La Isla Bonita | ||||
---|---|---|---|---|
Studio album by | ||||
Released | November 4, 2014 | |||
Genre | Indie rock, noise rock | |||
Length | 31:49 | |||
Label | Polyvinyl | |||
Producer | Nick Sylvester | |||
Deerhoof chronology | ||||
|
La Isla Bonita is the twelfth studio album by American rock band Deerhoof. Produced by former music journalist and Mr. Dream drummer Nick Sylvester, it was released on November 4, 2014 through Polyvinyl Record Co. [1] [2]
The track "Exit Only" was released as the first single off the album on August 20, 2014. [3] On September 10, 2014, Deerhoof shared the second track "Paradise Girls". The band embarked on a tour in support of the album in November 2014. [4]
The album's recording started when Deerhoof tried to write a track similar to their live cover of Ramones’ "Pinhead", which resulted in the track "Exit Only". Demo tracks were recorded for a week at guitarist Ed Rodriguez’s home in Oregon and sent to Nick Sylvester, who eventually produced the album. [5] The album draws upon a wide array of influences, including Radiohead, The Flaming Lips, Lou Reed, Sonic Youth, Beck, the Roots, Ric Ocasek, David Byrne, Janet Jackson, and Madonna, with the album's title being a reference to Madonna's "La Isla Bonita". [1] [2] [3] [6]
On the same press release, drummer Greg Saunier stated:
No band is an island. Felt like one sometimes, in those budgetless and obscure early days, Satomi [Matsuzaki] and me locked in the basement trying to figure out how our clashing personalities and ideas could turn into a band. If we hadn’t had that crazed mid-’90s Bay Area punk scene to call home, I doubt we’d still be here to chat about a 20th anniversary. We don’t set out to create masterpieces. The Deerhoof fan is a thrill-seeker. This is the latest volley in an ongoing conversation we’ve been honored to hold for 20 years. [3]
Aggregate scores | |
---|---|
Source | Rating |
Metacritic | 77/100 [7] |
Review scores | |
Source | Rating |
AllMusic | [8] |
La Isla Bonita received positive reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from critics, the album received an average score of 77, which indicates "generally positive reviews", based on 27 reviews. [7] AllMusic critic Heather Phares regarded the record as "another fine example of how the band changes course on almost every album" and wrote: "they've been able to put different but cohesive spins on their sound so well, and for so long, is truly remarkable." [8]
Deerhoof is an American musical group formed in San Francisco in 1994. They consist of founding drummer Greg Saunier, bassist and singer Satomi Matsuzaki, and guitarists John Dieterich and Ed Rodriguez. Beginning as an improvised noise punk band, Deerhoof became widely renowned and influential in the 2000s through their self-produced albums.
Reveille is the fourth album by the band Deerhoof, released in 2002. The line-up of the band at the time was Satomi Matsuzaki, John Dieterich and Greg Saunier, with Chris Cooper contributing extra guitar work on one of the tracks. Satomi Matsuzaki also created the album's cover art. It was jointly released on the record labels 5 Rue Christine and Kill Rock Stars.
Apple O' is the fifth studio album by the indie rock band Deerhoof. It was released in 2003 on Kill Rock Stars and 5 Rue Christine, an offshoot of Kill Rock Stars. The album is the group's first with guitarist Chris Cohen.
Milk Man is the sixth album by the band Deerhoof, released in 2004. It is something of a concept album, based on a character, created by Japanese artist Ken Kagami, a friend and onetime housemate of the band. The album was remastered and reissued in 2011 by ATP Recordings.
Halfbird is the third album by Deerhoof. It was released by Menlo Park Records in 2001.
