KORG DS-10 | |
---|---|
Developer(s) | Cavia |
Publisher(s) | AQ Interactive (JP, EU) Xseed Games (NA) Nintendo Australia (AUS) |
Designer(s) | Nobuyoshi Sano Yasunori Mitsuda |
Platform(s) | Nintendo DS |
Release | |
Genre(s) | Non-game Music |
Mode(s) | Single-player |
KORG DS-10 is a music creation program for the Nintendo DS that emulates the Korg MS range of synthesizers. Frequently people refer to the Korg MS-10, however the MS-10 is a single oscillator monosynth. The DS-10 adds sync which the Korg MS-20 is lacking. It was released on July 24, 2008, in Japan, October 10, 2008, in Europe, and November 4, 2008, in the United States. [1]
A newer, DSi compatible version, entitled KORG DS-10 Plus, was released in Japan on September 17, 2009, and in the United States on February 16, 2010. It doubles the number of synth and drum machines when played on DSi/3DS system. [2] It also adds some minor new features for the standard DS. [3]
KORG iDS-10 for iPhone combines a virtual analog synthesizer, voice synthesizer, and drum machine, inspired by the design of the KORG DS-10 series. [4]
The DS-10 creates sound with two analogue synthesizer emulators, each with two Voltage-Controlled Oscillators (the Korg MS-10 had only one VCO). The VCOs feature a sawtooth, a pulse (with a non-modifiable pulse width), a triangle and a noise waveform. There is also a four-part drum machine that uses the same sound creation techniques as the synthesizers. The sounds made by each of the synthesizer emulators are modified using virtual knobs to change the value of standard synthesizer parameters such as cutoff frequency and waveform shape. Additionally there is a screen where users can patch certain parameters to be modified by a low-frequency oscillation, the envelope generator, or VCO2. Those new to Korg synthesizers may find the original Korg MS-10 Manuals [5] useful in understanding the function of its components.
The user interface is mainly through the DS's touch screen with the cursors serving as a supplementary method of moving through the various interface screens. The primary method of navigating through interface screens is by switching the interface screen with the processing flow map and selecting which item to modify. Notes can be played using a 2 octave keyboard or through an interface that detects the X and Y position of the stylus on the touch pad simulating a KORG Kaoss Pad. The Kaoss Pad can also be used to modify volume and pan as well as being able to assign the X or Y values to any of the parameters that can be modified elsewhere. Users can record twenty-one sessions with sixteen different step patterns with either live input or through a step sequencer. These patterns can then either be selected live or sequenced with the song mode.
The DS-10 features a chorus, flanger and delay parameter that can be applied to each synth or the drum machine individually or as a whole. In addition, each of the editable drum sounds can have a separate effect added to it in addition to the global effect.
Aggregator | Score |
---|---|
GameRankings | 85% [6] (Plus): 80% [7] |
Metacritic | 82/100 [8] (Plus): 81/100 [9] |
Publication | Score |
---|---|
Electronic Gaming Monthly | A− [10] |
Reviews of KORG DS-10 have been generally positive, with 82/100 on Metacritic and 85% on GameRankings. IGN gave the tool the lowest score (7.1/10), saying that "it isn't standalone, full-featured music software". [11] However, other reviewers gave this tool very positive scores, citing that this software has great music-making potential.[ citation needed ]
Devoted fans have set up dedicated communities centered on KORG DS-10. [12]
A follow-up title, Korg M01D , was released for Nintendo 3DS via the Nintendo eShop in Japan in July 2013 and November 7, 2013, in North America and Europe. The title features all the sounds from the Korg M1 and some of the sounds from the Korg 01/W. In 2014, the KORG DSN-12 was released for the 3DS, focusing on "the user creating their own unique synth sounds from scratch". It features a "3D oscilloscope screen" which lets the user visualize their sounds. [13]
An analog synthesizer is a synthesizer that uses analog circuits and analog signals to generate sound electronically.
The Nintendo DS is a 32-bit foldable handheld game console produced by Nintendo, released globally across 2004 and 2005. The DS, an initialism for "Developers' System" or "Dual Screen", introduced distinctive new features to handheld games: two LCD screens working in tandem, a built-in microphone, and support for wireless connectivity. Both screens are encompassed within a clamshell design similar to the Game Boy Advance SP. The Nintendo DS also features the ability for multiple DS consoles to directly interact with each other over Wi-Fi within a short range without the need to connect to an existing wireless network. Alternatively, they could interact online using the now-defunct Nintendo Wi-Fi Connection service. Its main competitor was Sony's PlayStation Portable during the seventh generation of video game consoles.
The Kaoss Pad is a sampler and audio effects processor launched by Korg in 1999. It allows users to record and process audio and apply various effects using an X-Y touchscreen. It has been used by artists including Radiohead, Muse and Brian Eno.
The Jupiter-8, or JP-8, is an eight-voice polyphonic analog subtractive synthesizer introduced by Roland Corporation in early 1981.
A MIDI controller is any hardware or software that generates and transmits Musical Instrument Digital Interface (MIDI) data to MIDI-enabled devices, typically to trigger sounds and control parameters of an electronic music performance. They most often use a musical keyboard to send data about the pitch of notes to play, although a MIDI controller may trigger lighting and other effects. A wind controller has a sensor that converts breath pressure to volume information and lip pressure to control pitch. Controllers for percussion and stringed instruments exist, as well as specialized and experimental devices. Some MIDI controllers are used in association with specific digital audio workstation software. The original MIDI specification has been extended to include a greater range of control features.
