Leathernecking | |
---|---|
Directed by | Edward F. Cline Fred Fleck (assistant) |
Written by | Alfred Jackson Jane Murfin |
Based on | Present Arms by Richard Rodgers, Lorenz Hart and Herbert Fields |
Produced by | William Le Baron Louis Sarecky (assoc.) |
Starring | Irene Dunne Eddie Foy Jr. |
Cinematography | J. Roy Hunt |
Edited by | George Marsh |
Music by | Victor Baravalle Oscar Levant Sidney Clare |
Production company | |
Distributed by | RKO Productions |
Release dates | |
Running time | 79 min. |
Country | United States |
Language | English |
Leathernecking is a 1930 American musical comedy film directed by Edward F. Cline, from a screenplay by Alfred Jackson and Jane Murfin, adapted from the Broadway musical comedy Present Arms , by Richard Rodgers, Lorenz Hart and Herbert Fields.
Although based on a musical, it used only two of the original Rodgers and Hart songs from the Broadway hit, along with original songs, including three by Oscar Levant and Sidney Clare. An early part-color feature film with a Technicolor insert, this film was Irene Dunne's film debut.
Chick Evans is a Marine private in Honolulu, Hawaii. He falls for society girl Delphine Witherspoon, and begins to scheme as to how to win her over. His first plan involves impersonating an officer in order to get invited to a society party. However, when his Marine buddies decide to crash the party as well, his real rank is revealed, and so having the opposite effect on Delphine as he had planned.
Despondent, he bares his soul to a mutual friend, Edna, who arranges to have the two reunited on Delphine's yacht at sea. However, this meeting goes terribly wrong as well, and a desperate Chick convinces the yacht's captain to fake a shipwreck in order to give him time to win Delphine over. Unfortunately, a real storm arises and the ship is actually wrecked, coming to rest on a desert island. While they are on the island, Chick's persistence with Delphine pays off. Not only that, on their return to Honolulu, he is hailed as a hero and promoted to captain.
(Cast list as per AFI database) [2]
"You Took Advantage Of Me" and "A Kiss For Cinderella", the first two songs, were written by Rodgers and Hart. The other songs were written by Oscar Levant and Sidney Clare, except for "All My Life", which had words and music by Benny Davis and Harry Akst. [2] [3]
A copy of the film survives in the Warner Bros. film vault. The musical comedy on which this film was based, Present Arms, ran from April through September 1928 at Lew Fields' Mansfield Theatre (currently the Brooks Atkinson Theatre). Produced by Lew Fields, it had music by Richard Rodgers, lyrics by Lorenz Hart, with a book by Herbert Fields. It starred and was choreographed by Busby Berkeley. [4]
The John Tiller Sunshine Girls also appeared in this film. [5]
In 1958, the film entered the public domain in the United States because the claimants did not renew its copyright registration in the 28th year after publication. [6]
Richard Charles Rodgers was an American composer who worked primarily in musical theater. With 43 Broadway musicals and over 900 songs to his credit, Rodgers was one of the most well-known American composers of the 20th century, and his compositions had a significant influence on popular music.
Lorenz Milton Hart was an American lyricist and half of the Broadway songwriting team Rodgers and Hart. Some of his more famous lyrics include "Blue Moon"; "The Lady Is a Tramp"; "Manhattan"; "Bewitched, Bothered and Bewildered"; and "My Funny Valentine".
Rodgers and Hart were an American songwriting partnership between composer Richard Rodgers (1902–1979) and the lyricist Lorenz Hart (1895–1943). They worked together on 28 stage musicals and more than 500 songs from 1919 until Hart's death in 1943.
Rodgers and Hammerstein was a theater-writing team of composer Richard Rodgers (1902–1979) and lyricist-dramatist Oscar Hammerstein II (1895–1960), who together created a series of innovative and influential American musicals. Their musical theater writing partnership has been called the greatest of the 20th century.
Lew Fields was an American actor, comedian, vaudeville star, theatre manager, and producer. He was part of a comedy duo with Joe Weber. He also produced shows on his own and starred in comedy films.
A Connecticut Yankee is a musical based on the 1889 novel A Connecticut Yankee in King Arthur's Court by American writer Mark Twain. Like most adaptations of the Twain novel, it focuses on the lighter aspects of the story. The music was written by Richard Rodgers, the lyrics by Lorenz Hart, and the book by Herbert Fields. It was produced by Lew Fields and Lyle D. Andrews. It enjoyed an original run on Broadway in 1927 of 421 performances and a number of revivals.
Painting the Clouds with Sunshine is a 1951 Technicolor musical film directed by David Butler and starring Dennis Morgan and Virginia Mayo. The film is a musical adaptation of the 1919 play The Gold Diggers by Avery Hopwood, the fourth film adaptation of the play following The Gold Diggers (1923), Gold Diggers of Broadway (1929) and Gold Diggers of 1933 (1933). The film is a jukebox musical, featuring popular songs from the 1910s to 1930s, including two songs from Gold Diggers of Broadway and one song from Gold Diggers of 1933.
