| Lady in Autumn: The Best of the Verve Years | |
|---|---|
 | |
| Greatest hits album by | |
| Released | 1991 |
| Recorded | April 1946–March 1959 |
| Length | 127:42 |
| Label | Verve Records |
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [1] |
| The Encyclopedia of Popular Music | [2] |
| The Penguin Guide to Jazz Recordings | [3] |
| The Rolling Stone Album Guide | [4] |
Lady in Autumn: The Best of The Verve Years is a compilation album by the singer Billie Holiday.
The Rolling Stone Album Guide called the album "a bittersweet triumph." [4]
In 2000, it was voted number 527 in Colin Larkin's All Time Top 1000 Albums . [5]
Nuggets: Original Artyfacts from the First Psychedelic Era is a compilation album of American psychedelic and garage rock singles that were released during the mid-to-late 1960s. It was created by Lenny Kaye, who was a writer and clerk at the Village Oldies record shop in New York. He would later become the lead guitarist for the Patti Smith Group. Kaye produced Nuggets under the supervision of Elektra Records founder Jac Holzman. Kaye conceived the project as a series of roughly eight LP installments focusing on different US regions, but Elektra convinced him that one double album would be more commercially viable. It was released on LP by Elektra in 1972 with liner notes by Kaye that contained one of the first uses of the term "punk rock". It was reissued with a new cover design by Sire Records in 1976. In the 1980s, Rhino Records issued Nuggets in a series of fifteen installments, and in 1998 as a 4-cd box set.
Boys Don't Cry is the Cure's first compilation album. Released in February 1980, this album is composed of several tracks from the band's May 1979 debut album Three Imaginary Boys with material from the band's 1978–1979 era.
Ella in Berlin is a 1960 live album by the American jazz singer Ella Fitzgerald. This album was inducted into the Grammy Hall of Fame in 1999, which is a special Grammy award established in 1973 to honor recordings that are at least twenty-five years old, and that have "qualitative or historical significance."
Live at the Regal is a 1965 live album by American blues guitarist and singer B.B. King. It was recorded on November 21, 1964, at the Regal Theater in Chicago. The album is widely heralded as one of the greatest blues albums ever recorded and was ranked at number 141 in Rolling Stone's 2003 edition of the 500 Greatest Albums of All Time list, before dropping to number 299 in a 2020 revision. In 2005, Live at the Regal was selected for permanent preservation in the National Recording Registry at the Library of Congress in the United States.
Lady in Satin is an album by the jazz singer Billie Holiday released in 1958 on Columbia Records, catalogue CL 1157 in mono and CS 8048 in stereo. It is the penultimate album completed by the singer, and the last to be released in her lifetime. Her final album, Last Recording, was recorded in March 1959, and released just after her death. The original album was produced by Irving Townsend and engineered by Fred Plaut.
Ella Swings Brightly with Nelson is a 1962 studio album by the American jazz singer Ella Fitzgerald, accompanied by an orchestra arranged by Nelson Riddle.
Ella Fitzgerald Sings Songs from the Soundtrack of "Let No Man Write My Epitaph" is a 1960 album by the American jazz singer Ella Fitzgerald, accompanied by the pianist Paul Smith. Let No Man Write My Epitaph was a 1960 Hollywood crime drama film featuring Fitzgerald.
Ella in Rome: The Birthday Concert is a live album by Ella Fitzgerald, with a jazz trio led by Lou Levy, and also featuring the Oscar Peterson trio. Recorded in 1958, it was released thirty years later.
Ella Fitzgerald Sings the Cole Porter Song Book is a 1956 studio double album by American jazz singer Ella Fitzgerald, accompanied by a studio orchestra conducted and arranged by Buddy Bregman, focusing on the songs of Cole Porter. It is the first in a series of thematic LPs devoted to great American songwriters that Fitzgerald recorded from 1956 to 1964.
Ella Fitzgerald Sings the Duke Ellington Song Book is a 1957 studio album by the American jazz singer Ella Fitzgerald, accompanied by Duke Ellington and his orchestra, focusing on Ellington's songs.