The Roland JP-8000 is an analog modeling synthesizer released by the Roland Corporation in 1996.
The microKORG is a MIDI-capable digital synthesizer/vocoder from Korg featuring DSP-based analog modelling. The synthesizer is built in such a way that it is essentially a Korg MS-2000 with a programmable step arpeggiator, a less advanced vocoder, lack of motion sequencing, lack of an XLR microphone input, and in a smaller case with fewer real-time control knobs.
The Korg MS-20 is a patchable semi-modular monophonic analog synthesizer which Korg released in 1978 and which was in production until 1983. It was part of Korg's MS series of instruments, which also included the single oscillator MS-10, the keyboardless MS-50 module, the SQ-10 sequencer, and the VC-10 Vocoder. Additional devices included the MS-01 Foot Controller, MS-02 Interface, MS-03 Signal Processor, and MS-04 Modulation Pedal.
The Korg Prophecy is a monophonic synthesizer released by Korg in 1995. one of the earliest commercial DSP physical/acoustic and analog "virtual" modeling sound synthesizers and Korg's first monophonic synthesizer since the Mono/Poly. The Prophecy employs Korg's Multi Oscillator Synthesis System (MOSS), which features digital oscillators capable of emulating synthesis techniques such as analog synthesis, FM and physical modelling. Emphasized for its portability, expressiveness, and engaging playability, a distinctive feature of the Prophecy is its multifunctional Wheel 3, nicknamed the 'log'.
The Korg Trinity is a synthesizer and music workstation released by Korg in 1995. It was Korg's first modern workstation and marked a significant evolution from its predecessors by offering features such as built-in digital audio recording, 32-note polyphony, an extensive internal sound library, assignable effects, and a large touchscreen for advanced control and editing functions, a feature not previously seen on any musical instrument. It also offered modular expansion for not only sounds, but also studio-grade features such as ADAT, various sound engine processors, audio recording capability, and more.
The Korg Wavestation is a vector synthesis synthesizer first produced in the early 1990s and later re-released as a software synthesizer in 2004. Its primary innovation was Wave Sequencing, a method of multi-timbral sound generation in which different PCM waveform data are played successively, resulting in continuously evolving sounds. The Wavestation's "Advanced Vector Synthesis" sound architecture resembled early vector synths such as the Sequential Circuits Prophet VS.
The Korg MS-10 is an analogue synthesizer created by Korg in 1978. Unlike its bigger brother, the Korg MS-20, the MS-10 only has one VCO, one VCF and one envelope generator. It is monophonic and has 32 keys.
The Korg RADIAS is a virtual analog synthesizer and Vocoder, released by Korg in 2006. The RADIAS' MMT engine was based on the Korg OASYS synthesizer module, providing for several different synthesis methods, two of which may be combined in a single voice e.g. phase distortion synthesis can be combined with subtractive synthesis. The different synthesis methods employed by MMT represent the majority of methods used historically in other Korg synthesizers: digital waveguide synthesis Korg first used in the Korg Z1 and phase distortion synthesis was first used in the Korg DS-8. This flexibility allows for very realistic emulations of past Korg synthesizers, though stays away from trying to emulate the Korg M1 and the Korg Wavestation,. As well as using the in-built waveforms for the basis of sound creation, the RADIAS allows for the input of an external signal which may be routed through the various sound shaping devices. The RADIAS has a comprehensive matrix modulation specification and to further enhance a sound the 'Wave Shaper' module allows for various sound distortion effects.
The Korg Kaossilator is a line of portable music synthesizers manufactured by Korg. Termed "dynamic-phrase synthesizers" by the manufacturer, Kaossilators are capable of producing a wide range of sounds, can produce a continuous music loop, and can be tuned to various keys and scales.
The Korg Mono/Poly (MP-4) is a paraphonic analog synthesizer released by Korg in 1981, bridging the gap between monophonic and polyphonic synthesis. Released in the same year as the Korg Polysix, as a complementary synth, The Mono/Poly is equipped with four VCOs and can operate as a four-voice paraphonic synth with limited capabilities, or as a monophonic synth using all four oscillators. Upon its release, it was the only monophonic synthesizer with an integrated quad-VCO design available on the market.
The Nintendo DSi system software is a discontinued set of updatable firmware versions, and a software frontend on the Nintendo DSi video game console. Updates, which are downloaded via the system's Internet connection, allow Nintendo to add and remove features and software. All updates also include all changes from previous updates.
Nobuyoshi Sano, better known as sanodg, is a Japanese video game composer, musician and record producer. He is best known for scoring tracks for the Ridge Racer and Tekken series, as well as Drakengard.
The Korg Minilogue is a polyphonic analog synthesizer released in 2016 by Korg. It offers users four-voice polyphony with two analog VCOs per-voice and was designed to be affordable. It was designed by Korg engineer and synthesizer designer Tatsuya Takahashi, who said "the concept of the Minilogue was to build an analog synthesizer that doesn't rely on the fame and success of an old synth".
The Korg Collection is a suite of virtual instruments and effects that emulate Korg's various hardware synthesizers. The original release included virtual versions of the MS-20, Polysix and Wavestation. Subsequent additions have expanded the collection to feature emulations of the Mono/Poly, M1, ARP Odyssey, Triton, miniKORG 700S, Prophecy and microKORG. These plugins utilize Korg's Component Modeling Technology (CMT) to simulate the analog characteristics of the original instruments. The collection is compatible with VST, AU, and AAX plugin formats and includes standalone versions for use outside a digital audio workstation (DAW).