"La Isla Bonita" is a song by American singer Madonna from her third studio album True Blue (1986). Patrick Leonard and Bruce Gaitsch created it as an instrumental demo and offered it to singer Michael Jackson, who turned it down. When Leonard met Madonna to start working on True Blue, he played the demo for her. Madonna came up with the title, wrote the lyrics and produced the song with Leonard. It's her first song with Latin influences. Its instrumentation features flamenco guitar, Latin percussion, maracas, and includes four lines sung in Spanish. The lyrics talk about an island named San Pedro, whose location has been debated. Madonna said the song was her tribute to Latin Americans.
The Runners Four is the seventh studio album by American indie rock band Deerhoof, released on October 11, 2005 by Kill Rock Stars, ATP Recordings and 5 Rue Christine. A vinyl edition with a different cover was released by the label Children of Hoof.
Green Cosmos is a 2005 EP release by American experimental rock band Deerhoof.
Friend Opportunity is the eighth studio album by American indie rock band Deerhoof. It was released on January 23, 2007, on Kill Rock Stars, ATP Recordings and 5 Rue Christine.
The Untitled Deerhoof EP is an MP3 EP by the band Deerhoof, which was self-released in 2006.
Holdypaws is the second album by the indie rock band Deerhoof. It was released in 1999 on Kill Rock Stars, and reissued on vinyl by the same label on November 22, 2019, to commemorate the 25th anniversary of Deerhoof. Jamie Stewart of Xiu Xiu, a band that has worked with Deerhoof's Greg Saunier, has praised this album, saying "I had never heard anything like it before. It completely blew my mind and changed the way I thought about what music could be." Henry Rollins has praised this album, in addition to the band's EP Green Cosmos, saying "it gets the blood going. What a band."
Koalamagic is a live album released in 2001 by Deerhoof on the Australian label Dual Plover. The album includes five tracks, some of which are several songs put together, recorded over the course of the band's early, noise-oriented years, from 1996 to 2000. The material is culled from Deerhoof's first full length, Holdypaws, Halfbird, and Reveille. The tracks are presented in the reverse-chronological order featuring various lineups, starting with the trio that recorded Reveille. The following tracks include performances by Rob Fisk, a founding member, and other short-lived members like Kelly Goode, Jess Goddard, and Chris Cooper. Ned Raggett of AllMusic described the album as "a sort-of band history as alternate arrangements and lineups came and went".
Offend Maggie is the ninth studio album by Deerhoof, released October 7, 2008 on Kill Rock Stars. Over the summer the band put up sheet music for the song "Fresh Born" online, and invited fans to record their own version. The title track is streaming on the label's website, while Wired is streaming short clips of various songs on the album.
Deerhoof vs. Evil is the tenth studio album by the band Deerhoof. It was released on January 6, 2011 on P-Vine Records in Japan, January 24, 2011 on ATP Recordings in the United Kingdom, January 25, 2011 on Polyvinyl in the USA, and January 30, 2011 on Flying Nun Records in New Zealand.
Breakup Song is the eleventh studio album by the band Deerhoof. It was released on September 4, 2012 on Polyvinyl Records. A music video for the album's title track was released on June 3, 2013. It was directed by Pieter Dirkx.
The Magic is the thirteenth studio album by Deerhoof, released in June 2016 through Polyvinyl.
Gregory Lovell Saunier is a musician, producer, and composer best known as the drummer and founding member of Deerhoof.
Nervous Cop is a 2003 experimental rock album by the group of the same name, consisting of drummer Greg Saunier and electronics musician John Dieterich of Deerhoof, drummer Zach Hill of Hella and harpist Joanna Newsom, released through 5 Rue Christine.
Future Teenage Cave Artists is the fifteenth studio album by American group Deerhoof. It was released on May 29, 2020 under Joyful Noise Recordings. A tour to support the release was scheduled for May and June 2020; however, these are being rescheduled due to COVID-19.
Miracle-Level is the eighteenth studio album by American experimental rock band Deerhoof. The album has received positive reviews from critics and is their first in 19 studio releases to be recorded in a studio with outside technical guidance as well as their first with lyrics exclusively sung in Japanese.