Lanka Dahan

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Lanka Dahan
Lanka Dahan 1917 film (1).jpg
Enranged Hanuman, played by Shinde.
Directed by Dhundiraj Govind Phalke
Written byDhundiraj Govind Phalke
Based on Ramayana
by Valmiki
Produced byDhundiraj Govind Phalke
StarringAnna Salunke
Ganpat G. Shinde
Cinematography Trymbak B. Telang
Release date
  • 1917 (1917)
CountryIndia
Languages Silent Film
Marathi intertitles
Lanka Dahan (1917) by Dadasaheb Phalke

Lanka Dahan (English: Lanka Aflame) is a 1917 Indian silent film directed by Dadasaheb Phalke. Phalke also wrote the film based on an episode of the Hindu epic Ramayana , credited to Valmiki. The film was Phalke's second feature film after the 1913 Raja Harishchandra , which was the first Indian full-length feature film. Phalke also directed various short films in between. [1]

Contents

Anna Salunke, who had previously played the role of Rani Taramati in Phalke's Raja Harishchandra played two roles in this film. As women were prohibited from taking part in commercial performing arts, men also played the female characters. Salunke played the male character of Rama as well as the female character of his wife Sita. [2] He is thus credited with playing the first double role in Indian cinema. [3]

Plot

Rama, the prince of Ayodhya, is exiled to the forests for a term of fourteen years. He is joined by his wife Sita and brother Laxman. Ravana, the demon king, who also wanted to wed Sita, decides to take revenge and abducts her from the forest. While on the search for his wife, Rama meets Hanuman. Hanuman is a great devotee of Rama and promises to find Sita.

Hanuman flies to the island of Lanka and finds Sita there. He informs her that he is a great devotee of Rama and that Rama would soon be coming to take her back. To prove his identity, he gives her Rama's ring. On his return journey he is arrested by the soldiers of Ravana. When produced in court Ravana orders Hanuman's tail to be set on fire. Hanuman then breaks his bondage and flies away. With his tail on fire he sets the whole city of Lanka ablaze. After setting fire to the whole town, Hanuman leaps away from the island and extinguishes the fire in the Indian Ocean.

Cast

Salunkhe in the role of Sita. Inset shows Hanuman giving the ring. Salunke in Lanka Dahan (1917 film).JPG
Salunkhe in the role of Sita. Inset shows Hanuman giving the ring.

Reception

As the film was based on a Hindu historical theme it was well received by the audiences. When the film was screened in Mumbai (then Bombay), viewers used to take their shoes off when Rama, the Hindu god, appeared on screen. [5] Trick photography and special effects used in the film delighted the audiences. [6] [7]

The film was well received by the masses. According to film historian Amrit Gangar, coins from ticket counters were collected in gunny bags and transported on bullock carts to the producer’s office. There were long queues at Majestic cinema in Bombay where people would fight for tickets and toss coins at the ticket counter because the film was mostly houseful. [8]

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Ravana is a demon-king of the island of Lanka and the chief antagonist in the Hindu epic Ramayana. In the Ramayana, Ravana is described as the eldest son of sage Vishrava and Kaikasi. He abducted Rama's wife, Sita, and took her to his kingdom of Lanka, where he held her in the Ashoka Vatika. Rama, with the support of vanara King Sugriva and his army of vanaras, launched a rescue operation for Sita against Ravana in Lanka. Ravana was subsequently slain, and Rama rescued his beloved wife Sita.

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References

  1. ↑ Mankekar, Purnima (1999). Screening Culture, Viewing Politics: An Ethnography of Television, Womanhood, and Nation in Postcolonial India. Duke University Press. p. 375. ISBN   0822323907 . Retrieved 4 October 2012.
  2. ↑ "Dadasaheb Phalke - Father of Indian Cinema". Dadasaheb Phalke Academy. Archived from the original on 18 December 2012. Retrieved 4 October 2012.
  3. ↑ Majumdar, Neepa (2009). Wanted Cultured Ladies Only!: Female Stardom and Cinema in India, 1930s-1950s. University of Illinois Press. p. 224. ISBN   978-0252076282 . Retrieved 4 October 2012.
  4. ↑ Eric Michael Mazur (2011). Encyclopedia of Religion and Film. ABC-CLIO. p. 517. ISBN   978-0313330728 . Retrieved 4 October 2012.
  5. ↑ Ghosh, Bishnupriya (2011). Global Icons: Apertures to the Popular. Duke University Press. p. 92. ISBN   978-0822350163 . Retrieved 4 October 2012.
  6. ↑ Woods, Jeannine (2011). Visions of Empire and Other Imaginings: Cinema, Ireland and India 1910-1962. Peter Lang. p. 97. ISBN   978-3039119745 . Retrieved 4 October 2012.
  7. ↑ Ramchandani, Indu (2000). Hoiberg, Dale (ed.). Students' Britannica India, Volumes 1-5. Popular Prakashan. p. 172. ISBN   0852297602 . Retrieved 4 October 2012.
  8. ↑ Unny, Divya (16 March 2014). "B-Town Rewind: The tale of the first Bollywood crore". Mid-Day . Retrieved 2 July 2014.
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