"The Rockafeller Skank" | ||||
---|---|---|---|---|
Single by Fatboy Slim | ||||
from the album You've Come a Long Way, Baby | ||||
B-side |
| |||
Released | 8 June 1998 | |||
Genre | Big beat [1] | |||
Length |
| |||
Label | Skint | |||
Songwriter(s) |
| |||
Producer(s) | Fatboy Slim | |||
Fatboy Slim singles chronology | ||||
| ||||
Music video | ||||
"The Rockafeller Skank" on YouTube |
"The Rockafeller Skank" is a song by English big beat musician and DJ Fatboy Slim. It was released as the lead single from his second studio album, You've Come a Long Way, Baby (1998), on 8 June 1998. The single peaked at number six on the UK Singles Chart in June 1998 and topped the Icelandic Singles Chart for a week the same month. It was the second Fatboy Slim single (after "Praise You") to chart on the US Billboard Hot 100, peaking at number 76. In 2022, Rolling Stone ranked "The Rockafeller Skank" at number 199 on their list of the "200 Greatest Dance Songs of All Time". [2]
Larry Flick from Billboard wrote, "Using self-consciously old-school DJ techniques (scratching and repetition of a spoken phrase, dramatic tempo changes), Fatboy Slim has created an organically simple masterpiece. With the accessibility of Beck, the danceability of ska, and the sunny quality of the Beach Boys, the track has a sparse, magnetic beginning that builds in depth and intensity (with the addition of jangly guitar riffs and more complex beats) to a meticulous, frenetic climax. And the wind-down is no less danceable." [3]
Will Hermes from Entertainment Weekly called it a "remarkable splice-rock roller coaster". He added, "Big, dynamic, spectacularly dumb, it grafts Duane Eddy guitar twang (via John Barry) onto Godzilla-goes-Motown beats, adds an MC non sequitur, and presses "frappe" on the digital blender. Result? The most potent DJ pop since "Firestarter". If this won't convert the techno-phobes, nothing will." [4]
A reviewer from Music & Media stated that the track "easily matches the extremely high quality one would expect from a chart veteran with such names as the Housemartins, Beats International, The Mighty Dubcats and Pizzaman on his CV." He explained further, "This time around, he's somehow managed to fuse big beat and dance with surf—seasoned with a slight pinch of punk—and has come up with what is probably the single most infectious sound around on the airwaves right now." [5]
The song features the repeated line "Right about now, the funk soul brother / Check it out now, the funk soul brother", which is a truncated vocal sample of rapper Lord Finesse on the track "Vinyl Dogs Vibe" by Vinyl Dogs. The original line, a spoken-word introduction to the instrumental track, was "Check it out right about now, it's no other than the funk soul brother, the Lord Finesse. And you're welcome to the world of the Vinyl Dogs right about now". [6]
Lord Finesse spoke about his "contribution" for the first time in 2019. He recalled receiving a fax about Fatboy Slim wanting to use his vocal sample for "The Rockafeller Skank", to which he agreed. However, he was shocked to learn the song was not what he had in mind, thinking it was going to be hip hop and not big beat. He called it a "big mistake" and expressed regret for not listening to the song first before sending his approval, and not having someone look at the contract before he signed it. Regardless, Lord Finesse remains proud of the success of "The Rockafeller Skank" but says it could have been his "retirement money". [7]
The song also features eight [8] other samples, including a sample of the song "Sliced Tomatoes" by the band Just Brothers (a popular Northern soul track); The Bobby Fuller Four's "I Fought the Law" (featuring DeWayne Quirico's drum intro); "Join the Gang" by David Bowie; "Who You Wit II" by Jay-Z (pitched down vocals saying "Rockafeller"); and a sample of "Beat Girl" by John Barry and his Orchestra. Guitar lines were also sampled from "Twistin' 'N' Twangin'" by Duane Eddy [9] and "Why Can't You Love Me" by Brian Poole & The Tremeloes, [10] along with a shout from the song "Soup" by the J.J. All-Stars.
