This article is for the discography of English DJ and producer Norman Cook, better known as Fatboy Slim, amongst many other stage names.
Norman started off with a vinyl entitled "D.J. Mega-Mix Vol. 1" (also known as "The Finest Ingredients"), released in 1986. It consists of several tracks and dialogue from various sources edited together into a continuous piece. The following tracks were featured:
Year | Title | Peak chart positions | |
---|---|---|---|
UK [1] | NZ [2] | ||
1989 | "Won't Talk About It"/"Blame It on the Bassline" [II] | 29 | 36 |
"For Spacious Lies" | 48 | - |
Year | Details |
---|---|
1995 | Southern Fried House
|
1998 | Skip to My Loops
|
2001 | A Break from the Norm
|
2006 | The Ultimate DJ Sample Box(with Paul Oakenfold)
|
Year | Details | Peak chart positions |
---|---|---|
UK [3] | ||
2009 | I Think We're Gonna Need a Bigger Boat
| 156 |
Year | Title | Peak chart positions | Album | ||
---|---|---|---|---|---|
UK [3] | BEL (F) [4] | ||||
2008 | "Toe Jam" (featuring Dizzee Rascal and David Byrne) | 198 | 8 [I] | I Think We're Gonna Need a Bigger Boat | |
"Seattle" (featuring Emmy the Great) | — | — | |||
2009 | "He's Frank (Slight Return)" (featuring Iggy Pop) | — | — | ||
"Should I Stay or Should I Blow" (featuring Ashley Beedle) | — | — | |||
"—" denotes releases that did not chart. |
Norman Quentin Cook, better known as Fatboy Slim, is an English musician, DJ, and record producer who helped to popularise the big beat genre in the 1990s. In the 1980s, Cook was the bassist for the Hull-based indie rock band the Housemartins, who achieved a UK number-one single with their a cappella cover of "Caravan of Love". After the Housemartins split up, Cook formed the electronic band Beats International in Brighton, who produced the number-one single "Dub Be Good to Me". He then played in Freak Power, Pizzaman, and the Mighty Dub Katz with moderate success.
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^ I Denotes chart position on the Belgian Ultratip chart.
^ II The single release charted as a double A-side single ("Won't Talk About It"/"Blame It on the Bassline") in the UK. Only "Blame It on the Bassline" was counted as charting in New Zealand.