"Late in the Day" | ||||
---|---|---|---|---|
Single by Supergrass | ||||
from the album In It for the Money | ||||
B-side | "We Still Need More (Than Anyone Can Give)" | |||
Released | 6 October 1997 [1] | |||
Studio | Sawmills (Golant, England) | |||
Genre | Britpop | |||
Length | 4:45 | |||
Label | Parlophone | |||
Songwriter(s) | Supergrass, Rob Coombes | |||
Producer(s) | Supergrass, John Cornfield | |||
Supergrass singles chronology | ||||
| ||||
Alternative cover | ||||
"Late in the Day" was the fourth and final single from Britpop band Supergrass' second studio album, In It for the Money (1997). It was released in October 1997 and reached number 18 on the UK Singles Chart. The song also charted in Iceland, peaking at number 32 in November 1997. The two CD releases of the single have the same photo as their cover but the colours of one have been reversed on the second one.
"We Still Need More (Than Anyone Can Give)" features as a B-side to this single, it was later released as a separate single as part of the Dead Man On Campus soundtrack, along with two other songs by different bands.
The video, directed by Dom and Nic, is shot entirely in black and white film and begins with Gaz Coombes sitting on a sofa in front of a large window. There is a cigarette smoking in an ashtray on a table beside him, as he plays an acoustic guitar to "Late in the Day". The camera gradually zooms in and he starts to sing along halfway through the first verse. As the chorus begins, Gaz looks over to Danny Goffey and Mick Quinn, who are standing outside the film set with pogo sticks. They throw one to him and they pogo out to the street together, with Gaz still singing to the track. The second verse starts and there is a downpour of rain; a content couple gaze at the band from under an umbrella, and the film is slowed down slightly.
The rain abruptly stops to mark the chorus and the film returns to normal speed. Next, Rob Coombes drives a Hackney cab to the end of a road, indicating in wait to turn out onto the main road and waiting for a double decker bus to get out of his way. He looks out in surprise as his bandmates pogo across the bonnet of the car. During the middle eight the footage slows once more as Supergrass pogo across London's Albert Bridge and through Battersea Park. They then enter a more urban street as Danny pogos one-legged and the rest of the band pogo on the spot or in circles. The chorus is played once more and the film put back to normal speed, as the camera 'jumps' along with Supergrass in Battersea Park once more (the bandstand in the background is in fact the same one on which the video for "Going Out" was filmed.) The footage slows again and the video ends.
The video is one of several included on the Supergrass Is 10 compilation DVD. It was also nominated for 'Best British Video' in the BRIT Awards of 1998. [2]
"We Still Need More (Than Anyone Can Give)" also had its own music video featuring the band driving a car into a stack of televisions. The video was directed by Roman Coppola.
UK CD1 (CDRS 6484) [3]
UK CD2 (CDR 6484) [4]
UK limited-edition 7-inch single and European CD single (R 6484; 7243 8 84839 2 6) [5] [6]
Chart (1997) | Peak position |
---|---|
Europe (Eurochart Hot 100) [7] | 82 |
Iceland (Íslenski Listinn Topp 40) [8] | 32 |
Scotland (OCC) [9] | 15 |
UK Singles (OCC) [10] | 18 |
Supergrass are an English rock band formed in 1993 in Oxford. The band consists of brothers Gaz and Rob Coombes (keyboards), Mick Quinn and Danny Goffey.
"M.O.R." is a song by English rock band Blur from their eponymous album. Released on 15 September 1997, "M.O.R." reached number 15 in the UK Singles Chart on its release as a single in 1997. Worldwide, it reached number 45 in New Zealand and also charted in Australia, Canada, and the United States.
"Please Stay" is a song by Australian singer and songwriter Kylie Minogue for her seventh studio album, Light Years (2000). The song was written by Minogue, Richard Stannard, Julian Gallagher, and John Themis and was produced by Stannard and Gallagher. Festival Mushroom Records and Parlophone released the song as the fourth single from Light Years on 11 December 2000. "Please Stay" is a disco song with a strong Latin pop influence. The song received generally positive reviews from music critics.
"Dirty Harry" is a song from British alternative rock virtual band Gorillaz' second studio album, Demon Days (2005).
"Pumping on Your Stereo" is a song by Supergrass, released as their first single from their self-titled third album (1999) on 24 May 1999. The single reached No. 11 on the UK Singles Chart and in New Zealand. It also peaked at No. 13 on the Canadian RPM Top 30 Rock Report in May 2000. In October 2011, NME placed it at No. 124 on its list "150 Best Tracks of the Past 15 Years".
