Beats International | |
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Background information | |
Origin | Brighton, England |
Genres | Electronic, hip hop [1] |
Years active | 1989–1992 |
Labels | Elektra Records Telstar Records Go! Beat |
Members | Norman Cook Lindy Layton Lester Noel David John-Baptiste MC Wildski Andy Boucher |
Beats International were a British dance music band and hip-hop collective, [1] formed in the late 1980s by Norman Cook (later in his career known as Fatboy Slim) based in Brighton, East Sussex, England, after his departure from the Housemartins. [2]
A loose confederation of musicians, the line-up also included vocalist Lindy Layton, former North of Cornwallis vocalist Lester Noel, rappers DJ Baptiste (The Crazy MC), MC Wildski and keyboardist Andy Boucher. [2] Unusually, the band's live line-up also incorporated a graffiti artist, REQ, who painted designs on a backdrop while the musicians played. [3]
After having a few small hits under his own name such as "Blame It on the Bassline", a 1989 hip-house crossover single featuring MC Wildski, [4] and "For Spacious Lies" [5] with Lester Noel, Cook decided that further releases would be under the collective name "Beats International" - just one of the names he went on to use in the 1990s.
Beats International's debut studio album, Let Them Eat Bingo included these solo hits and the original version of "Won't Talk About It" which featured Billy Bragg singing in a soulful falsetto. [3] The album also spawned the UK number-one single "Dub Be Good to Me", a re-working of the SOS Band's chart-topper "Just Be Good to Me", based on a sample of the bassline from the Clash's "Guns of Brixton". [3] This song was the first to be credited under the Beats International name and featured sometime actor Layton on vocals. [6] [2]
The collective followed their number-one single with a re-recorded version of "Won't Talk About It", which replaced Billy Bragg's vocal with that of Layton and Noel, and "Burundi Blues", a track which featured samples of Bessie Jones, the Thrashing Doves and, on the album version, Brian Cant's introduction from Camberwick Green . [7]
The second Beats International album was 1991's Excursion on the Version , which featured a greater use of dub and reggae sounds, but failed to repeat the success of its predecessor. [3] This was the final Beats International recording, with Cook next going on to form Freak Power. [2]
Year | Album | UK [8] [9] | AUS [10] | US [11] |
---|---|---|---|---|
1990 | Let Them Eat Bingo | 17 | 63 | 162 |
1991 | Excursion on the Version | - | - | - |
Year | Title | Peak chart positions | |
---|---|---|---|
UK [12] | NZ [13] | ||
1989 | "Won't Talk About It"/"Blame It on the Bassline" [II] | 29 | 36 |
"For Spacious Lies" | 48 | - |
Note: these singles are from "Let Them Eat Bingo" and would be re-credited to Beats International on this album.
Year | Single | Peak positions | Album | |||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
UK [8] | NED | BEL (FLA) | FRA | GER [14] | AUT | SWI | SWE | AUS [10] [15] [16] | US [17] | |||||||
1990 | "Dub Be Good to Me" | 1 | 2 | 5 | 19 | 4 | 2 | 6 | 10 | 12 | 76 | Let Them Eat Bingo | ||||
"Won't Talk About It" | 9 | 28 | — | — | 26 | 27 | 24 | — | 70 | 76 | ||||||
"Burundi Blues" | 51 | 70 | — | — | — | — | — | — | — | — | ||||||
"For Spacious Lies" (France only) | — | — | — | — | — | — | — | — | — | — | ||||||
1991 | "Echo Chamber" | 60 | — | — | — | — | — | — | — | 169 | — | Excursion on the Version | ||||
"The Sun Doesn't Shine" | 66 | — | — | — | 87 | — | — | — | 165 | — | ||||||
"In the Ghetto" | 44 | — | — | — | 89 | — | — | — | 142 | — | ||||||
1992 | "Change Your Mind" (US only) | — | — | — | — | — | — | — | — | — | — | |||||
"—" denotes releases that did not chart or were not released. |
Norman Quentin Cook, also known by his stage name Fatboy Slim, is an English musician, DJ, and record producer who helped to popularise the big beat genre in the 1990s. In the 1980s, Cook was the bassist for the Hull-based indie rock band the Housemartins, who achieved a UK number-one single with their a cappella cover of "Caravan of Love". After the Housemartins split up, Cook formed the electronic band Beats International in Brighton, who produced the number-one single "Dub Be Good to Me". He then played in Freak Power, Pizzaman, and the Mighty Dub Katz with moderate success.
