Levitated Mass

Last updated
Levitated Mass
Levitated Mass by artist Michael Heizer at Los Angeles County Museum of Art in California LCCN2013632453.tif
Artist Michael Heizer
Year2012
Type Large-scale sculpture
Location Los Angeles County Museum of Art, Los Angeles, California, United States

Levitated Mass is a 2012 large-scale public art sculpture by Michael Heizer at Resnick North Lawn at the Los Angeles County Museum of Art (LACMA). The installation consists of a 340-ton boulder sculpture placed above a 456-foot viewing pathway to accommodate 360-degree viewing. [1] The nature, expense and scale of the installation attracted discussion within the public art world, and its notable 106-mile transit from the Jurupa Valley Quarry in Riverside County was widely covered by the media. [2] [3]

Contents

The piece is open to the public during museum hours and does not require museum admission.

Concept and construction

The rock installation in LACMA's backyard The Rock at LACMA sharp.jpg
The rock installation in LACMA's backyard

The work is composed of a 21.5-foot (6.55 m) tall boulder mounted on the walls of a 456-foot (138.98 m) long concrete trench, surrounded by 2.5 acres of compressed decomposed granite. The boulder is bolted to two shelves affixed to the inner walls of the trench, which descends from ground level to 15 feet (4.5 m) below the stone at its center, allowing visitors to stand directly below the megalith. [4]

Initial plans for the work described the boulder as being affixed to the trench walls themselves, giving the boulder the appearance of "floating" when viewed from within the trench via optical illusion, hence the work's title. [5] Support shelves were subsequently required, which arguably compromised the floating effect.[ citation needed ] A 1982 Heizer work in Manhattan, also called Levitated Mass, consists of a much smaller, carved rock set on hidden supports, and does preserve this "floating" effect. [5]

Heizer rarely explains or comments on his work and has never offered a public explanation of Levitated Mass's meaning or significance. He has however described the piece as being "static art" and emphasized the importance of the boulder's size and of the work's longevity, saying that the work is meant to last 3,500 years. LACMA has published a preliminary sketch of the work by Heizer that contains a handwritten notation saying that the work "destroys 'gestalt' concepts". [5]

History

Levitated Mass arrives at LACMA on the morning of March 10, 2012. Levitated Mass Arrives.jpg
Levitated Mass arrives at LACMA on the morning of March 10, 2012.

Heizer first conceived of the work in 1968, and attempted its construction using a 120-ton boulder in 1969. This attempt was abandoned, however, when the boom of the crane being used to lift the boulder broke. In December 2006, Heizer discovered a new 340-ton [6] rock at Stone Valley Quarry in Jurupa Valley, California, in Riverside County while preparing a different project. With the help of LACMA director Michael Govan, funding was secured for the boulder's removal and transportation and for the construction of the finished work at the museum. The cost of the project has been estimated at $10 million, and was funded entirely via private donations. [5]

The boulder was originally scheduled for transport in August 2011. Due to the difficulty in securing permits for the journey, the trip was repeatedly delayed, with the boulder finally leaving the quarry at the end of February 2012. The rock was loaded onto a 295-foot long, 196-wheeled transporter custom-built by Emmert International. Because of the transporter's size and needs, the boulder could only be moved at night at a maximum speed of about seven miles per hour. Though the quarry is located less than 60 miles from the LACMA campus, a circuitous 106-mile route traversing 22 cities in 4 counties [7] was taken in order to avoid busier roads or overpasses that could not support the combined weight of the boulder and transporter. Numerous trees were cut down, cars towed and traffic lights temporarily removed in order to facilitate the transporter's movement. The rock itself was wrapped in cotton sheets and an outer layer of thick plastic before being loaded onto the transporter. The trip took 11 days, with large crowds gathering to see the boulder both in motion and while parked during the day. Spontaneous block parties and at least one marriage proposal took place at the transporter's various resting places. The transporter finally arrived at LACMA at 4:30 am on March 10, 2012. A crowd estimated at over 1,000 assembled to see the installation's arrival. [8]

