Vicenza is a city in northeastern Italy. It is in the Veneto region, at the northern base of the Monte Berico, where it straddles the River Bacchiglione. Vicenza is approximately 60 kilometres (37 mi) west of Venice and 200 kilometres (120 mi) east of Milan.
Lorenzo Lotto was an Italian Renaissance painter, draughtsman, and illustrator, traditionally placed in the Venetian school, though much of his career was spent in other north Italian cities. He painted mainly altarpieces, religious subjects and portraits. He was active during the High Renaissance and the first half of the Mannerist period, but his work maintained a generally similar High Renaissance style throughout his career, although his nervous and eccentric posings and distortions represented a transitional stage to the Florentine and Roman Mannerists.
Giovanni Domenico Tiepolo was an Italian painter and printmaker in etching. He was the son of artist Giovanni Battista Tiepolo and elder brother of Lorenzo Baldissera Tiepolo.
Giovanni Cariani, also known as Giovanni Busi or Il Cariani, was an Italian painter of the high-Renaissance, active in Venice and the Venetian mainland, including Bergamo, thought to be his native city.
Camillo Mariani was a major Italian sculptor whose work bridged the artistic worlds of Venice and Rome, forming a base for the Baroque style of the seventeenth century.
Gregorio Lazzarini was an Italian painter of mythological, religious and historical subjects, as well as portraits. One of the most successful Venetian artists of the day, a prominent teacher, and father to a significant school of painting, he is best known for having first trained Giambattista Tiepolo, who joined his workshop in 1710 at the age of fourteen. His own style was somewhat eclectic.
Lorenzo the Elder was an Italian banker of the House of Medici of Florence, the younger brother of Cosimo de' Medici the Elder and progenitor of the so-called "Popolani" line of the family, named for a later generation whose members were supporters of the Florentine political activist Girolamo Savonarola.
Venetian painting was a major force in Italian Renaissance painting and beyond. Beginning with the work of Giovanni Bellini and his brother Gentile Bellini and their workshops, the major artists of the Venetian school included Giorgione, Titian, Tintoretto (1518–1594), Paolo Veronese (1528–1588) and Jacopo Bassano (1510–1592) and his sons. Considered to give primacy to colour over line, the tradition of the Venetian school contrasted with the Mannerism prevalent in the rest of Italy. The Venetian style exerted great influence upon the subsequent development of Western painting.
Vicenza Cathedral is a Roman Catholic cathedral in Vicenza, Veneto, northern Italy. It is the seat of the Bishop of Vicenza, and is dedicated to the Annunciation of the Virgin Mary.
The Portrait of Andrea Odoni is an oil-on-canvas painting by the Italian High Renaissance painter Lorenzo Lotto dated 1527, now in the Royal Collection of the United Kingdom. It hangs in the Picture Gallery in Buckingham Palace, London. The style is typical of Lotto's Venetian period, with denser tones, a softer chromatic range and atmospheric effects at the boundaries. The painting is signed and dated by Lotto.
The San Giacomo dell'Orio Altarpiece (or Madonna and Four Saints) is an oil-on-canvas painting by the Italian High Renaissance artist Lorenzo Lotto, dating from 1546 and housed in the church of San Giacomo dell'Orio in Venice. It is signed and dated on the cartouche hanging at the throne's base, reading "In tempo de Maistro Defendi de Federigo et compagni 1546 Lor. Lot". The canvas is one of the last works executed by Lotto in Venice before he relocated to the Marche.
The House of Priuli was a prominent aristocratic family in the Republic of Venice; they entered the Venetian nobility early in the 14th century. Their members include:
Adoration of the Shepherds is a c.1534 oil-on-canvas painting by the Italian Renaissance artist Lorenzo Lotto, signed "Lottus" and now in the Pinacoteca Tosio Martinengo in Brescia. Its dating is based on stylistic motifs such as the naturalistic details similar to those of the Recanati Annunciation. It also shows similarities to nativities painted around the same time by Girolamo Savoldo, whom Lotto met in Venice. It seems to have been commissioned by Braccio II and Sforza Baglioni, two noblemen from Perugia, who were the models for the two shepherds. They may have met the artist in the Marche during a pilgrimage to Loreto. A ring on Mary's right hand is probably an allusion to the Holy Ring, a relic in Perugia Cathedral, which supports the idea that the work was produced for that city. This provenance is solely based on an account from 1824 by the art dealer who that year sold it to Paolo Tosio, a count from Brescia.
St Antoninus Giving Alms or The Alms of St Antoninus is an oil-on-canvas painting by the Italian artist Lorenzo Lotto, created c. 1540–1542. It depicts Archbishop Antoninus of Florence giving alms as an allegorical ideal for bureaucratic charity. The painting is now displayed in the Basilica dei Santi Giovanni e Paolo in Venice.
Portrait of a Young Man or Portrait of a Gentleman in his Study is an oil-on-canvas painting by Lorenzo Lotto, created c. 1530, now in the Gallerie dell'Accademia of Venice. It is known in Italian as Giovane malato, literally The Ill Young Man – the flower with leaves is thought to be a symbol of disappointment in love or an illness, perhaps melancholy. The subject also turns his back on worldly pleasures. More so than in other works produced around the same time by the artist such as his Portrait of Andrea Odoni, it shows Lotto moving beyond the influence of Titian with more precise definition of details and contours.
Portrait of Febo da Brescia is an oil-on-canvas painting created in 1543–44 by the Italian High Renaissance artist Lorenzo Lotto. It is identified with the commission mentioned in the artist's account books in April 1543 from Febo Bettignoli da Brescia, a nobleman from Treviso, for paintings of himself and his wife, which were delivered in 1544. After Febo's death in 1547 both paintings passed to his wife's heirs and remained with them until her family died out in the 19th century. In 1859, via the painter Francesco Hayez, the Pinacoteca di Brera in Milan acquired the portraits.
Portrait of Laura da Pola is an oil-on-canvas painting created in 1543–44 by the Italian artist Lorenzo Lotto. Its subject was the wife of Febo Bettignoli da Brescia, a nobleman from Treviso, who commissioned this work and its pair from Lotto in April 1543, as recorded in the painter's account books. The paintings were delivered in 1544 and after Febo's death in 1547 remained with his wife's descendants until her family died out in the 19th century. Both works were acquired in 1859 by the Pinacoteca di Brera, where they still hang
Portrait of a Woman Inspired by Lucretia is an oil-on-canvas portrait by the Italian Renaissance artist Lorenzo Lotto, created c. 1533. It is now in the National Gallery, London, which bought it in 1927.
Portrait of a Gentleman is an oil-on-canvas painting by the Italian artist Lorenzo Lotto, created c. 1535, now in the Galleria Borghese in Rome. It first appears in the written record in 1790, when it is mentioned in an inventory of the Galleria Borghese.
Holy Family with Saint Catherine of Alexandria is a 1533 oil-on-canvas painting by the Italian Renaissance artist Lorenzo Lotto, now in the Accademia Carrara in Bergamo. It is signed and dated "Laurentius Lotus 1533" and it measures 85.7 cm in height and 110.8 cm in width. Six later copies after the work are known. The Bergamo version is judged to be of exceptional quality, and the earliest.