Fatboy Slim has stated that to clear the samples and release the song he had to release 100% of the track's royalties, 25% to each artist,[ clarification needed ] meaning he receives no royalties himself. [11]
On the album, the track is preceded by a short conversation between a radio DJ and caller named Brad requesting the song. A real conversation that took place on Boston station WBCN (now known as WWBX), the tape was played for Fatboy Slim who persuaded the station to allow him to use the audio on the album. [12]
|
|
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
United Kingdom (BPI) [56] | Platinum | 600,000‡ |
United States | — | 141,000 [57] |
‡ Sales+streaming figures based on certification alone. |
Region | Date | Format(s) | Label(s) | Ref. |
---|---|---|---|---|
United Kingdom | 8 June 1998 |
| Skint | [58] |
Japan | 17 June 1998 | CD | [59] | |
United States | 28 September 1999 | Contemporary hit radio |
| [60] |
You've Come a Long Way, Baby is the second studio album by English electronic music producer Fatboy Slim. It was first released on 19 October 1998 in the United Kingdom by Skint Records and a day later in the United States by Astralwerks. You've Come a Long Way, Baby proved to be Cook's global breakthrough album, peaking at number one on the UK Albums Chart and number 34 on the US Billboard 200. Praised by critics for its sound and style, the album brought international attention to Cook, earning him a Brit Award in 1999, and was later certified four times platinum by the BPI and platinum by the RIAA. Four singles were released from the album: "The Rockafeller Skank", "Gangster Tripping", "Praise You", and "Right Here, Right Now", all of which peaked within the top ten on the UK Singles Chart. "Build It Up – Tear It Down" was also released as a promotional single.
Halfway Between the Gutter and the Stars is the third studio album by English electronic music producer Fatboy Slim. It was first released on 6 November 2000 in the United Kingdom by Skint Records and a day later in the United States by Astralwerks. The album features contributions from Macy Gray, Ashley Slater, Bootsy Collins, Roland Clark, and Roger Sanchez, and its title, referenced in the song "Weapon of Choice", is an allusion to the Oscar Wilde quote "We are all in the gutter, but some of us are looking at the stars."
"Brimful of Asha" is a song by English alternative rock band Cornershop from their third album, When I Was Born for the 7th Time (1997). The recording, released by Wiiija, originally reached number 60 on the UK Singles Chart in 1997. After a remixed version by Norman Cook became a radio and critical success, the song was re-released and reached number one on the UK chart and number 16 on the US Billboard Modern Rock Tracks chart. The lyric is a tribute to the Indian singer Asha Bhosle. Its music video was directed by Phil Harder.
"Gettin' Jiggy wit It" is a song by American rapper and actor Will Smith, released as the third single from his debut solo album, Big Willie Style (1997). The verse is based around a sample of "He's the Greatest Dancer" by Sister Sledge, and the chorus is sampled from "Sang and Dance" by the Bar-Kays. Released in early 1998, the song was Smith's second hit produced by Poke & Tone and L.E.S., who replaced his long-time partner Jazzy Jeff, though the record-scratching techniques of Jazzy Jeff can be heard in the song. The record scratching is from Whistle's song Just Buggin'.
"Up and Down" is a song by Dutch Eurodance group Vengaboys. Originally released in the Netherlands in February 1998, it reached number four in the United Kingdom in November 1998. It also reached number one on the US Hot Dance Music/Club Play chart in 1999. The Tin Tin Out remix of the song was sampled in DMC's remix of Cher's "Believe". The "Wooo!" voice in the song is sampled from "Crash Goes Love" by Loleatta Holloway.
"Praise You" is a song by British big beat musician Fatboy Slim. It was released as the third single from his second studio album, You've Come a Long Way, Baby (1998), on 4 January 1999. It reached number one on the UK Singles Chart and in Iceland, number four in Canada, number six in Ireland, and number 36 in the United States. As of 1999, it had sold over 150,000 units in the US.
"Star Guitar" is a song by English electronic music duo the Chemical Brothers, released as the second single from their fourth album, Come with Us (2002). It reached number eight on the UK Singles Chart, number two on the US Billboard Dance Club Play chart, and number one on the UK Dance Chart. The song was greeted with praise from critics.
"The First Night" is a song by American singer Monica for her second studio album, The Boy Is Mine (1998). It was written by Tamara Savage and Jermaine Dupri, featuring production and additional vocals from the latter. Built around a sample of Diana Ross's 1976 recording "Love Hangover", penned by Marilyn McLeod and Pam Sawyer, who share co-writing credits, the song is about the protagonist's battle with sexual temptations on the night of her first date, despite her conflicting emotions and strong sexual desires.