The Housemartins were an English indie rock group formed in Hull who were active in the 1980s and charted three top-ten albums and six top-twenty singles in the UK. Many of their lyrics conveyed a mixture of socialist politics and Christianity, reflecting the beliefs of the band. The group's a cappella cover version of "Caravan of Love" was a UK number one single in December 1986.
Utah Saints are an English electronic music duo consisting of members Jez Willis and Tim Garbutt. The band had three top-ten and another five top-40 singles on the UK Singles Chart in the 1990s, as well as number-one dance tracks in the UK and US. They were notable for pioneering use of sampling technology, in particular, their practice of manipulating samples from mainstream pop, rock, R&B and soul songs and combining them with contrasting dance beats, using the samples in a new context. The band wrote, produced and mixed all of their own music. The duo were joined on stage by additional musicians when they played live from 1991 to 2001. They were one of the first electronic groups to play as a live collective and supported both the Shamen and U2 live at 10 stadium shows. Since then the duo have performed live sets themselves.
Belinda Kimberly "Lindy" Layton is an English singer. She was a founding member of and vocalist for dance music band Beats International. She has released a number of solo albums and singles and worked with other musicians, more recently including Hardknox and Dub Pistols.
Better Living Through Chemistry is the debut studio album by English electronic music producer Fatboy Slim. It was released on 23 September 1996 in the United Kingdom by Skint Records and in the United States by Astralwerks. It was Fatboy Slim's first work to chart outside of the UK, with the single "Going Out of My Head" notably charting in the US, and was certified gold by the BPI.
You've Come a Long Way, Baby is the second studio album by Fatboy Slim. It was first released on 19 October 1998 in the United Kingdom by Skint Records and a day later in the United States by Astralwerks. Cook recorded and produced the album at his home studio in Brighton, known as the House of Love, using an Atari ST computer, Creator software, and floppy disks. The photo on the album cover was originally taken at the 1983 Fat Peoples Festival in Danville, Virginia; for the North American release, the album cover was changed to an image of shelves stacked with records.
Halfway Between the Gutter and the Stars is the third studio album by English electronic music producer Fatboy Slim. It was first released on 6 November 2000 in the United Kingdom by Skint Records and a day later in the United States by Astralwerks. The album features contributions from Macy Gray, Ashley Slater, Bootsy Collins, Roland Clark, and Roger Sanchez, and its title, referenced in the song "Weapon of Choice", is an allusion to the Oscar Wilde quote, "We are all in the gutter, but some of us are looking at the stars."
"Praise You" is a song by British big beat musician Fatboy Slim. It was released as the third single from his second studio album, You've Come a Long Way, Baby (1998), on 4 January 1999. It reached number one on the UK Singles Chart and in Iceland, number four in Canada, number six in Ireland, and number 36 in the United States. As of 1999, it had sold over 150,000 units in the US.
"The Guns of Brixton" is a song by the English punk rock band the Clash, originally released on their 1979 album London Calling. It was written and sung by bassist Paul Simonon, who grew up in Brixton, South London. The song has a strong reggae influence, reflecting the culture of the area and the reggae gangster film The Harder They Come.
"The Rockafeller Skank", often referred to as "Funk Soul Brother" by fans, is a song by English big beat musician and DJ Fatboy Slim. It was released as the lead single from his second studio album, You've Come a Long Way, Baby (1998), on 8 June 1998. The single peaked at number six on the UK Singles Chart in June 1998 and topped the Icelandic Singles Chart for a week the same month. It was the second Fatboy Slim single to chart on the US Billboard Hot 100, peaking at number 76. In 2022, Rolling Stone ranked "The Rockafeller Skank" at number 199 on their list of the "200 Greatest Dance Songs of All Time".
