"Levi Stubbs' Tears" | ||||
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Single by Billy Bragg | ||||
from the album Talking with the Taxman about Poetry | ||||
Released | 1986 | |||
Genre | Rock | |||
Label | Go! Discs | |||
Songwriter(s) | Billy Bragg | |||
Producer(s) | John Porter | |||
Billy Bragg singles chronology | ||||
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"Levi Stubbs' Tears" is a song by Billy Bragg. [1] It was the first single released from Bragg's 1986 album Talking with the Taxman about Poetry . The song's title refers to The Four Tops lead singer Levi Stubbs, whose music remains a source of comfort to the protagonist through years of abandonment, injury, and domestic violence. [2]
A guitar riff from the song was sampled by Norman Cook and featured in his 1989 song "Won't Talk About It", also featuring Billy Bragg on "falsetto soul" vocals. When Cook formed Beats International they released their own hit version of the song in 1990 without the guitar riff sample.
In 2014, NME ranked it at number 207 in their list of The 500 Greatest Songs of All Time. [3]
All tracks composed by Billy Bragg; except where indicated
Chart (1986) | Peak position |
---|---|
New Zealand (Recorded Music NZ) [4] | 11 |
UK Singles (OCC) [5] | 29 |
Talking with the Taxman About Poetry is the third album by Billy Bragg, released in September 1986. With production by John Porter and Kenny Jones, Talking with the Taxman About Poetry featured more musicians than Bragg's previous works, which were generally little more than Bragg himself and a guitar.
"God Save the Queen" is a song by the English punk rock band the Sex Pistols. It was released as the band's second single and was later included on their only studio album, Never Mind the Bollocks, Here's the Sex Pistols. The song was released during Queen Elizabeth II's Silver Jubilee in 1977.
Beats International were a British dance music band and hip-hop collective, formed in the late 1980s by Norman Cook based in Brighton, East Sussex, England, after his departure from the Housemartins.
"Today" is a song by American alternative rock band the Smashing Pumpkins, written by lead vocalist and guitarist Billy Corgan. The song, though seemingly upbeat, contains dark lyrics; Corgan wrote the song about a day in which he was having suicidal thoughts. The contrast between the grim subject matter of the song and the soft instrumental part during the verses, coupled with use of irony in the lyrics, left many listeners unaware of the song's tale of depression and desperation. The song alternates between quiet, dreamy verses and loud choruses with layered, distorted guitars.
"Wonderwall" is a song by English rock band Oasis, written by lead guitarist and chief songwriter Noel Gallagher. The song was produced by Gallagher and Owen Morris for the band's second studio album, (What's the Story) Morning Glory?, released in 1995. According to Gallagher, "Wonderwall" describes "an imaginary friend who's gonna come and save you from yourself".
"Love Will Tear Us Apart" is a song by English rock band Joy Division, released in June 1980 as a non-album single. Its lyrics were inspired by lead singer Ian Curtis's marital problems and struggles with epilepsy. The single was released the month after his suicide.
Renaldo "Obie" Benson was an American soul and R&B singer and songwriter. He was best known as a founding member and the bass singer of Motown group the Four Tops, which he joined in 1953 and continued to perform with for over five decades, until April 8, 2005.
"Baby I Need Your Loving" is a 1964 hit single recorded by the Four Tops for the Motown label. Written and produced by Motown's main production team Holland–Dozier–Holland, the song was the group's first Motown single and their first pop Top 20 hit, making it to number 11 on the US Billboard Hot 100 and number four in Canada in the fall of 1964. It was also their first million-selling hit single.
"Reach Out I'll Be There" (also formatted as "Reach Out (I'll Be There)") is a song recorded by the Four Tops from their fourth studio album Reach Out (1967). Written and produced by Motown's main production team, Holland–Dozier–Holland, the song is one of the most widely-known Motown hits of the 1960s and is today considered the Four Tops' signature song.
