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Lado Bai | |
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| Born | Jhabua, Madhya Pradesh |
Lado Bai is a tribal artist from the Bhil tribe of Madhya Pradesh. Her work has been showcased in various exhibitions in India, France and the UK. [1]
She lives and works in the Adivasi Lok Kala Academy, Bhopal. [2]
Lado Bai was born in the Badi Bawadi village of Jhabua, Madhya Pradesh in the Bhil tribal community. [2] At a very early age, she moved to Bhopal with her family to be engaged as manual labourers in the building of the iconic Bharat Bhavan. She got married and continued to work in the building complex and also painted to de-stress after a day's work. [3] [4]
Lado Bai started her work alongside Bhuri Bai. [5] Her art reflects the spirituality and animism of her community. [6] For years, she could not pursue her art because of financial constraints. [6] Her luck turned when she was discovered by the famous Indian artist Jagdish Swaminathan. [6] Swaminathan encouraged her to work for the Adivasi Lok Kala Academy where she had the opportunity to transfer images of festivals, rituals and animals from wall to paper. [6]
The Bhil Tribe are indigenous, being the Second largest Tribal Community in India. Art is Integral to the Bhil Community. [7] The rich texture of their paintings generally depict nature and Adivasi Style that is their legacy. [7] Bhil artists are just starting to be internationally recognized. [6] They paint the simple human joys of birth and other ceremonial occasions like harvests that are often forgotten in our modern society. [6] The art of the Bhils along with that of other tribal groups reminds us what the simple pleasures in life are. [6]
Lado Bai's works are characteristic for their formal simplicity, heightened by her use of dots. Nature, spirituality and animism find dominance in her canvases. She is inspired by the stories told by elders in her community, myths and rituals of the tribe and the flora and fauna she encounters in her everyday life. [2] [8] Bai creates art reflects the flora and fauna of her environment along with the customs and festivals of her tribe. [1] Her work is informed by the timeless tradition of Bhil painting, portraying ritualized depictions of Pithora, the Bhil folklore god. [1]
Lado Bai's inspirations came from the stories told her elders, and her personal faith that the gods will be pleased by her Art. [1]
She belongs to a community famous for their ritualistic murals of god Pithora, a centuries old tradition that was primarily a man's domain. [1] [7] Lado Bai carries forward this timeless tradition while at the same time, developing in a strong individual visual language. [1]
Lado Bai is among such tribal artists who are keeping their traditional identity alive in their works and lives. [9] Her paintings reflect all the aspects of a Bhil life. She seems completely at ease while working with fine quality brush and canvas in place of a piece of jute which she would use before. [9] Today she is working at Adivasi Lok Kala Academy in Bhopal and is contented with her job as an artist. [9]
In Lado Bai's work, nature, spirituality and animism of her community are dominant themes. [10] With the encouragement and support of late Indian artist Jagdish Swaminathan, she has developed a contemporary language of traditional artforms. [10] The main motifs in her works are the animal kingdom and Bhil rituals and festivals. Her works demonstrate an episode of a larger story from the folklore. [10] "We prepare for a whole night before starting to paint. There are a lot of rituals that I have shown in my work, and this is exactly how the Bhil culture is," says Bai. [10]
Lado Bai is the Master Ojas Art Awardee. The Ojas Art Award 2017, instituted by Ojas Art Gallery, was awarded this year to a couple of Bhil artists from Bhopal, Madhya Pradesh at the Jaipur Literature Festival (JLF) 2017. [11] Lado Bai was awarded under the Master Artist category, winning a sum of Rs 51,000. [11] She belongs to the early group of artists of this genre and was among the first bheel artists, besides bhuri bai, to have worked directly with J Swaminathan. [9]
For Lado Bai, whose family joined her in painting the canvas, the elements of the picture are drawn from the deep collective memory of her ancestors, which she has evoked in the Pithora tradition. [12] [13] She points to the peasants gathering harvested maize and millet, the tents and marquees of the marketplace, and the bullock carts laden with produce making their way to the bazaars. [12] [13] Her daughter, Anita, assisted her in painting murals. [12] [13]
2016 - "Creative Customs: International Folk Art," Peninsula School of Art, Fish Creek, WI [14] [15]
2017 - "Satrang", Ojas Art Gallery, New Delhi, India [10]
2017 - "water+wisdom Australia India," Royal Melbourne Institute of Technology University, Melbourne, Australia [16]
2020 - "Merging Narratives," Ojas Art Gallery, New Delhi, India [17] [18]
2022 - "Lado Bai: The Early Years," Ojas Art Gallery, New Delhi, India [19]
Madhya Pradesh is a state in central India. Its capital is Bhopal, and the largest city is Indore, with Gwalior, Jabalpur, Ujjain, Dewas, Sagar, Satna, and Rewa being the other major cities. Madhya Pradesh is the second largest Indian state by area and the fifth largest state by population with over 72 million residents. It borders the states of Uttar Pradesh to the northeast, Chhattisgarh to the east, Maharashtra to the south, Gujarat to the west, and Rajasthan to the northwest.