Ella Fitzgerald Sings the George and Ira Gershwin Song Book is a box set by American jazz singer Ella Fitzgerald that contains songs by George and Ira Gershwin with arrangements by Nelson Riddle. It was produced by Norman Granz, Fitzgerald's manager and the founder of Verve Records. Fifty-nine songs were recorded in the span of eight months in 1959. It is one of the eight album releases comprising what is possibly Fitzgerald's greatest musical legacy: Ella Fitzgerald Sings The Complete American Songbook, in which she recorded, with top arrangers and musicians, a comprehensive collection of both well-known and obscure songs from the Great American Songbook canon, written by the likes of Cole Porter, Rodgers & Hart, Irving Berlin, Duke Ellington, George and Ira Gershwin, Harold Arlen, Jerome Kern, and Johnny Mercer.
Ella Fitzgerald Sings the Johnny Mercer Song Book is a 1964 studio album by the American jazz singer Ella Fitzgerald, with the Nelson Riddle Orchestra, focusing on the songs of Johnny Mercer. It was recorded in Los Angeles, California. This is Fitzgerald's fifth and final collaboration with Riddle during her years on the Verve label. It is also the last of the "Song Book" series of LPs dedicated to great American songwriters, which had begun in 1956 with Ella Fitzgerald Sings the Cole Porter Song Book.
Ella and Louis is a studio album by Ella Fitzgerald and Louis Armstrong, accompanied by the Oscar Peterson Quartet, released in October 1956. Having previously collaborated in the late 1940s for the Decca label, this was the first of three albums that Fitzgerald and Armstrong were to record together for Verve Records, later followed by 1957's Ella and Louis Again and 1959's Porgy and Bess.
The Blanton–Webster Band is a compilation album that combines the master takes of all the recordings by Duke Ellington's Orchestra during the years of 1940 to 1942, involving bassist Jimmy Blanton and tenor saxophonist Ben Webster. The recordings were originally made for RCA Victor during what many critics regard as the Ellington orchestra's golden period. The three CDs contain many numbers which were to become classics, and the arrangements were frequently inventive and innovative.
Gerry Mulligan Meets Ben Webster, also simply called Meets Ben Webster, is a 1960 album featuring the November 3 - December 2 studio sessions of American jazz musicians Gerry Mulligan and Ben Webster. In a 2003 review, All That Jazz described this album as the most significant of Gerry Mulligan's work partnering other legendary figures of jazz. The album, as a "classic album from two giants", is featured in NPR's "Basic Jazz Record Library". Originally released on the Verve label, the album was reissued by the label many times (as well as by Mobile Fidelity) before being re-released in an expanded edition called Gerry Mulligan Meets Ben Webster (Complete) by Verve in 1997.
All or Nothing at All is a studio album by Billie Holiday, released in 1958 on Verve Records, catalog MGV8329. There are 12 songs on the LP taken from five different recording sessions that took place in 1956 and 1957. Holiday was backed by a "relaxed and understanding" small combo which included the trumpeter Harry "Sweets" Edison and the saxophonist Ben Webster. A 1959 New York Times article noted that Holiday's voice "had become a very limited instrument which she used with the craft and guile of an aging pitcher who can no longer pour his fast one across the plate."
Body and Soul is a studio album by jazz singer Billie Holiday, released in 1957.
The Tender, the Moving, the Swinging Aretha Franklin is the third studio album by American singer Aretha Franklin, released in 1962 by Columbia Records. It was her first album to achieve any commercial success, reaching number 69 on the Billboard pop album charts. Unlike its predecessor, however, it did not have a hit single. The album was recorded at Columbia Recording Studio, in New York City.
Hang On to a Dream: The Verve Recordings is a compilation album by folk artist Tim Hardin, released in 1994. It includes all Hardin's studio recordings for the Verve label as well as alternate takes, unreleased tracks, and demos.
Music for Loving is an album by American jazz saxophonist Ben Webster with tracks recorded in 1954 and released by Norgran in 1955. The album was reissued in 1957 by Verve as Sophisticated Lady. In 1996 Verve released a double CD compiling the album with another Norgran LP, Music with Feeling, and one by Harry Carney, Harry Carney with Strings which was first released by Clef.
