"Lachin y Gair", often known as "Dark Lochnagar" or "Loch na Garr", is a poem by Lord Byron, written in 1807. It discusses the author's childhood in north east Scotland, when he used to visit Lochnagar in Highland Aberdeenshire. It is perhaps one of the poet's most Scottish works, both in theme and sentiment.
Lachin y Gair is essentially about childhood, ancestry (dualchas), and sense of place (duthchas) presented as Sehnsucht .
Byron begins with contrasting the gentrified landscapes of southern England, with the harsher, colder East Highlands:
Away, ye gay landscapes, ye gardens of roses!
In you let the minions of luxury rove;
Restore me the rocks where the snow-flake reposes,
Though still they are sacred to freedom and love.
Yet, Caledonia, beloved are thy mountains,
Round their white summits though elements war;
Though cataracts foam 'stead of smooth-flowing fountains,
I sigh for the valley of dark Loch na Garr. [1]— lines 1-8
Then in the second stanza Byron refers to how his "young footsteps in infancy, wander'd" around the area, and how he would hear the "traditional story,/Disclos'd by the natives of dark Loch na Garr."
In the third and fourth stanzas, Byron mentions his Jacobite ancestors who haunt the area and who were "Ill starr'd, though brave, did no visions foreboding/Tell you that fate had forsaken your cause?/Ah! were you destined to die at Culloden" Byron himself says
I allude here to my maternal ancestors, "the Gordons," many of whom fought for the unfortunate Prince Charles, better known by the name of the Pretender. This branch was nearly allied by blood, as well as attachment, to the Stuarts. George, the second Earl of Huntley, married the Princess Annabella Stuart, daughter of James I. of Scotland. By her he left four sons: the third, Sir William Gordon, I have the honour to claim as one of my progenitors.
In the fifth stanza, Byron laments his exile from Scotland:
Years have roll'd on, Loch na Garr, since I left you,
Years must elapse ere I tread you again:
Nature of verdure and flow'rs has bereft you,
Yet still are you dearer than Albion's plain.
England! thy beauties are tame and domestic [...] [1]— lines 33-37
The work has been set to a tune attributed to Sir Henry Bishop, [2] and remains a popular standard in Scottish folk music. [3] A number of versions exist, but it was notably recorded by The Corries . Jimmy McDermid, father of Val McDermid also used to sing the song. [4]
The Fiddler's Companion claims that the tune also travelled to Ireland:
Gearóid Ó hAllmhuráin believe this tune may have been learned in County Clare from Scottish sappers in the 1830s who were sent to the region as part of the British survey of the country.
As the Penguin Book of Scottish Verse says:
There are few major English poets who can be heard sung in peasant bothies among the more native fare, but Byron's Lachin A Gair is a popular favourite, and those sophisticated critics who sneer at the poem but don't know the tune should hear it sung by a farm-labourer's 'tenore robusto'. [5]
Beethoven set the poem as "Lochnagar" (No. 9 in his 12 Scottish Folksongs WoO 156, published 1814–15) to a purportedly Scottish folk melody, but the tune was actually written by an Englishman called Maurice Greene (1696-1755), a composer of the late Baroque period. [6]
Byron also referred to Lochnagar in The Island:
The infant rapture still survived the boy,
And Loch-na-gar with Ida looked o'er Troy. [7]— The Island: Canto II, stanza XII, lines 290-291
Ottava rima is a rhyming stanza form of Italian origin. Originally used for long poems on heroic themes, it later came to be popular in the writing of mock-heroic works. Its earliest known use is in the writings of Giovanni Boccaccio.
George Thomson was a Scottish music publisher and a friend of Robert Burns. He was clerk to the board of trustees in Edinburgh for 60 years. His A Select Collection of Original Scottish Airs for the Voice came out in six volumes between 1793 and 1841, and included contributions from Burns, Lord Byron, Thomas Moore, Walter Scott and Thomas Campbell. Thomson published folksong arrangements by Joseph Haydn, Ludwig van Beethoven, Ignaz Pleyel, Leopold Kozeluch, Johann Nepomuk Hummel, Carl Maria von Weber, Henry Rowley Bishop, and Robert Archibald Smith.
