Portrait of a Man is an oil on canvas painting by Lorenzo Lotto, dated to around 1545 due to its stylistic similarities to the artist's other works in the mid-1540s such as Portrait of an Old Man with Gloves (Milan). Another theory holds that the subject is Giovanni Taurini da Montepulciano, viceroy of Ancona, which would change the date to 1551, the year of Lotto's arrival in Ancona. It is now in the Pinacoteca di Brera in Milan, which it entered in 1855 as part of the Oggioni Bequest. [1]
Lorenzo Lotto was an Italian painter, draughtsman and illustrator, traditionally placed in the Venetian school, though much of his career was spent in other north Italian cities. He painted mainly altarpieces, religious subjects and portraits. He was active during the High Renaissance and the first half of the Mannerist period, but his work maintained a generally similar High Renaissance style throughout his career, although his nervous and eccentric posings and distortions represented a transitional stage to the Florentine and Roman Mannerists.
Giovanni Battista Moroni was an Italian painter of the Late Renaissance period. He also is called Giambattista Moroni. Best known for his elegantly realistic portraits of the local nobility and clergy, he is considered one of the great portrait painters of sixteenth century Italy.
Giuseppe Bossi was an Italian painter, arts administrator and writer on art. He ranks among the foremost figures of Neoclassical culture in Lombardy, along with Ugo Foscolo, Giuseppe Parini, Andrea Appiani or Manzoni.
Girolamo Savoldo, also called Girolamo da Brescia was an Italian High Renaissance painter active mostly in Venice, although he also worked in other cities in northern Italy. He is noted for his subtle use of color and chiaroscuro, and the sober realism of his works, which are mostly religious subjects, with a few portraits, which are given interest by their accessories or settings, "some even look like extracts from larger narratives".
The Pinacoteca di Brera is the main public gallery for paintings in Milan, Italy. It contains one of the foremost collections of Italian paintings, an outgrowth of the cultural program of the Brera Academy, which shares the site in the Palazzo Brera.
Giovanni Cariani, also known as Giovanni Busi or Il Cariani, was an Italian painter of the high-Renaissance, active in Venice and the Venetian mainland, including Bergamo, thought to be his native city.
Giovanni Antonio Boltraffio was an Italian painter of the High Renaissance from Lombardy, who worked in the studio of Leonardo da Vinci. Boltraffio and Bernardino Luini are the strongest artistic personalities to emerge from Leonardo's studio. According to Giorgio Vasari, he was of an aristocratic family and was born in Milan.
Altobello Melone was an Italian painter of the Renaissance.
The Accademia di Belle Arti di Brera, also known as the Accademia di Brera or Brera Academy, is a state-run tertiary public academy of fine arts in Milan, Italy. It shares its history, and its main building, with the Pinacoteca di Brera, Milan's main public museum for art. In 2010 an agreement was signed to move the accademia to a former military barracks, the Caserma Magenta in via Mascheroni, but the move had not happened by early 2017.
Salomon Adler was a German painter of the Baroque period, active in Milan and Bergamo as a portrait painter. He was the mentor of Fra' Galgario. Born in Danzig (Gdańsk), died in Milan.
The Altarpiece of the Halberd is a painting from around 1539 by the Italian High Renaissance painter Lorenzo Lotto. It is housed in the Pinacoteca civica Francesco Podesti of Ancona, central Italy.
The Sforza Castle Pinacoteca is an art gallery in the complex of the Sforza Castle Museums in Milan, northern Italy.
Pietà is an oil on canvas painting by Lorenzo Lotto, signed "Laurentio Lotto". It is mentioned in Lotto's account books as being commissioned in 1538 for the altar dedicated to the Pietà in the Dominican Church of San Paolo in Treviso. The account books also mention that the work was completed in 1545. That church was suppressed under the Napoleonic regime late in the 18th century and in 1811 the painting was bought for 12 ducats by the Pinacoteca di Brera in Milan, where it still hangs.
Portrait of an Old Man with Gloves is an oil on canvas painting by Lorenzo Lotto, signed "L. Loto" and dated to around 1543 due to stylistic similarities with Portrait of Febo da Brescia, Portrait of a Thirty-Seven-Year-Old Gentleman and other works produced by the artist in the mid 1540s. Its final private owner was count Castellane Harrach of Turin, from whose collection it entered the Pinacoteca di Brera in Milan in 1859, where it still hangs.
Portrait of Febo da Brescia is a 1543-1544 oil on canvas painting by Lorenzo Lotto. It is identified with the commission mentioned in the artist's account books in April 1543 from Febo Bettignoli da Brescia, a nobleman from Treviso, for paintings of himself and his wife, which were delivered in 1544. After Febo's death in 1547 the painting passed to his wife's heirs and remained with them until her family died out in the 19th century. In 1859, via Francesco Hayez the painter, the Pinacoteca di Brera in Milan acquired the paintings of Febo and his wife - they still hang there.
Portrait of Laura da Pola is a 1543-1544 oil on canvas painting by Lorenzo Lotto. Its subject was the wife of Febo Bettignoli da Brescia, a nobleman from Treviso, who commissioned this work and its pair from Lotto in April 1543, as recorded in the painter's account books. They were delivered in 1544 and after Febo's death in 1547 remained with his wife's descendants until her family died out in the 19th century. Both works were acquired in 1859 by the Pinacoteca di Brera, where they still hang
Portrait of a Thirty-Seven-Year-Old Gentleman is an oil on canvas portrait by Lorenzo Lotto, now in the Galleria Doria Pamphilj in Rome. It was previously interpreted as a 1517 self-portrait of the artist, but its style does not match Lotto's style of the 1510s. It is now dated to c.1543 due to stylistic similarities with works produced by the artist in the mid 1540s such as Portrait of Febo da Brescia and Portrait of an Old Man with Gloves.
Portrait of a Young Man with a Book is an oil on panel painting by Lorenzo Lotto, now in the Pinacoteca del Castello Sforzesco in Milan, to which it was bequeathed in 1876. - at that point its artist was unknown. It is dated to between the end of Lotto's time in Bergamo and his early years in Venice, that is between 1524 and 1527, and more specifically to around 1526.
Madonna and Child with a Man or Madonna and Child with a Male Figure is an oil painting on panel of c. 1503–04 by Bramantino in the Pinacoteca di Brera in Milan, which it entered in 1896. The painting had previously been in the collection of cardinal Cesare Monti, left to the Archdiocese of Milan in 1650. Its previous provenance is unknown, though its small dimensions suggest that it was intended for private devotion.
Portrait of Teresa Manzoni Stampa Borri is an 1849 oil on canvas painting by Francesco Hayez, now in the Pinacoteca di Brera in Milan, to which it was given in 1900 by Stefano Stampa, the subject's son by her first marriage. She had also commissioned Portrait of Alessandro Manzoni from Hayez, showing her second husband, also in the Brera.
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