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Napoléon is a 1927 French silent epic historical film, produced, and directed by Abel Gance that tells the story of Napoleon's early years. It is also the only film to use Polyvision. On screen, the title is Napoléon vu par Abel Gance, meaning "Napoleon as seen by Abel Gance". The film is recognised as a masterwork of fluid camera motion, produced in a time when most camera shots were static. Many innovative techniques were used to make the film, including fast cutting, extensive close-ups, a wide variety of hand-held camera shots, location shooting, point of view shots, multiple-camera setups, multiple exposure, superimposition, underwater camera, kaleidoscopic images, film tinting, split screen and mosaic shots, multi-screen projection, and other visual effects. A revival of Napoléon in the mid-1950s influenced the filmmakers of the French New Wave. The film used the Keller-Dorian cinematography for its color sequences.
Abel Gance was a French film director and producer, writer and actor. A pioneer in the theory and practice of montage, he is best known for three major silent films: J'accuse (1919), La Roue (1923), and Napoléon (1927).
The Cinémathèque Française, founded in 1936, is a French non-profit film organization that holds one of the largest archives of film documents and film-related objects in the world. Based in Paris's 12th arrondissement, the archive offers daily screenings of worldwide films.
Pierre Fresnay was a French stage and film actor.
Albert Dieudonné was a French actor, screenwriter, film director and novelist.
He Loves Me... He Loves Me Not is a 2002 French psychological drama film directed by Lætitia Colombani. The film focuses on a fine arts student, played by Audrey Tautou, and a married cardiologist, played by Samuel Le Bihan, with whom she is dangerously obsessed. The film studies the condition of erotomania and is both an example of the nonlinear and "unreliable narrator" forms of storytelling.
La Folie du doute is a 1923 French silent film written and directed by René Leprince. The film was shot in 1920.
J'accuse is a 1919 French silent film directed by Abel Gance. It juxtaposes a romantic drama with the background of the horrors of World War I, and it is sometimes described as a pacifist or anti-war film. Work on the film began in 1918, and some scenes were filmed on real battlefields. The film's powerful depiction of wartime suffering, and particularly its climactic sequence of the "return of the dead", made it an international success, and confirmed Gance as one of the most important directors in Europe.
End of the World is a 1931 French science fiction film directed by Abel Gance based on the novel Omega: The Last Days of the World by Camille Flammarion. The film stars Victor Francen as Martial Novalic, Colette Darfeuil as Genevieve de Murcie, Abel Gance as Jean Novalic, and Jeanne Brindau as Madame Novalic. The plot concerns a comet hurtling toward Earth on a collision course and the different reactions people have to the impending disaster. Scientist Martial Novalic who discovers the comet, seeks a solution to the problem and becomes a fugitive after skeptical authorities blame him for starting a mass panic.
Faces of Children is a 1925 French-Swiss silent film directed by Jacques Feyder. It tells the story of a young boy whose mother has died and the resentments which develop when his father remarries. It was a notable example of film realism in the silent era, and its psychological drama was integrated with the natural landscapes of Switzerland where much of the film was made on location.
El Dorado is a French silent film directed in 1921 by Marcel L'Herbier. The film was notable for integrating a number of technical innovations into its narrative of a "cinematic melodrama". It achieved considerable success on its release, as a ground-breaking film that was distinctively French at a time when the cinema was felt to be dominated by American productions.
Folie or Folies may refer to:
Vénus aveugle is a 1941 French film melodrama, directed by Abel Gance, and one of the first films to be undertaken in France during the German occupation.
Jean Tulard is a French academic and historian. Considered one of the best specialists of Napoleon Bonaparte and the Napoleonic era, he is nicknamed by his peers "the master of Napoleonic studies".
Annie Ducaux was a French actress, who appeared in 40 film and television productions between 1932 and 1980. Ducaux was a shareholder in the state theater Comédie-Française from 1948, and played in numerous stage productions there. She is possibly best-remembered for her roles in such films as Abel Gance's Beethoven's Great Love (1937), Conflict and Les grandes familles.
Léonce-Henri Burel was a French cinematographer whose career extended from the silent era until the early 1970s. He was the director of photography on more than 120 films, working almost exclusively in black-and-white.
Roger Karl was a French actor. Karl was born Roger Trouvé in Bourges.
L'Alchimiste Parafaragaramus ou la Cornue infernale, released in the United States as The Mysterious Retort and in Britain as The Alchemist and the Demon, is a 1906 French silent film directed by Georges Méliès. It was released by Méliès's Star Film Company and is numbered 874–876 in its catalogues.
Safety Catch is a 1970 French thriller film directed by Yves Boisset and starring Bruno Cremer. The film is based on the novel A Private Venus by Giorgio Scerbanenco.
Le Brasier ardent is a 1923 French film directed by Ivan Mosjoukine. It combines elements of comedy, mystery, romance and psychological drama. The title has been variously translated into English as The Blazing Inferno, The Burning Crucible, The Burning Brazier, The Burning Cauldron, and Burning Embers.
References
- ↑ Shepard, Richard F. (2011). "New York Times: La Folie du Docteur Tube". Movies & TV Dept. The New York Times . Archived from the original on 20 May 2011. Retrieved 20 July 2008.
- ↑ Film description at Cinémathèque française [archived]. Retrieved 2 June 2020.
- ↑ Icart, Roger (1983). Abel Gance ou le Prométhée foudroyé (in French). L'AGE D'HOMME. ISBN 978-2-8251-3352-1.