Bhopal is the capital city of the Indian state of Madhya Pradesh and the administrative headquarters of both Bhopal district and Bhopal division. It is known as the City of Lakes, due to its various natural and artificial lakes. It is also one of the greenest cities in India. It is the 16th largest city in India and 131st in the world. After the formation of Madhya Pradesh, Bhopal was part of the Sehore district. It was bifurcated in 1972 and a new district, Bhopal, was formed. Flourishing around 1707, the city was the capital of the former Bhopal State, a princely state of the British ruled by the Nawabs of Bhopal. Numerous heritage structures from this period include the Taj-ul-Masajid and Taj Mahal palace. In 1984, the city was struck by the Bhopal disaster, one of the worst industrial disasters in history.
The Adivasi refers to heterogeneous tribal groups across the Indian subcontinent. The term is a Sanskrit word coined in the 1930s by political activists to give the tribal people an indigenous identity by claiming an indigenous origin. The term is also used for ethnic minorities, such as Chakmas of Bangladesh, Bhumiputara Khasas of Nepal, and Vedda of Sri Lanka. The Constitution of India does not use the word Adivasi, instead referring to Scheduled Tribes and Janjati. The government of India does not officially recognise tribes as indigenous people. The country ratified the International Labour Organization (ILO) Convention 107 on Indigenous and Tribal Peoples of the United Nations (1957) and refused to sign the ILO Convention 169. Most of these groups are included in the Scheduled Tribe category under constitutional provisions in India.
Bhil or Bheel is an ethnic group in western India. They speak the Bhil languages, a subgroup of the Western Zone of the Indo-Aryan languages.
Jagdish Swaminathan popularly known as J. Swaminathan was an Indian artist, painter, poet and writer. He played a role in the establishment of the Bharat Bhawan, a multi-art complex in Bhopal, in 1982, and served as the director of its Roopankar Art Museum till 1990. He discovered Jangarh Singh Shyam, a Gond tribal artist of Madhya Pradesh. He was a member of the Communist Party of India.
There are 46 recognized Scheduled Tribes in Madhya Pradesh, India, three of which have been identified as "Particularly Vulnerable Tribal Groups" or "PTGs". The population of Scheduled Tribals (ST) is 21.1 per cent of the state population, according to the 2011 census. Bounded by the Narmada River to the north and the Godavari River to the southeast, tribal peoples occupy the slopes of the region's mountains.
The Dhanka are a tribe or caste of India who believe themselves to be aboriginal, although they are unable to assert from whence they came.found in Rajasthan, Haryana, Uttar Pradesh,Gujarat, Maharashtra, Chhattisgarh and Madhya Pradesh they are no relation with dhanuk kurmi. They are historically neither Hindu nor Muslim and their occupations have changed over time, as circumstances have dictated for survival. Although similar groups in India are often referred to as adivasi, the Dhanka generally reject this term.
The Rathva or Rathwa also spelled as Rathava and Rathawa is a Subcaste of the Koli caste found in the Indian state of Gujarat. Rathava Kolis were agriculturist by profession and turbulent by habits but now lives like Adivasis such as Bhil because of their neighborhood
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