"Weapon of Choice" is a song by English big beat musician Fatboy Slim from his third studio album, Halfway Between the Gutter and the Stars. It features vocals by American funk musician Bootsy Collins. It was released as a double A-side single with "Star 69" on 23 April 2001, as well as a standalone single release, and a 2010 re-release with remixes. The single peaked at No. 10 on the UK Singles Chart.
"Right Here, Right Now" is a song by British big beat musician Fatboy Slim, released on 19 April 1999 as the fourth single from his second studio album, You've Come a Long Way, Baby (1998). The song samples "Ashes, the Rain & I" by James Gang and an Angela Bassett quote from American science fiction thriller film Strange Days (1995). "Right Here, Right Now" reached number two on the UK Singles Chart and became a top-40 hit in Australia, Greece, Iceland, Ireland, New Zealand, and the Walloon region of Belgium. It was voted by Mixmag readers as the 10th-greatest dance record of all time.
"Dub Be Good to Me" is a song by British dub group Beats International featuring singer Lindy Layton, released on 24 January 1990 as the first single from their debut album, Let Them Eat Bingo (1990). It was written by frontman Norman Cook and interprets the SOS Band's 1983 hit "Just Be Good to Me", which it is named after. It also samples the songs "The Guns of Brixton" by the Clash, the Once Upon a Time in the West theme by Ennio Morricone, and "Jam Hot" by Johnny Dynell.
"Slash Dot Dash" is a song by English big beat musician Fatboy Slim, released as a single from his album Palookaville. Cook himself plays bass guitar on the track. It also appeared on Fatboy Slim's greatest hits album The Greatest Hits – Why Try Harder. The single peaked at number 12 on the UK Singles Chart, number six in Spain, and number 27 in Italy. The original version of the track, contained on an advance US copy of the album, uses a different vocal sample which was possibly changed due to sample clearance issues.
"Going Out of My Head" is a song by British big beat musician Fatboy Slim. It was released as a double A-side single with "Michael Jackson", released as the third and final single from his debut studio album Better Living Through Chemistry on 21 April 1997. The song contains prominent samples from Yvonne Elliman's "I Can't Explain" and Led Zeppelin's "The Crunge". It was featured in the films The Jackal and Like Mike.
"Sunset (Bird of Prey)" is a song by English musician Fatboy Slim from his third studio album, Halfway Between the Gutter and the Stars (2000). The song samples Jim Morrison's vocals from the Doors song "Bird of Prey." Released on 16 October 2000, the single peaked at No. 9 in the United Kingdom, No. 20 in Norway, and No. 25 in Ireland.
The Fatboy Slim/Norman Cook Collection is a compilation album by British big beat musician Fatboy Slim, released on Hip-O Records in 2000. It was remixed and produced by Fatboy Slim.
Big beat is an electronic music genre that usually uses heavy breakbeats and synthesizer-generated loops and patterns – common to acid house/techno. The term has been used by the British music industry to describe music by artists such as The Prodigy, the Chemical Brothers, Fatboy Slim, the Crystal Method, Propellerheads, Basement Jaxx and Groove Armada.
"Just Be Good to Me" is a song by the S.O.S. Band, written and produced by Jimmy Jam and Terry Lewis for their fourth studio album, On the Rise (1983). "Just Be Good to Me" was released as the lead single from On the Rise in March 1983, by Tabu Records.
Let Them Eat Bingo is the debut album by British electronic project Beats International, released in spring 1990 on Go! Beat in the United Kingdom and Elektra in the United States. The project was founded and led by disc jockey and former Housemartins bassist Norman Cook, who produced the album alone and intended Beats International to be a collective of permanent and temporary members including singers and other performers. Cook is joined on the album by a host of contributors, including Lindy Layton, Billy Bragg, Double Trouble, and Captain Sensible.