"Seven Nation Army" is a song by American rock duo the White Stripes. It is the opening track on their fourth studio album, Elephant (2003). V2 Records released the song to American alternative radio on February 17, 2003, as the lead single from the album. Worldwide, the single was issued through XL Recordings. Written and produced by Jack White, the song consists of distorted vocals, a simple drumbeat, and a bass line created by playing a guitar through a pitch shift effect.
"Clocks" is a song by British rock band Coldplay. It was written and composed as a collaboration among all the members of the band for their second album, A Rush of Blood to the Head. The song is built around a piano riff, and features cryptic lyrics concerning themes of contrast and urgency. Several remixes of the track exist, and its riff has been widely sampled.
"Who Am I? " is the debut solo single by American rapper Snoop Doggy Dogg, released on November 11, 1993, as the debut single from his first album, Doggystyle (1993), with the record labels Death Row and Interscope Records. The song, produced by Dr. Dre, features samples and interpolations from George Clinton's "Atomic Dog" in its chorus and throughout, the bass line from Funkadelic's Knee Deep and an interpolation from Parliament's "Give Up the Funk " in its bridge. The song contains additional vocals by Jewell and Edward Tony Green. The song's intro contains a sample from the Counts' "Pack of Lies." A vocal sample from Parliament's "P. Funk " can be heard throughout.
"First I Look At the Purse" (G7044) is a 1965 song recorded by R&B group the Contours on Motown Records' Gordy label. It was written by Miracles members Smokey Robinson and Bobby Rogers, the authors of the Temptations' first hit single, "The Way You Do the Things You Do".
"Back in Black" is a song by Australian rock band AC/DC. It was released as the second US single from their seventh album of the same name in 1980 through Atlantic Records. Notable for its opening guitar riff, the song was written as a tribute to the band's former singer Bon Scott, who died suddenly in February 1980. In 1981, it reached number 37 on the Billboard Hot 100. In 2012, it reached number 65 in Australia and number 27 in the United Kingdom.
The Four Tops are an American vocal quartet from Detroit, Michigan. They were one of the most commercially successful American pop music groups of the 1960s and helped propel the Motown label to international fame. The group's repertoire has included aspects of soul, R&B, disco, adult contemporary, doo-wop, jazz, and show tunes.
"Last Nite" is a song by American rock band the Strokes. It was released on October 23, 2001, as the second single from their debut album, Is This It (2001). It was a moderate hit for the group on the UK Singles Chart in 2001.
"Something About You" is a song written by Holland-Dozier-Holland and was first released by the Four Tops on their 1965 album Four Tops' Second Album.
"Greetings to the New Brunette" is a song by Billy Bragg from the 1986 album Talking with the Taxman About Poetry. It was the second single from the album, following "Levi Stubbs' Tears", and reached No. 58 on the UK Singles Chart in October 1986.
Let Them Eat Bingo is the debut album by British electronic project Beats International, released in spring 1990 on Go! Beat in the United Kingdom and Elektra in the United States. The project was founded and led by disc jockey and former Housemartins bassist Norman Cook, who produced the album alone and intended Beats International to be a collective of permanent and temporary members including singers and other performers. Cook is joined on the album by a host of contributors, including Lindy Layton, Billy Bragg, Double Trouble, and Captain Sensible.
"Should I Stay or Should I Go" is a song by English punk rock band the Clash from their album Combat Rock, written in 1981 and featuring Mick Jones on lead vocals. It was released in 1982 as a double A-sided single alongside "Straight to Hell", performing modestly on global music charts. In the United States, "Should I Stay or Should I Go" charted on the Billboard Hot 100 without reaching the top 40. The song received greater attention nearly a decade later as the result of an early-1990s Levi's jeans commercial, leading to the song's 1991 re-release, which topped the UK Singles Chart and reached the top 10 in New Zealand and many European charts. The song was listed in Rolling Stone's 500 Greatest Songs of All Time in 2004.