Filippino Lippi was an Italian Renaissance painter mostly working in Florence, Italy during the later years of the Early Renaissance and first few years of the High Renaissance. He also worked in Rome for a period from 1488, and later in the Milan area and Bologna.
Lorenzo Lotto was an Italian Renaissance painter, draughtsman, and illustrator, traditionally placed in the Venetian school, though much of his career was spent in other north Italian cities. He painted mainly altarpieces, religious subjects and portraits. He was active during the High Renaissance and the first half of the Mannerist period, but his work maintained a generally similar High Renaissance style throughout his career, although his nervous and eccentric posings and distortions represented a transitional stage to the Florentine and Roman Mannerists.
Raffaellino del Garbo (1466–1527) was a Florentine painter of the early Renaissance.
Ridolfo di Domenico Bigordi, better known as Ridolfo Ghirlandaio was an Italian Renaissance painter active mainly in Florence. He was the son of Domenico Ghirlandaio.
The Basilica di Santo Spirito is a church in Florence, Italy. Usually referred to simply as Santo Spirito, it is located in the Oltrarno quarter, facing the square with the same name. The interior of the building – internal length 97 m (318 ft) – is one of the preeminent examples of Renaissance architecture.
Felipe Bigarny, also known as Felipe Vigarny, Felipe Biguerny or Felipe de Borgoña, etc. and sometimes referred to as El Borgoñón, was a sculptor born in Burgundy (France) but who made his career in Spain and was one of the leading sculptors of the Spanish Renaissance. He was also an architect.
The Barbadori Altarpiece is an altarpiece painting by Filippo Lippi, dated to 1438 and now in the Louvre Museum in Paris. It may be considered as a very early sacra conversazione.
Agnolo di Domenico del Mazziere (1466–1513), formerly known as the Master of Santo Spirito and sometimes wrongly referred to as Agnolo di Donnino, was an Italian painter and draughtsman of the Early Renaissance.
The Abbey of the Holy Spirit at Morrone, known by various titles, is a former monastery some five kilometers outside of the town of Sulmona, at the base of Monte Morrone, in the Province of L'Aquila, region of Abruzzo, Italy.
San Bernardino in Pignolo is a Roman Catholic church located on Via Pignolo #59, in Bergamo, region of Lombardy, Italy.
Santo Spirito is a Roman Catholic church located on Piazzetta Santo Spirito in Bergamo, in the region of Lombardy, Italy.
The Asolo Altarpiece is a 1506 oil-on-panel altarpiece, measuring 175 x 162 cm, by the Italian Renaissance painter Lorenzo Lotto. For a long time it was displayed in the Santa Caterina Oratory in Asolo but it is thought to have originally been painted for the Battuti confraternity's side-chapel in Asolo Duomo, where it now hangs. It is signed "Laurent[ius] Lotus / Junio[r] M.D.VI" on a cartouche in the lower centre. It dates to the end of his time in Treviso.
Christ Taking Leave of his Mother is an oil-on-canvas painting by the Italian Renaissance artist Lorenzo Lotto, dated to 1521 and now in the Gemäldegalerie, Berlin. It has several similarities with the small Christ Taking Leave of his Mother by Correggio now in London.
Madonna of the Rosary is a 1539 oil-on-canvas painting by the Italian artist Lorenzo Lotto, signed and dated below the Virgin Mary's feet ".L.LOTUS.MDXXXIX.".
The San Bernardino Altarpiece is an oil on canvas painting by Lorenzo Lotto, created in 1521, named after the chapel on Via Pignolo in Bergamo, for which it was commissioned by the 'Disciplinati', a lay confraternity. It still hangs in its original position. Lotto also worked on the Santo Spirito Altarpiece at around the same time for the Church of Santo Spirito in Bergamo.
The Madonna of the Baldacchino is a c.1506-1508 oil on canvas holy conversation-style painting by Raphael, now in the Galleria Palatina in Florence.
The Ponteranica Altarpiece is a six-panel oil painting series produced by Lorenzo Lotto in 1522, commissioned by the Scuola del Corpo di Cristo for the parish church of San Vincenzo e Sant'Alessandro in Ponteranica, where it still remains. Its upper register shows the risen Christ flanked by an Annunciation scene, whilst below is John the Baptist flanked by saints Peter and Paul.
Holy Trinity is an oil-on-canvas painting by Lorenzo Lotto, created c. 1519–1520. It was produced as an altarpiece for the high altar of Trinità Church in Bergamo, then sited in front of the Church of Santo Spirito.
The Dei Altarpiece is an oil on panel painting by Rosso Fiorentino, commissioned in 1509 by the Dei family and completed in 1522. It is now in Florence's Galleria Palatina, whilst the Uffizi holds a preparatory drawing which may be the original idea for the work.
The Bergamasque and Brescian Renaissance is one of the main variations of Renaissance art in Italy. The importance of the two cities on the art scene only expanded from the 16th century onward, when foreign and local artists gave rise to an original synthesis of Lombard and Venetian modes, due in part to the two cities' particular geographical position: the last outpost of the Serenissima on the mainland for Bergamo and a disputed territory between Milan and Venice for Brescia.
