The Triple Portrait of a Goldsmith or Portrait of a goldsmith from three angles is an oil-on-canvas painting by the Italian Renaissance artist Lorenzo Lotto, created c. 1530 and now held in the Kunsthistorisches Museum in Vienna. It was previously attributed to other artists such as Titian until it was identified with a painting of the same description described in various collection inventories as by the hand of Lotto. In 1627 it was in the collection of Vincenzo II Gonzaga, who sold it to Charles I of Great Britain, upon whose execution it was auctioned to Philip IV of Spain. It eventually entered the Habsburg collections in Austria via inheritance. Inventories show it has been in Vienna since at least 1733.
Allegory of Chastity is a c.1505 oil-on-panel painting by the Italian Renaissance artist Lorenzo Lotto.
Christ Taking Leave of his Mother is an oil-on-canvas painting by the Italian Renaissance artist Lorenzo Lotto, dated to 1521 and now in the Gemäldegalerie, Berlin. It has several similarities with the small Christ Taking Leave of his Mother by Correggio now in London.
Christ Bearing the Cross is an oil-on-canvas painting by Lorenzo Lotto, painted in 1526 and now in the Louvre. It is signed and dated "Laur. Lotus / 1526" on the crossbeam of the cross at the lower right.
Portrait of a Young Man or Portrait of a Gentleman in his Study is an oil-on-canvas painting by Lorenzo Lotto, created c. 1530, now in the Gallerie dell'Accademia of Venice. It is known in Italian as Giovane malato, literally The Ill Young Man – the flower with leaves is thought to be a symbol of disappointment in love or an illness, perhaps melancholy. The subject also turns his back on worldly pleasures. More so than in other works produced around the same time by the artist such as his Portrait of Andrea Odoni, it shows Lotto moving beyond the influence of Titian with more precise definition of details and contours.
Madonna and Child with Two Donors is an oil-on-canvas painting by the Italian Renaissance artist Lorenzo Lotto, created c. 1533–1535, now in the J. Paul Getty Museum in Los Angeles. It and other works by the artist originated in the Palazzo Pallavicini Rospigliosi collection in Rome before being sold to the Benson collection in London, then to the Hearst Corporation in New York and finally to its present owner.
Pietà is an oil-on-canvas painting by the Italian High Renaissance artist Lorenzo Lotto, signed "Laurentio Lotto". It is mentioned in Lotto's account books as being commissioned in 1538 for the altar dedicated to the Pietà in the Dominican Church of San Paolo in Treviso. The account books also mention that the work was completed in 1545. That church was suppressed under the Napoleonic regime late in the 18th century and in 1811 the painting was bought for 12 ducats by the Pinacoteca di Brera in Milan, where it still hangs.
Presentation in the Temple is an oil-on-canvas painting of the presentation of Jesus at the Temple by Lorenzo Lotto, created c. 1552–1556, now in the Museo pinacoteca della Santa Casa in Loreto. It is recognised as Lotto's last surviving autograph work – he had become an oblate at the Holy House of Loreto and produced this and several other large canvases for the choir of the church there. Vasari's Lives of the Artists mentions Lotto planning a series of scenes from Christ's childhood for Loreto, of which Presentation is thought to be one.
Portrait of a Man is an oil-on-canvas painting created c. 1545 by the Italian High Renaissance artist Lorenzo Lotto. Its dating is based on stylistic similarities to Lotto's other works of the mid-1540s, such as Portrait of an Old Man with Gloves (Milan). Another theory holds that the subject is Giovanni Taurini da Montepulciano, viceroy of Ancona, which would change the date to 1551, the year of Lotto's arrival in Ancona. It is now in the Pinacoteca di Brera in Milan, which it entered in 1855 as part of the Oggioni Bequest.