Lochnagar or Beinn Chìochan is a mountain in the Mounth, in the Grampians of Scotland. It is about five miles south of the River Dee near Balmoral. It is a popular hill with hillwalkers, and is a noted venue for summer and winter climbing.
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In English literature, Don Juan, written from 1819 to 1824 by the English poet Lord Byron, is a satirical, epic poem that portrays the Spanish folk legend of Don Juan, not as a womaniser as historically portrayed, but as a victim easily seduced by women. As genre literature, Don Juan is an epic poem, written in ottava rima and presented in 16 cantos. Lord Byron derived the character of Don Juan from traditional Spanish folk legends; however, the story was very much his own. Upon publication in 1819, cantos I and II were widely criticized as immoral because Byron had so freely ridiculed the social subjects and public figures of his time. At his death in 1824, Lord Byron had completed 16 of 17 cantos, whilst canto XVII remained unfinished.
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"Fare Thee Well" is an 1816 poem by Lord Byron.
Hebrew Melodies is a collection of 30 poems by Lord Byron. They were largely created by Byron to accompany music composed by Isaac Nathan, who played the poet melodies which he claimed (incorrectly) dated back to the service of the Temple in Jerusalem.
"Maid of Athens, ere we part" is a poem by Lord Byron, written in 1810 and dedicated to a young girl of Athens. It begins:
George Gordon Byron, 6th Baron Byron was a British poet and peer. He is one of the major figures of the Romantic movement, and is regarded as being among the greatest of English poets. Among his best-known works are the lengthy narratives Don Juan and Childe Harold's Pilgrimage; much of his shorter lyrics in Hebrew Melodies also became popular.
"Fragment of Novel" is an unfinished 1819 vampire horror story written by Lord Byron. The story, also known as "A Fragment" and "The Burial: A Fragment", was one of the first in English to feature a vampire theme. The main character was Augustus Darvell. John William Polidori based his novella The Vampyre (1819), originally attributed in print to Lord Byron, on the Byron fragment. The vampire in the Polidori story, Lord Ruthven, was modelled on Byron himself. The story was the result of the meeting that Byron had in the summer of 1816 with Percy Bysshe Shelley where a "ghost writing" contest was proposed. This contest was also what led to the creation of Frankenstein according to Percy Bysshe Shelley's 1818 Preface to the novel. The story is important in the development and evolution of the vampire story in English literature as one of the first to feature the modern vampire as able to function in society in disguise. The short story first appeared under the title "A Fragment" in the 1819 collection Mazeppa: A Poem, published by John Murray in London.
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The Vision of Judgment (1822) is a satirical poem in ottava rima by Lord Byron, which depicts a dispute in Heaven over the fate of George III's soul. It was written in response to the Poet Laureate Robert Southey's A Vision of Judgement (1821), which had imagined the soul of king George triumphantly entering Heaven to receive his due. Byron was provoked by the High Tory point of view from which the poem was written, and he took personally Southey's preface which had attacked those "Men of diseased hearts and depraved imaginations" who had set up a "Satanic school" of poetry, "characterized by a Satanic spirit of pride and audacious impiety". He responded in the preface to his own Vision of Judgment with an attack on "The gross flattery, the dull impudence, the renegado intolerance, and impious cant, of the poem", and mischievously referred to Southey as "the author of Wat Tyler", an anti-royalist work from Southey's firebrand revolutionary youth. His parody of A Vision of Judgement was so lastingly successful that, as the critic Geoffrey Carnall wrote, "Southey's reputation has never recovered from Byron's ridicule."
The Bride of Abydos is a poem written by Lord Byron in 1813. One of his earlier works, The Bride of Abydos is considered to be one of his "Heroic Poems", along with The Giaour, Lara, The Siege of Corinth, The Corsair and Parisina. These poems contributed to his poetic fame at the time in England.
Gair may refer to:
"Man Was Made to Mourn: A Dirge" is a dirge of eleven stanzas by the Scots poet Robert Burns, first published in 1784 and included in the first edition of Poems, Chiefly in the Scottish Dialect in 1786. The poem is one of Burns's many early works that criticize class inequalities. It is known for its line protesting "Man's inhumanity to man", which has been widely quoted since its publication.
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