Norman Quentin Cook, also known by his stage name Fatboy Slim, is an English musician, DJ, and record producer who helped to popularise the big beat genre in the 1990s. In the 1980s, Cook was the bassist for the Hull-based indie rock band the Housemartins, who achieved a UK number-one single with their a cappella cover of "Caravan of Love". After the Housemartins split up, Cook formed the electronic band Beats International in Brighton, who produced the number-one single "Dub Be Good to Me". He then played in Freak Power, Pizzaman, and the Mighty Dub Katz with moderate success.
Lo Fidelity Allstars are an English electronic music group who have recorded since the late 1990s.
Better Living Through Chemistry is the debut studio album by English electronic music producer Fatboy Slim. It was released on 23 September 1996 in the United Kingdom by Skint Records and in the United States by Astralwerks. It was Fatboy Slim's first work to chart outside of the UK, with the single "Going Out of My Head" notably charting in the US, and was certified gold by the BPI.
You've Come a Long Way, Baby is the second studio album by Fatboy Slim, a project of English electronic music producer Norman Cook. It was first released on 19 October 1998 in the United Kingdom by Skint Records and a day later in the United States by Astralwerks. Cook recorded and produced the album at his home studio in Brighton, known as the House of Love, using an Atari ST computer, Creator software, and floppy disks. The photo on the album cover was originally taken at the 1983 Fat Peoples Festival in Danville, Virginia; for the North American release, the album cover was changed to an image of shelves stacked with records.
Halfway Between the Gutter and the Stars is the third studio album by English electronic music producer Fatboy Slim. It was first released on 6 November 2000 in the United Kingdom by Skint Records and a day later in the United States by Astralwerks. The album features contributions from Macy Gray, Ashley Slater, Bootsy Collins, Roland Clark, and Roger Sanchez, and its title, referenced in the song "Weapon of Choice", is an allusion to the Oscar Wilde quote, "We are all in the gutter, but some of us are looking at the stars."
Withdean Stadium is an athletics stadium in Withdean, a suburb of Brighton. It was constructed in 1930. It was the home track of Olympic athlete Steve Ovett. Between 1999 and 2011 it was the home ground of football team Brighton & Hove Albion F.C.
Loaded Records was a British dance record label, formed in 1990 by Tim Jeffery and JC Reid. It launched artists like Pizzaman, Slacker and Wildchild. More recently, it released albums by Super Collider and singles by Annie and Holden & Thompson. They also launched Skint Records as an offshoot.
"Praise You" is a song by British big beat musician Fatboy Slim. It was released as the third single from his second studio album, You've Come a Long Way, Baby (1998), on 4 January 1999. It reached number one on the UK Singles Chart and in Iceland, number four in Canada, number six in Ireland, and number 36 in the United States. As of 1999, it had sold over 150,000 units in the US.
"The Rockafeller Skank", often referred to as "Funk Soul Brother" by fans, is a song by English big beat musician and DJ Fatboy Slim. It was released as the lead single from his second studio album, You've Come a Long Way, Baby (1998), on 8 June 1998. The single peaked at number six on the UK Singles Chart in June 1998 and topped the Icelandic Singles Chart for a week the same month. It was the second Fatboy Slim single to chart on the US Billboard Hot 100, peaking at number 76. In 2022, Rolling Stone ranked "The Rockafeller Skank" at number 199 on their list of the "200 Greatest Dance Songs of All Time".
"Right Here, Right Now" is a song by British big beat musician Fatboy Slim, released on 19 April 1999 as the fourth single from his second studio album, You've Come a Long Way, Baby (1998). The song samples "Ashes, the Rain & I" by James Gang and an Angela Bassett quote from American science fiction thriller film Strange Days (1995). "Right Here, Right Now" reached number two on the UK Singles Chart and became a top-40 hit in Australia, Greece, Iceland, Ireland, New Zealand, and the Walloon region of Belgium. It was voted by Mixmag readers as the 10th-greatest dance record of all time.
"Gangster Tripping" is a song by British big beat musician Fatboy Slim. It was released on 5 October 1998 as the second single from his second studio album, You've Come a Long Way, Baby (1998).
Big beat is an electronic music genre that usually uses heavy breakbeats and synthesizer-generated loops and patterns – common to acid house/techno. The term has been used by the British music industry to describe music by artists such as The Prodigy, the Chemical Brothers, Fatboy Slim, the Crystal Method, Propellerheads, Basement Jaxx and Groove Armada.
FabricLive.42 is a 2008 mix album by Freq Nasty. The album was released as part of the FabricLive Mix Series.
Palookaville is the fourth and final studio album by English electronic music producer Fatboy Slim. It was first released on 4 October 2004 in the United Kingdom by Skint Records and a day later in the United States by Astralwerks. The album was nominated for the 2006 Grammy Award for Best Electronic/Dance Album.
Kidda is the artist name for UK electronic music and video producer Ste McGregor. Described by one national newspaper in the UK as "a bearded 30-something one-man cottage industry", he is signed to the Brighton-based Skint Records – the home of Fatboy Slim, aka Norman Cook. McGregor has released one album on Skint, "Going Up", and his second long-player "Hotel Radio" is scheduled for release in the summer of 2011. His track "Under The Sun" was used in Bacardi's worldwide TV advertising campaign, and other singles from his debut sample-based album such as "Strong Together" have made the charts in several European countries including Italy, Belgium and Holland, and has recently been licensed to Ultra Records in America. In addition to being a recording artist and DJ, Kidda is an animator and video director and has made music promos for assorted artists such as Midfield General, the Lo-Fidelity Allstars, X-Press 2 and Phil Kieran – as well as completing animation work for the stage shows of US artists Kanye West and Rihanna. McGregor also sewed his own tapestry to make up the artwork for his 2008-released album "Going Up".
Darin McFadyen, better known by his stage name FreQ Nasty, is a DJ and producer of breakbeat electronic music, currently based in Los Angeles, California, United States. Originally from New Zealand, McFadyen's artistic career has taken him across the world, first as a resident in London's Fabric Nightclub, to multiple tours in Europe and Australia. He currently resides in the United States, where he has become a fixture amongst North American art and music festivals, most notably Burning Man.
Ed Solo is a British disc jockey and record producer of electronic dance music. He has worked with artists including Blak Twang, Deekline, MC Det, Fatboy Slim, Roots Manuva, Shy FX, DJ Swift, DJ Trace and Elisabeth Troy.
One is the debut studio album by English experimental electronic producer Req, recorded from September 1995 to 1996 and released on Skint Records in 1997. After releasing several EPs, Req decided to release an album to spread his sound. His conception for One was to create music that hints at a direction without ever arriving at one. Music critics had difficulty defining the album's style, and is seen as a "blunted take" on trip hop with downtempo ambience. The album was well received by critics, who praised its unique sound and production. Today, it is seen as a predecessor to the late 1990s' "intelligent big beat" of fellow Skint artists such as Lo-Fidelity Allstars, and in 2015, Fact named the album the 14th greatest trip hop album of all time.
Ian Cassar, better known as Req, is an English DJ, record producer, and graffiti artist.
Frequency Jams is the second studio album by English experimental electronic producer Req, released in 1998 on Skint Records. As with his debut album, One, Frequency Jams was recorded on a lo-fi 4-track recorder and featuries abstract arrangements that incorporate esoteric, fractured beats, while also introducing new, eclectic influences such as jazz-funk and avant-rock into Req's music. Some felt the album pushed Req closer to the avant-garde, with stronger usage of noise. The album has received critical acclaim for its bleak, dark tone and atypical production. It was named the year's 47th best album by The Wire.