"Moving" is a song by Supergrass from their eponymous third album, Supergrass (1999). It is about the tedium of touring as a band. Released as a single in September 1999, "Moving" reached number nine on the UK Singles Chart, becoming Supergrass's last top-ten hit to date. In addition, it peaked at number 14 in Finland, where it is the band's sole top-twenty hit, and number 81 in the Netherlands. The song later appeared on their greatest hits compilation Supergrass Is 10 (2004).
"Come as You Are" is the lead single from Beverley Knight's fourth studio album, Affirmation (2004). It was her second UK top-10 hit and is her highest-charting song in the UK, peaking at number nine and remaining in the UK top 75 for 10 weeks. It also briefly charted in Germany, peaking at number 100.
"On Your Own" is a song by English rock band Blur. It was released as a single on 16 June 1997 from the band's fifth studio album, Blur (1997). It charted at number five on the UK Singles Chart. Although it was not released exclusively under the name, Damon Albarn, frontman of both musical projects, has since referred the song as 'one of the first ever Gorillaz tunes'.
"Stereotypes" is a song by English alternative rock band Blur and is the opening track to their fourth studio album, The Great Escape (1995). It was released on 12 February 1996 as the third single from that album, charting at number seven on the UK Singles Chart. It also became a minor hit in Australia, peaking at number 95 on the ARIA Singles Chart in June 1996.
"Caught by the Fuzz" is the first single by Britpop band Supergrass.
"Mansize Rooster" is a song by Supergrass, released as the second single from their debut album I Should Coco. It reached number 20 in the UK Singles Chart, remaining on the chart for three weeks. Like its predecessor "Caught by the Fuzz", "Mansize Rooster" was originally limited to 500 copies as a 7-inch vinyl-only, Backbeat Records release, although pressings are believed to have been made since. The B-side remained to be "Sitting Up Straight", but the songs sound slightly different and have different runtimes to their present-day versions. The Backbeat vinyl it was primarily issued on was also green. The song is used in the movie Casper: A Spirited Beginning and is included in its soundtrack.
"Going Out" was the first single to be taken from In It for the Money, the second album by Britpop band Supergrass. It was released on 26 February 1996, more than a year before the album, and reached five on the UK Singles Chart and number 20 on the Irish Singles Chart. The song was apparently originally written in the key of E, because the engine of Supergrass' tour bus would tick at that same musical pitch.
"Richard III" is a song by English rock band Supergrass. It was the second single to be released from In It for the Money, the band's second album. The single was preceded by "Going Out", which was released over a year before. "Richard III" was released in March 1997 and reached number two on the UK Singles Chart on 6 April, their highest placing since "Alright"/"Time" in 1995. The song also reached number 21 in Iceland and number 30 in Ireland.
"Sun Hits the Sky" is a song by the Britpop band Supergrass. It was the third single from the band's second album In It for the Money. It was released in June 1997 and reached number 10 in the UK Singles Chart. The B-side, "Some Girls Are Bigger Than Others", is a cover of the Smiths' song and is a slightly more rock-based version than the original.
"Mary" was the third and final single from the Britpop band Supergrass' eponymous third album. Released in November 1999, it reached number 36 on the UK Singles Chart. This was the last Supergrass single to be released on cassette.
"Grace" is a song by Britpop band Supergrass. It was the second single to be taken from Life on Other Planets (2002), the band's fourth studio album. It was released on 16 September 2002 and reached number 13 on the UK Singles Chart. Unlike the previous single, "Never Done Nothing Like That Before", a vinyl-only release, it was released on all major formats.
"On Silent Wings" is a song by Tina Turner with guest vocals from Sting. Released in June 1996 in support of Turner's Wildest Dreams album, the single performed well on the US and Canadian adult contemporary charts, peaking at numbers 24 and 13 respectively. The dance version of "On Silent Wings", remixed by Soul Solution, charted at number 47 on the US Dance Club Songs chart. Like much of Turner's later work, "On Silent Wings" enjoyed greater success in the United Kingdom, peaking at number 13 on the UK Singles Chart.
"Young Boy" is a song by Paul McCartney and is the fifth track on his 1997 album Flaming Pie. McCartney reportedly started working on the song in August 1994. The initial tracks were recorded in February 1995 at Steve Miller's studio in Sun Valley, Idaho, and were completed in May at McCartney's home studio.
"Summertime" is a song by English alternative rock band the Sundays. Written and produced by guitarist David Gavurin and lead singer Harriet Wheeler, the song was recorded for the band's 1997 album, Static & Silence, and released on 8 September 1997 as the first single from the album. Wheeler and Gavurin were inspired to write the song after several of their friends joined a dating service, and the lyrics reflect on how the pursuit of perfect romantic relationships can become taxing.