Landfall | ||||
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Studio album by | ||||
Released | 1971 | |||
Recorded | 1971 | |||
Genre | Folk | |||
Length | 57:43 | |||
Label | Philips | |||
Producer | Terry Brown | |||
Martin Carthy chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | link |
Landfall is an album by Martin Carthy, released in 1971.
Carthy made this album in the year he left Steeleye Span. The song "Cold Haily Windy Night" is a re-recording of the same song on Steeleye's album Please to See the King . In contrast to the richly resonating sound on that album, here everything is stripped down without any reverb. Later he would record it again with The Imagined Village , returning to a complex rhythm once more. Steeleye Span made some attempt to convey regional accent. Here every song is sung with the southern English accent that is natural to him. "The Cruel Mother" is sung without accompaniment.
The Polygram Records subsidiary Gama Records Ltd licensed the album to Topic Records who issued it in 1977.
The original issue on Philips had "Landfall" as one word. The cover of the reissue on Topic Records had "Land" followed by "Martin Carthy" on the next line, followed by "Fall" on the next line, almost implying that "Land Fall" is two words. The spine had the title as a single word and all discographies treat it as one word. Dave Goulder's song "January Man" is his best known song. Martin Carthy played on Goulder's album Requiem For Steam in 1971.
Landfall was re-issued by Topic on CD in 1996.
All songs Traditional unless otherwise noted.
Steeleye Span are a British folk rock band formed in 1969 in England by Fairport Convention bass player Ashley Hutchings and established London folk club duo Tim Hart and Maddy Prior. The band were part of the 1970s British folk revival, and were commercially successful in that period, with four Top 40 albums and two hit singles: "Gaudete" and "All Around My Hat".
Martin Dominic Forbes Carthy MBE is an English singer and guitarist who has remained one of the most influential figures in English folk music, inspiring contemporaries such as Bob Dylan and Paul Simon, as well as later artists such as Richard Thompson, since he emerged as a young musician in the early days of the folk revival in the UK during the 1960s and 1970s.
"Lamkin", "Lambkin", "Long Lankin", or "Bolakins" is an English-language ballad. It gives an account of the murder of a woman and her infant son by a man, in some versions, a disgruntled mason, in others, a devil, bogeyman or a motiveless villain. Versions of the ballad are found in Scotland, England and the US.
Please to See the King is the second album by Steeleye Span, released in 1971. A major personnel change following their previous effort, Hark! The Village Wait, brought about a substantial change in their overall sound, including a lack of drums and the replacement of one female vocalist with a male vocalist. The band even reprised a song from their debut, "The Blacksmith", with a strikingly different arrangement making extensive use of syncopation. Re-recording songs would be a minor theme in Steeleye's output over the years, with the band eventually releasing an entire album of reprises, Present – The Very Best of Steeleye Span.
"Allison Gross", also known as "Alison Cross", is a traditional folk ballad. It tells the story of "the ugliest witch in the north country" who tries to persuade a man to become her lover and then punishes him by a transformation.
"Blackleg Miner" is a 19th-century English folk song, originally from Northumberland. Its Roud number is 3193. The song is one of the most controversial English folk songs owing to its depiction of violence against strikebreakers.
"The Two Sisters" is a traditional murder ballad, dating at least as far back as the mid 17th century. The song recounts the tale of a girl drowned by her jealous sister. At least 21 English variants exist under several names, including "Minnorie" or "Binnorie", "The Cruel Sister", "The Wind and Rain", "Dreadful Wind and Rain", "The Bonny Swans" and the "Bonnie Bows of London". The ballad was collected by renowned folklorist Francis J. Child as Child Ballad 10 and is also listed in the Roud Folk Song Index. Whilst the song is thought to originate somewhere around England or Scotland, extremely similar songs have been found throughout Europe, particularly in Scandinavia.
Storm Force Ten is the tenth studio album by British folk rock band Steeleye Span, released in 1977 by Chrysalis Records. Until their 2013 album Wintersmith, released 36 years after Storm Force Ten, this album was the band's last production to reach the charts, topping out at 191 on Billboard's Pop charts. After Rocket Cottage, Bob Johnson and Peter Knight left the band. As there was still a contractual obligation, they invited Martin Carthy back again. Back in 1971 when Martin Carthy had joined he had recommended John Kirkpatrick but they decided on fiddler Peter Knight instead. This time they accepted his recommendation and Kirkpatrick's fiery accordion playing replaced Knight's fiddle.
Live at Last is a live album by the British folk rock band Steeleye Span. It is the first live album the band issued, after eight years of performing and releasing 10 studio albums. It was originally intended to be a farewell album. "This then is our eleventh and final album. Steeleye Span amicably disbanded five days after making this recording for reasons that are irrelevant here.”
"King Henry" is an English-language folk song. It is a version of the tale of the loathly lady. This form of the tale appears in Hrólfr Kraki's saga and also in the Scottish tale "The Daughter Of King Under-Waves". A similar bride is found in "The Marriage of Sir Gawain".
The Brown Girl is an English-language folk song.
Glasgerion is Child ballad 67, existing in several variants.
"The Trees They Grow So High" is a Scottish folk song. The song is known by many titles, including "The Trees They Do Grow High", "Daily Growing", "Long A-Growing" and "Lady Mary Ann".
Holy Heathens and the Old Green Man is a 2006 album by English folk group Waterson:Carthy, also featuring the vocal group The Devil's Interval, released on Topic Records. It is a collection of seasonal songs, most having a Christian flavour. They have mostly avoided familiar carols, and even where the words as well-known, they have selected unfamiliar tunes. There is more instrumental accompaniment on this collection than on any previous Waterson:Carthy album, notably containting brass arrangements influenced by Martin Carthy's work in the band Brass Monkey.
The song "All Around my Hat" is of nineteenth-century English origin. In an early version, dating from the 1820s, a Cockney costermonger vowed to be true to his fiancée, who had been sentenced to seven years' transportation to Australia for theft and to mourn his loss of her by wearing green willow sprigs in his hatband for "a twelve-month and a day", the willow being a traditional symbol of mourning. The song was made famous by Steeleye Span, whose rendition may have been based on a more traditional version sung by John Langstaff, in 1975.
"Eggs and Marrowbone", also known as "There Was An Old Woman", is a traditional folk song of a wife's attempted murder of her husband. Of unknown origins, there are multiple variations.
Sweet Wivelsfield is an album by Martin Carthy, released in 1974. It was re-issued by Topic Records on LP in 1981 and on CD in 1996.
The Lark in the Morning is an English folk song. It was moderately popular with traditional singers in England, less so in Scotland, Ireland and the United States. It starts as a hymn to the ploughboy's life, and often goes on to recount a sexual encounter between a ploughboy and a maiden resulting in pregnancy.
Est'd 1969 is the twenty-fourth studio album by Steeleye Span, released on 28 June 2019.
"Cold Blow and a Rainy Night" is an English folk song which has been recorded by numerous musicians and musical groups, including James Bowie, Jeannie Robertson, Steeleye Span, Martin Carthy, Planxty, and the Exiles.