Portrait of an Old Man with Gloves is an oil-on-canvas painting by the Italian High Renaissance artist Lorenzo Lotto. It is assigned a date c.1543 on the basis of stylistic similarities with Portrait of Febo da Brescia, Portrait of a Thirty-Seven-Year-Old Gentleman and other works produced by the artist in the mid 1540s. Its final private owner was count Castellane Harrach of Turin, from whose collection it entered the Pinacoteca di Brera in Milan in 1859, where it still hangs.
Portrait of Febo da Brescia is an oil-on-canvas painting created in 1543–44 by the Italian High Renaissance artist Lorenzo Lotto. It is identified with the commission mentioned in the artist's account books in April 1543 from Febo Bettignoli da Brescia, a nobleman from Treviso, for paintings of himself and his wife, which were delivered in 1544. After Febo's death in 1547 both paintings passed to his wife's heirs and remained with them until her family died out in the 19th century. In 1859, via the painter Francesco Hayez, the Pinacoteca di Brera in Milan acquired the portraits.
Portrait of Laura da Pola is an oil-on-canvas painting created in 1543–44 by the Italian artist Lorenzo Lotto. Its subject was the wife of Febo Bettignoli da Brescia, a nobleman from Treviso, who commissioned this work and its pair from Lotto in April 1543, as recorded in the painter's account books. The paintings were delivered in 1544 and after Febo's death in 1547 remained with his wife's descendants until her family died out in the 19th century. Both works were acquired in 1859 by the Pinacoteca di Brera, where they still hang
Portrait of Brother Gregorio Belo of Vicenza is a 1547 oil-on-canvas painting by the Italian High Renaissance artist Lorenzo Lotto, now in the Metropolitan Museum of Art in New York. It is inscribed bottom right "F. Gregorr belo de Vicentia / eremite in Hieronimi Ordinis beati / fratri Petris de Pisis Anno / etatis eius LV, M.D.XLVII". Its subject was a Hieronymite monk and so the image's iconography draws on that of the penitent St Jerome.
Portrait of a Woman Inspired by Lucretia is an oil-on-canvas portrait by the Italian Renaissance artist Lorenzo Lotto, created c. 1533. It is now in the National Gallery, London, which bought it in 1927.
Portrait of a Gentleman is an oil-on-canvas painting by the Italian artist Lorenzo Lotto, created c. 1535, now in the Galleria Borghese in Rome. It first appears in the written record in 1790, when it is mentioned in an inventory of the Galleria Borghese.
Portrait of a Young Man is an oil-on-canvas painting by Lorenzo Lotto, signed "L. Lotus pict.". It was created c. 1526. Its dating is based on stylistic similarities to other works produced soon after the artist's return to Venice from Bergamo. It is now in the Gemäldegalerie, Berlin.
Portrait of a Young Man with a Book is an oil-on-panel painting by the Italian Renaissance artist Lorenzo Lotto, now in the Pinacoteca del Castello Sforzesco in Milan, to which it was bequeathed in 1876. At that time its artist was unknown. It is dated to between the end of Lotto's time in Bergamo and his early years in Venice, that is between 1524 and 1527, and more specifically to around 1526.
Portrait of Giovanni Agostino della Torre and his son Niccolò is an oil-on-canvas painting by Lorenzo Lotto, created in 1515, and now in the National Gallery, London. It is signed and dated "L.[aurentius] Lotus P.[inxit] / 1515". Its subjects have been identified via inscriptions scattered throughout the painting. They both practised medicine and pharmacy in Bergamo, selling iron vitriol from a shop on Piazza Vecchia.
Triumph of Chastity is an oil-on-canvas allegorical painting by the Italian Renaissance artist Lorenzo Lotto, created c. 1530, now in the Rospigliosi Pallavicini collection in Rome. It is signed at bottom right "Laurentius Lotus" and shows a female personification of Chastity (left) driving away Cupid and Venus. The Venus is based on that on an ancient Roman sarcophagus now in the Vatican Museums.
Portrait of Pope Paul III with Camauro is a 1545 – 1546 oil on canvas painting by Titian, now in the Museo nazionale di Capodimonte in Naples.
