Portrait of Brother Gregorio Belo of Vicenza is a 1547 oil on canvas painting by Lorenzo Lotto, now in the Metropolitan Museum of Art in New York. It is inscribed bottom right "F. Gregorr belo de Vicentia / eremite in Hieronimi Ordinis beati / fratri Petris de Pisis Anno / etatis eius LV, M.D.XLVII". Its subject was a Hieronymite monk and so the image's iconography draws on that of the penitent St Jerome. [1]
It is recorded in Lotto's own commonplace book as commissioned on 9 December 1546 by its subject and completed in October 1547. Johann Matthias von der Schulenburg acquired it in Venice in 1738 for 26 zecchini as a work by Paolo Veronese and it remained in his family until being sold to its present owner in 1965. It was only correctly attributed to Lotto in a post-1924 catalogue of the Schulenburg family collections. [2]
Vicenza is a city in northeastern Italy. It is in the Veneto region at the northern base of the Monte Berico, where it straddles the Bacchiglione River. Vicenza is approximately 60 kilometres (37 mi) west of Venice and 200 kilometres (120 mi) east of Milan.
Lorenzo Lotto was an Italian painter, draughtsman and illustrator, traditionally placed in the Venetian school, though much of his career was spent in other north Italian cities. He painted mainly altarpieces, religious subjects and portraits. He was active during the High Renaissance and the first half of the Mannerist period, but his work maintained a generally similar High Renaissance style throughout his career, although his nervous and eccentric posings and distortions represented a transitional stage to the Florentine and Roman Mannerists.
Andrea Palladio was an Italian Renaissance architect active in the Venetian Republic. Palladio, influenced by Roman and Greek architecture, primarily Vitruvius, is widely considered to be one of the most influential individuals in the history of architecture. While he designed churches and palaces, he was best known for country houses and villas. His teachings, summarized in the architectural treatise, The Four Books of Architecture, gained him wide recognition.
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Gian Giorgio Trissino, also called Giovan Giorgio Trissino, was an Italian Renaissance humanist, poet, dramatist, diplomat, and grammarian.
Giovanni Cariani, also known as Giovanni Busi or Il Cariani, was an Italian painter of the high-Renaissance, active in Venice and the Venetian mainland, including Bergamo, thought to be his native city.
Gregorio de Ferrari was an Italian Baroque painter of the Genoese school.
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Gregorio Lazzarini was an Italian painter of mythological, religious and historical subjects, as well as portraits. One of the most successful Venetian artists of the day, a prominent teacher, and father to a significant school of painting, he is best known for having first trained Giambattista Tiepolo, who joined his workshop in 1710 at the age of fourteen. His own style was somewhat eclectic.
Lorenzo the Elder was an Italian banker of the House of Medici of Florence, the younger brother of Cosimo de' Medici the Elder and progenitor of the so-called "Popolani" line of the family, named for a later generation whose members were supporters of the Florentine political activist Girolamo Savonarola.
Simone de Magistris was an Italian painter and sculptor.
Venetian painting was a major force in Italian Renaissance painting and beyond. Beginning with the work of Giovanni Bellini and his brother Gentile Bellini and their workshops, the major artists of the Venetian school included Giorgione, Titian, Tintoretto (1518–1594), Paolo Veronese (1528–1588) and Jacopo Bassano (1510–1592) and his sons. Considered to give primacy of colour over line, the tradition of the Venetian school contrasted with the Mannerism prevalent in the rest of Italy. The Venetian style exerted great influence upon the subsequent development of Western painting.
The House of Pola is an Italian noble family currently living in the Czech Republic. The origins of the House of Pola date back at least until 990. The name of the family refers to the town of Pula in Istria County, Croatia, which was in their possession from 1271 until 1331.
Vicenza Cathedral is a Roman Catholic cathedral in Vicenza, Veneto, northern Italy. It is the seat of the Bishop of Vicenza, and is dedicated to the Annunciation of the Virgin Mary.
The Portrait of Andrea Odoni is a painting by the Italian High Renaissance painter Lorenzo Lotto dated 1527, now in the Royal Collection of the United Kingdom. In early 2019 it was on loan to the National Gallery for an exhibition of Lotto's portraits.
The Barbarigo family was a patrician family of the Republic of Venice.
Giorgio Cornaro or Giorgio Corner (1658–1722) was a Roman Catholic cardinal and member of the Cornaro family.
Christ Bearing the Cross is a 1526 painting by Lorenzo Lotto, now in the Louvre. It is signed and dated "Laur. Lotus / 1526" on the crossbeam of the cross at the lower right.
Portrait of Laura da Pola is a 1543-1544 oil on canvas painting by Lorenzo Lotto. Its subject was the wife of Febo Bettignoli da Brescia, a nobleman from Treviso, who commissioned this work and its pair from Lotto in April 1543, as recorded in the painter's account books. They were delivered in 1544 and after Febo's death in 1547 remained with his wife's descendants until her family died out in the 19th century. Both works were acquired in 1859 by the Pinacoteca di Brera, where they still hang
Portrait of a Woman Inspired by Lucretia is a oil on canvas portrait by Lorenzo Lotto, created c. 1533. It is now in the National Gallery, London, which bought it in 1927.
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