A brothel, bordello, ranch, or whorehouse is a place where people engage in sexual activity with prostitutes. However, for legal or cultural reasons, establishments often describe themselves as massage parlors, bars, strip clubs, body rub parlours, studios, or by some other description. Sex work in a brothel is considered safer than street prostitution.
Le Sphinx was a maison close (brothel) in Paris in the 1930s and 1940s. Along with the "Le Chabanais" and "One-Two-Two" it was considered one of the most luxurious and famous Parisian brothels.
Prostitution in France was legal until April 2016, but several surrounding activities were illegal, like operating a brothel, living off the avails (pimping), and paying for sex with someone under the age of 18.
Marguerite Gourdan, née Marguerite Alexandrine Ernestine Stock was a French brothel owner and procurer in 18th-century Paris. Her brothel was the most exclusive in Paris during that age, and Gourdan was arguably the most famous of her profession.
Gustave Pellet (1859–1919) was a French publisher of art. He is best known for publishing prints of erotic artworks by Henri de Toulouse-Lautrec and Louis Legrand.
Justine Paris, real name Bienfait, was a French courtesan and madam. She hosted several of the most famous brothels in mid-18th-century Paris and was one of the most known and successful of her trade. She and her brothel are portrayed in the memoirs of Casanova. She has been suggested to be the role model for the title character in Juliette by the Marquis de Sade.
Loi Marthe Richard of 13 April 1946 abolished the regime of regulated prostitution in France that had been in force since 1804. It required the closure of brothels. The law bears the name of Marthe Richard, who was a municipal councillor of Paris but not a parliamentary representative.
La Fleur blanche was a famous maison close (brothel) in the city of Paris, located at 6 rue des Moulins in the 1st Arrondissement. The property was also known as rue des Moulins and was famous for its torture room.
Maison Souquet is a 5-star hotel, part of Maisons Particulieres Collection, located at 10, rue de Bruxelles in Paris, on the outskirts of Montmartre. The hotel is inspired by the Parisian brothels from the Belle Époque period. Maison Souquet is decorated by the French designer Jacques Garcia.
The One-Two-Two was one of the most luxurious and illustrious brothels of Paris in the 1930s and 1940s. The name was taken from the address, 122 Rue de Provence, 8th arrondissement of Paris. The numbers were translated into English to ensure that foreign tourists would be able to find the brothel and as a password for French people.
The Aux Belles Poules was a well-known Parisian maison close (brothel), established at 32-34 Rue Blondel in the 2nd Arrondissement.
L'Étoile de Kléber was a maison close (brothel) in Paris. It obtained notoriety for continuing to run after the 1946 Loi Marthe Richard ban on brothels. It continued its operations for a while in secret.
Le Fourcy was the most famous mass brothel of Paris, a so-called Maison d'abattage. It was located in the Saint-Paul district in the 4th arrondissement at 10 rue de Fourcy, and was notorious for treating its women very badly. In his book Le Petit Simonin, novelist Albert Simonin wrote:
"The Fourcy in the district of Saint-Paul, the most famous of the Paris slaughter houses, demanded 5.50 francs per session. "Five francs per lady and room," as if it were a chorus's chorus, who goes to the room? "The ten sous, which were asked for as a supplement to the five francs, is not a tip, but a tariff for the towel attracted so many customers on working days that some ladies who were not too bad, were anything but unemployed and able to cope with seventy sessions."
The authorities of medieval Paris attempted to confine prostitution to a particular district. Louis IX (1226–1270) designated nine streets in the Beaubourg Quartier where it would be permitted. In the early part of the 19th century, state-controlled legal brothels started to appear in several French cities. By law, they had to be run by a woman, and their external appearance had to be discreet. The maisons were required to light a red lantern when they were open, and the prostitutes were only permitted to leave the maisons on certain days and only if accompanied by its head. By 1810, Paris alone had 180 officially approved brothels.
Prostitution in Impressionist painting was a common subject in the art of the period. Prostitution was a very widespread phenomenon in nineteenth-century Paris and although an accepted practice among the nineteenth century bourgeoisie, it was nevertheless a topic that remained largely taboo in polite society. As a result, Impressionist works depicting the prostitute often became the subject of scandal, and particularly venomous criticism. Some works showed her with considerable sympathy, while others attempted to impart an agency to her; likewise some work showed high-class courtesans, and others prostitutes awaiting clients on the streets. In addition to the sexual revulsion/attraction the figure of the prostitute stirred, she functioned as a sign of modernity, a clear sign of the entanglement of sex, class, power and money.
Le Lit is a painting by Henri de Toulouse-Lautrec from around 1892 which depicts two women sharing a bed. The painting has been held by public collections in France since 1937, and by the Musée d'Orsay in Paris since 1986.
Prostitution in Paris, both in street form and in dedicated facilities has had a long history and remains present to this day.
The Palais Oriental, known locally as the PO, was a luxury maison close (brothel) in Reims, France. It opened in 1926 and closed in 1946, following the introduction of the Loi Marthe Richard, which abolished brothels in France. It was located on the corner of the rue de la Magdeleine and rue Bacquenoi. The prestige of the Palais Oriental rivalled that of Paris's most luxurious maison closes, the One-Two-Two and Le Chabanais.
The history of prostitution in France has similarities with the history of prostitution in other countries in Europe, namely a succession of periods of tolerance and repression, but with certain distinct features such as a relatively long period of tolerance of brothels.
Le Hanneton was a popular Parisian lesbian bar of the 1890s and early 1900s at 75 Rue Pigalle in the Montmartre district. It was owned and run by Madame Armande Brazier, who was the subject of a well-known lithograph by Toulouse Lautrec, Au Hanneton.
