulations of the Mono/Poly, M1, ARP Odyssey, Triton, miniKORG 700S, Prophecy and microKORG. These plugins utilize Korg's Component Modeling Technology (CMT) to simulate the analog characteristics of the original instruments. The collection is compatible with VST, AU, and AAX plugin formats and includes standalone versions for use outside a digital audio workstation (DAW).
The miniKORG 700 is a monophonic analog synthesizer released by Korg in 1973, marking their entry into mass-produced synthesizers and their first monophonic synthesizer. It was initially designed to be placed on top of an organ, so its controls are located below the keyboard facing towards the performer. An updated model, the miniKORG 700S, was launched in 1974, introducing a second oscillator that could be detuned, along with additional sustain and vibrato controls.
The Korg Sigma KP-30 is a monophonic analog synthesizer released by Korg in 1979. The Sigma features two synthesizer engines – Synthe and Instrument, which can be adjusted and then mixed and layered together. Designed for live performance, it includes two modulation joysticks and an aftertouch-sensitive keyboard. The Sigma was released alongside the Korg Delta, a hybrid string machine and polysynth, and the Lambda ES50, a preset keyboard that combined string and piano voices. The Sigma was used by Rick Wakeman, who substituted his Minimoogs with four Sigmas, as well as Keith Emerson.