"I Didn't Know What Time It Was" is a popular song composed by Richard Rodgers with lyrics by Lorenz Hart for the 1939 musical Too Many Girls. Introduced by Richard Kollmar and Marcy Westcott in the stage musical, early hit versions were recorded by Benny Goodman and by Jimmy Dorsey .
It was then performed by Trudy Erwin and Richard Carlson in the 1940 film adaptation produced by RKO. The song was later interpolated into the score of the 1957 film Pal Joey, sung by Frank Sinatra, and has become a jazz standard.
Herbert Fields was an American librettist and screenwriter.
"Manhattan" is a popular song and part of the Great American Songbook. It has been performed by the Supremes, Lee Wiley, Oscar Peterson, Blossom Dearie, Tony Martin, Dinah Washington, Ella Fitzgerald, and Mel Torme, among many others. It is often known as "We'll Have Manhattan" based on the opening line. The music was written by Richard Rodgers and the lyrics by Lorenz Hart for the 1925 revue Garrick Gaieties. It was introduced by Sterling Holloway and June Cochran.
Dearest Enemy is a musical with a book by Herbert Fields, lyrics by Lorenz Hart, and music by Richard Rodgers. This was the first of eight book musicals written by the songwriting team of Rodgers and Hart and writer Herbert Fields, and the first of more than two dozen Rodgers and Hart Broadway musicals. The musical takes place in 1776, during the American Revolutionary War, when Mary Lindley Murray detained British troops long enough in Manhattan to give George Washington time to move his vulnerable troops.
The Girl Friend is a musical comedy with music by Richard Rodgers, lyrics by Lorenz Hart and book by Herbert Fields. This was the longest running show for the trio to that date.
Present Arms is a Broadway musical comedy that opened April 26, 1928, with music by Richard Rodgers, lyrics by Lorenz Hart, and book by Herbert Fields. It was produced by Lew Fields with musical numbers stage by Busby Berkeley. It ran for 155 performances at the Lew Fields' Mansfield Theatre, which today is known as the Brooks Atkinson Theatre. Present Arms was filmed in 1930 with Irene Dunne, with its title changed to Leathernecking. The film is presumed lost.
Peggy-Ann is a musical comedy with music by Richard Rodgers, lyrics by Lorenz Hart and book by Herbert Fields, based on the 1910 musical Tillie’s Nightmare by Edgar Smith. The plot of the musical takes place in Glens Falls, New York; New York City, and Havana, Cuba.
"Here in My Arms" is a popular song published in 1925, written by Richard Rodgers with lyrics by Lorenz Hart.
"Sing for Your Supper" is an American popular song by composer Richard Rodgers and lyricist Lorenz Hart. The song debuted in their 1938 Broadway musical The Boys from Syracuse where it was done as a trio, with Muriel Angelus, Marcy Westcott, and Wynn Murray performing an arrangement specially created for the production by Hugh Martin.
"You Took Advantage of Me" is a 1928 popular song composed by Richard Rodgers, with lyrics by Lorenz Hart, for the musical Present Arms (1928), where it was introduced by Joyce Barbour and Busby Berkeley as the characters Edna Stevens and Douglas Atwell. The characters were formerly married, but still have romantic feelings for each other. On opening night, Berkeley forgot the lyrics and had to scat and hum the entire second verse. Berkeley also claimed that his nonsense lyrics for the improvised second verse left Hart "almost apoplectic", but the audience was amused and Hart later forgave him. The song was subsequently included in the 1930 film Leathernecking, an adaptation of Present Arms.
Swing jazz emerged as a dominant form in American music, in which some virtuoso soloists became as famous as the band leaders. Key figures in developing the "big" jazz band included bandleaders and arrangers Count Basie, Cab Calloway, Jimmy and Tommy Dorsey, Duke Ellington, Benny Goodman, Fletcher Henderson, Earl Hines, Glenn Miller, and Artie Shaw. Duke Ellington and his band members composed numerous swing era hits that have become standards: "It Don't Mean a Thing " (1932), "Sophisticated Lady" (1933) and "Caravan" (1936), among others.
Poor Little Ritz Girl is a musical comedy in two acts, with book by George Campbell and Lew Fields. The show had some songs with lyrics by Alex Gerber and music by Sigmund Romberg and other songs with lyrics by Lorenz Hart and music by Richard Rodgers. The show was produced by Lew Fields at the Central Theatre. It opened on July 28, 1920.
Fly with Me is a musical written by Rodgers and Hart for the 1920 Varsity Show at Columbia University. The book was by Milton Kroopf and Phillip Leavitt, adapted by Lorenz Hart. Lyrics were by Hart, and music by Richard Rodgers, with additional lyrics by Oscar Hammerstein II and choreography by Herbert Fields. Premiering only 18 days after their first musical, You'd Be Surprised, Fly with Me was the second collaboration between Rodgers and Hart, and incidentally the first work on which Rodgers and Hammerstein cooperated. It was one of the only collaborations between all three men.