Lorenzo Lotto was an Italian painter, draughtsman, and illustrator, traditionally placed in the Venetian school, though much of his career was spent in other north Italian cities. He painted mainly altarpieces, religious subjects and portraits. He was active during the High Renaissance and the first half of the Mannerist period, but his work maintained a generally similar High Renaissance style throughout his career, although his nervous and eccentric posings and distortions represented a transitional stage to the Florentine and Roman Mannerists.
Giovanni Battista Moroni was an Italian painter of the Mannerism. He also is called Giambattista Moroni. Best known for his elegantly realistic portraits of the local nobility and clergy, he is considered one of the great portrait painters of the Cinquecento.
Giacinto Brandi was an Italian painter from the Baroque era, active mainly in Rome and Naples.
Enrico Scuri was an Italian painter, active in a Romantic style.
Santa Maria in Provenzano, or the Insigne Collegiata di Santa Maria in Provenzano, is a late-Renaissance-Baroque style, Roman Catholic, collegiate church in Piazza Provenzano Salvani, in the Terza Camollia, just southwest of the basilica of San Francesco, in the city of Siena, region of Tuscany, Italy. This Marian shrine was built around a 14th-century terracotta icon of the Madonna, which was credited with miracles. The Palio of Siena takes place on the day of veneration of this Marian devotion.
San Bernardino in Pignolo is a Roman Catholic church located on Via Pignolo #59, in Bergamo, region of Lombardy, Italy.
Sant'Alessandro in Colonna is a Baroque style, Roman Catholic church located on Via Sant'Alessandro in Bergamo, region of Lombardy, Italy.
Mystical Marriage of St Catherine of Alexandria with Niccoló Bonghi is an oil-on-panel painting by Lorenzo Lotto, executed in 1523, in the Collections of the Accademia Carrara, Bergamo, Italy.
The Entombment of Christ is a 1513–1516 oil-on-canvas painting by the Italian Renaissance artist Lorenzo Lotto, now in the Accademia Carrara in Bergamo. It originally formed the central predella panel to the artist's Martinengo Altarpiece at the church of Santi Bartolomeo e Stefano.
Christ Taking Leave of his Mother is an oil-on-canvas painting by the Italian Renaissance artist Lorenzo Lotto, dated to 1521 and now in the Gemäldegalerie, Berlin. It has several similarities with the small Christ Taking Leave of his Mother by Correggio now in London.
The Ponteranica Altarpiece is a six-panel oil painting series produced by Lorenzo Lotto in 1522, commissioned by the Scuola del Corpo di Cristo for the parish church of San Vincenzo e Sant'Alessandro in Ponteranica, where it still remains. Its upper register shows the risen Christ flanked by an Annunciation scene, whilst below is John the Baptist flanked by saints Peter and Paul.
Portrait of Marsilio Cassotti and His Bride Faustina is an oil-on-canvas painting by Lorenzo Lotto, currently housed in the Museo del Prado, Madrid. The work, signed and dated "L. Lotus Pictor / 1523", was created during Lotto's stay in Bergamo in 1523. Measuring 71 cm by 84 cm, it represents a significant contribution to the Italian tradition of double portrait marriage paintings, a genre previously more common in Northern Europe.
Holy Family with Saint Catherine of Alexandria is a 1533 oil-on-canvas painting by the Italian Renaissance artist Lorenzo Lotto, now in the Accademia Carrara in Bergamo. It is signed and dated "Laurentius Lotus 1533" and it measures 85.7 cm in height and 110.8 cm in width. Six later copies after the work are known. The Bergamo version is judged to be of exceptional quality, and the earliest.
Life of the Virgin or Scenes from the Life of the Virgin Mary is a 1525 cycle of frescoes by the Italian Renaissance artist Lorenzo Lotto in the chapel to the left of the Cappella Maggiore in San Michele al Pozzo Bianco in Bergamo. It was the last work Lotto produced in the city. Outside the chapel is a work showing The Visitation, whilst the main four paintings of the cycle show The Birth of the Virgin, The Presentation in the Temple, Betrothal of the Virgin and The Annunciation. Above these are a dome and four pendentives showing the Evangelists.
The Museo Adriano Bernareggi, also called the Museo Diocesano Bernareggi is an gallery of sacred art and objects housed in a former aristocratic palace, the Palazzo Bassi-Rathgeb, located on Via Pignolo #76 in Bergamo, Italy. The museum is presently managed by the Fondazione Adriano Bernareggi in conjunction with the Università degli Studi di Bergamo, and displays eclectic works of art from the 15th-century to present, often paired, and derived mainly from the Bernareggi family, as well as the Diocese of Bergamo.
The Knight in Black is an oil on canvas portrait painting of an unknown male subject by Giovanni Battista Moroni, from c. 1567. It is held in the Museo Poldi Pezzoli, in Milan.
Simone Facchinetti is an Italian art historian.
Mystic Marriage of Saint Catherine or Mystic Betrothal of Saint Catherine is a 1567-1570 oil on panel painting by Giovanni Battista Moroni, produced for the side-altar of Catherine of Alexandria in the church of San Bartolomeo, parish church of Almenno San Bartolomeo, where it still hangs. It is signed at lower right IO:BAP.MORONUS.P. The church had been begun in 1520 through the will of Giorgio Rota, but work lapsed until restarting in 1562. The painting draws on the composition of Moretti's 1539 Rovelli Altarpiece.
Lament over the Dead Christ is a 1524 or 1525 oil on canvas painting by Andrea Previtali, produced for the church of Sant’Andrea, Bergamo, where it still hangs.
The Portrait of a Man Holding a Letter, also known as The Lawyer, is an oil on canvas painting by Italian painter Giovanni Battista Moroni, from 1570-1572. It is held at the National Gallery, in London. It is considered one of the most representative paintings of the artist's maturity.