"Right Here, Right Now" is a song by British big beat musician Fatboy Slim, released on 19 April 1999 as the fourth single from his second studio album, You've Come a Long Way, Baby (1998). The song samples "Ashes, the Rain & I" by James Gang and an Angela Bassett quote from American science fiction thriller film Strange Days (1995). "Right Here, Right Now" reached number two on the UK Singles Chart and became a top-40 hit in Australia, Greece, Iceland, Ireland, New Zealand, and the Walloon region of Belgium. It was voted by Mixmag readers as the 10th-greatest dance record of all time.
"Nobody's Supposed to Be Here" is a song by Canadian recording artist Deborah Cox, released as the lead single from her second studio album, One Wish (1998). Written by Montell Jordan and its producer, Anthony "Shep" Crawford, the song was released on the same day as the album, on September 15, 1998, by Arista Records. It is Cox's most successful song, peaking at number two on the Billboard Hot 100 for eight weeks and spending a then-record 14 weeks at number one on the Hot R&B Singles & Tracks chart. In 2017, Billboard ranked the song at number five on its "Greatest of All Time Hot R&B/Hip-Hop Songs" chart.
"Phenomenon" is the first single by American rapper LL Cool J from his seventh studio album of the same name. It samples the Creative Source cover of "Who Is He ?" by Bill Withers and interpolates bits of Liquid Liquid's song "Cavern". The lyrics "Something Like a Phenomenon" and the beat are taken from the song "White Lines " by Melle Mel. "Phenomenon" was released on September 23, 1997. The single peaked at number 55 on the US Billboard Hot 100, reached number nine on the UK Singles Chart, and charted within the top 20 in the Netherlands and New Zealand.
"Miami" is a song by American rapper and actor Will Smith from his debut solo album, Big Willie Style (1997). It samples the Whispers's 1979 single "And the Beat Goes On". Released as a single on November 23, 1998, the song charted at number 17 on the Billboard Hot 100 and number three on the UK Singles Chart.
"You're the One" is a song recorded by American female R&B vocal trio SWV for their second studio album, New Beginning (1996). RCA Records released the song on March 29, 1996, as the lead single from New Beginning. "You're the One" topped the US Billboard Hot R&B Singles chart and became a top-10 hit on the Billboard Hot 100 and in New Zealand, receiving gold certifications in both countries. A sample of this song can be heard in South Korean boy group EXO's song "Ya Ya Ya" from their seventh studio album, Obsession (2019).
"Block Rockin' Beats" is a song by British big beat duo the Chemical Brothers. Released in March 1997 by Freestyle Dust and Virgin as the second single and opening track from their second studio album, Dig Your Own Hole (1997), it topped the UK Singles Chart and peaked at number 40 on the US Billboard Modern Rock Tracks chart. It received a Grammy Award for Best Rock Instrumental Performance.
"Gangster Tripping" is a song by British big beat musician Fatboy Slim. It was released on 5 October 1998 as the second single from his second studio album, You've Come a Long Way, Baby (1998).
"Everybody Needs a 303" is the debut single by British big beat artist Fatboy Slim, released in 1996 from his debut album Better Living Through Chemistry. The original version of the single peaked at number 191 on the UK Singles Chart. The song was remixed as "Everybody Loves a Carnival" and released as a single; this version became more commercially successful than its original version, peaking at number 34 on the UK Singles Chart.
"Come with Us" / "The Test" is a double A-side single from the Chemical Brothers' fourth studio album, Come with Us (2002). The vocals in "The Test" are performed by Richard Ashcroft. When released, the single reached number 11 in Spain, number 14 in the United Kingdom, and number 36 in Ireland. In Italy and the United States, only "Come with Us" was released, peaking at number 41 on the Italian Singles Chart and number eight on the Billboard Dance Club Songs chart.
"Touch It" is the lead single from American R&B singer Monifah's second album, Mo'hogany. The song was produced and written by Jack Knight and Screwface. It uses a sample of Laid Back's 1983 hit "White Horse", so songwriters Tim Stahl and John Guldberg are given writing credits.
The discography of Fatboy Slim, an alias of Norman Cook, an English DJ, big beat musician, and record producer, consists of four studio albums, three live albums, one soundtrack album, two compilation albums, three remix albums, six mix albums, three video albums, five extended plays, 28 singles and 31 music videos.
"Sunchyme" is the debut single of British electronic music trio Dario G. It was released on 15 September 1997 as the lead single from their debut studio album, Sunmachine (1998), although early editions were stated to be from an album named Super Dario Land. The song heavily samples the track "Life in a Northern Town" by dream pop band the Dream Academy.
{{cite web}}
: CS1 maint: numeric names: authors list (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)