Music for Torching | ||||
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Studio album by | ||||
Released | October 1955 | |||
Recorded | August 23 & August 25, 1955 | |||
Studio | Los Angeles, CA | |||
Genre | Jazz, swing | |||
Length | 33:48 | |||
Label | Clef (Verve) MG C-669 | |||
Producer | Norman Granz | |||
Billie Holiday chronology | ||||
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Music for Torching is a studio album by jazz singer Billie Holiday. [1] A collection of torch songs, it was released in 1955 by Clef Records. [2] It is her first 12-inch LP for the label, after four 10 inch LPs.
The music was recorded over the course of two sessions in Los Angeles, two days apart, which also resulted in all the material for her follow-up album Velvet Mood (MG C-713). [3]
Review scores | |
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Source | Rating |
AllMusic | [4] |
DownBeat | [5] |
The Encyclopedia of Popular Music | [6] |
The Penguin Guide to Jazz Recordings | [7] |
Billie Holiday was an American jazz and swing music singer. Nicknamed "Lady Day" by her friend and music partner, Lester Young, Holiday made a significant contribution to jazz music and pop singing. Her vocal style, strongly influenced by jazz instrumentalists, inspired a new way of manipulating phrasing and tempo. She was known for her vocal delivery and improvisational skills.
James George Hunter, known professionally as Jimmy Rowles, was an American jazz pianist, vocalist, and composer. As a bandleader and accompanist, he explored multiple styles including swing and cool jazz.
Lady in Satin is an album by the jazz singer Billie Holiday released in 1958 on Columbia Records, catalogue CL 1157 in mono and CS 8048 in stereo. It is the penultimate album completed by the singer, and the last to be released in her lifetime. Her final album, Last Recording, was recorded in March 1959, and released just after her death. The original album was produced by Irving Townsend and engineered by Fred Plaut.
Fine and Mellow is an album by Ella Fitzgerald, recorded in early 1974 but not released until 1979. The album won the Grammy Award for Best Jazz Vocal Album in 1980, Fitzgerald's second win in four years.
Lady in Autumn: The Best of The Verve Years is a compilation album by the singer Billie Holiday.
The Bridge is a studio album by jazz saxophonist Sonny Rollins, recorded in 1962. It was Rollins' first release following a three-year sabbatical and was his first album for RCA Victor. The saxophonist was joined by the musicians with whom he recorded for the next segment of his career: Jim Hall on guitar, Bob Cranshaw on double bass and Ben Riley on drums.
Something Cool is the debut solo album by June Christy, released on Capitol Records first as a 10-inch LP of seven selections in August of 1954, and then as a 12-inch LP of eleven selections the following August, both times in monophonic sound. The original seven selections for the 1954 release were recorded over seven sessions from August of 1953 through March of 1954, with the additional four for the 1955 issue from four additional sessions in December of 1954 as well as May and June of 1955, with arrangements for all sessions written and conducted by Pete Rugolo. Her saxophonist husband, Bob Cooper, also played on many of these sessions. In April of 1960, Christy and Rugolo re-recorded all 11 selections in stereophonic sound, so that a stereo version of Something Cool could be issued. For many years, this re-recorded version of the album was the only one commercially available.
Songs for Distingué Lovers is an album by jazz singer Billie Holiday, released in 1958 on Verve Records. It was originally available in both mono and stereo. It was recorded at Capitol Studios in Los Angeles from January 3 to January 9, 1957, and produced by Norman Granz.
Billie Holiday Sings (MGC-118) is a 10-inch LP album made by jazz singer Billie Holiday, released in the United States by Clef Records in 1952. It was her first album for the label, and her first album of original material, following several compilations of previously released 78rpm sides for Columbia, Commodore, and Decca.
Lady Sings the Blues is an album by American jazz vocalist Billie Holiday released in December 1956. It was Holiday's last album released on Clef Records; the following year, the label would be absorbed by Verve Records. Lady Sings the Blues was taken from sessions taped during 1954 and 1956. It was released simultaneously with her ghostwritten autobiography of the same name.
An Evening with Billie Holiday is the second 10-inch LP studio album by jazz singer Billie Holiday, released by Clef Records in 1953.
Body and Soul is a studio album by jazz singer Billie Holiday, released in 1957.
Piano, also released as Whisper Not, is an album by jazz pianist Wynton Kelly that was released by Riverside in 1958. Kelly recorded the album with Kenny Burrell, Paul Chambers, and Philly Joe Jones.
Last Recording is the final album Billie Holiday recorded. It was originally released during Holiday's lifetime with the title Billie Holiday, and was retitled after her death. It is not to be confused with the 1954 Clef Records album titled Billie Holiday.
Stay with Me is an album by the jazz singer Billie Holiday, accompanied by Tony Scott and his Orchestra. It contains all the material from a session recorded February 14, 1955, in New York City, and released in 1958 on producer Norman Granz's Verve label.
Velvet Mood: Songs by Billie Holiday is an album by jazz singer Billie Holiday, released in 1956 on Clef Records. The music was recorded over the course of two sessions in Los Angeles, two days apart, which also resulted in all the material for her previous album Music for Torching.
Billie Holiday at Jazz at the Philharmonic is a live album by jazz singer Billie Holiday, originally recorded on February 12, 1945 and October 3, 1946 at the Jazz at the Philharmonic concert at the Shrine Auditorium in Los Angeles, and at Carnegie Hall on June 3, 1946. The recording was released in 1954 by Clef Records.
The discography of Billie Holiday, an American jazz singer, consists of 12 studio albums, three live albums, 24 compilations, six box sets, and 38 singles.
White Gardenia is an album by jazz saxophonist Johnny Griffin with brass and strings which was recorded in 1961 and released on the Riverside label. Intended as a tribute album to jazz singer Billie Holiday, who had died two years earlier, she had sung all of the songs, except for the title track, which is the only original composition by Griffin on the album. The white gardenia was the flower Holiday often wore in her hair. The orchestral arrangements were written by Melba Liston and Norman Simmons.
Gardenias for Lady Day is the eighth album by saxophonist James Carter featuring tracks associated with Billie Holiday which was released on the Columbia label in 2003.