Completion of the concrete trench and the final securing of the boulder took an additional three months. The installation was opened to the public on June 24, 2012, at a ceremony attended by Govan, Los Angeles Mayor Antonio Villaraigosa, County Supervisor Zev Yaroslavsky and the famously reclusive Heizer himself. [9]

Reception

Los Angeles Times art critic Christopher Knight said that Levitated Mass was "a good sculpture if not a great one", describing the dichotomy of a desert landscape cut into Los Angeles's urban metropolis and of the sculpture's permanence in a comparatively fragile cityscape. Adding "as monoliths go, the stone seems rather modest." [4]

During the journey of Levitated Mass's boulder from quarry to museum, French artist Régis Perray moved a toy dump truck carrying 340 grams of dust from the vault of the Chartres Cathedral as a work entitled 340 Grammes Déplacés... during Levitated Mass by Michael Heizer. [10] The work curated by Observatoire du Land Art was a transatlantic action performed as an "echo" of Levitated Mass's simultaneous displacement of 340 tons of rock. [11]

Complex magazine listed Levitated Mass as one of its 50 Most Iconic Artworks of the Past Five Years. [12]

A parody/tribute work by Mungo Thomson, entitled Levitating Mass, was commissioned by the Aspen Art Museum and appeared at the 2012 Aspen Old-Fashioned Fourth of July Parade, just ten days after the public opening of the original work. It consists of a one-half scale helium balloon replica of Levitated Mass's central boulder. [13]

Boulder Mass: The Levitation is a short-subject avant-garde film by director Joseph Quinn.

Levitated Mass: The Story of Michael Heizer's Monolithic Sculpture, a documentary by filmmaker Doug Pray, debuted at LACMA's Bing Theater on June 20, 2013, as part of the Los Angeles Film Festival. The film focuses on the transport of the boulder from Riverside to Los Angeles, while also examining Heizer's body of work. [14]

See also

Related Research Articles

<span class="mw-page-title-main">Land art</span> Art movement of the 1960s and 1970s

Land art, variously known as Earth art, environmental art, and Earthworks, is an art movement that emerged in the 1960s and 1970s, largely associated with Great Britain and the United States but that also includes examples from many countries. As a trend, "land art" expanded boundaries of art by the materials used and the siting of the works. The materials used were often the materials of the Earth, including the soil, rocks, vegetation, and water found on-site, and the sites of the works were often distant from population centers. Though sometimes fairly inaccessible, photo documentation was commonly brought back to the urban art gallery.

<span class="mw-page-title-main">Chris Burden</span> American artist (1946–2015)

Christopher Lee Burden was an American artist working in performance art, sculpture, and installation art. Burden became known in the 1970s for his performance art works, including Shoot (1971), where he arranged for a friend to shoot him in the arm with a small-caliber rifle. A prolific artist, Burden created many well-known installations, public artworks, and sculptures before his death in 2015.

<span class="mw-page-title-main">Los Angeles County Museum of Art</span> Art museum in California, United States

The Los Angeles County Museum of Art (LACMA) is an art museum located on Wilshire Boulevard in the Miracle Mile vicinity of Los Angeles. LACMA is on Museum Row, adjacent to the La Brea Tar Pits.

<span class="mw-page-title-main">Michael Heizer</span> American artist associated with Land Art movement

Michael Heizer is an American land artist specializing in large-scale and site-specific sculptures. Working largely outside the confines of the traditional art spaces of galleries and museums, Heizer has redefined sculpture in terms of size, mass, gesture, and process. A pioneer of 20th-century land art or Earthworks movement, he is widely recognized for sculptures and environmental structures made with earth-moving equipment, which he began creating in the American West in 1967. He currently lives and works in Hiko, Nevada, and New York City.

<i>Double Negative</i> (artwork) Land art piece in Nevada by Michael Heizer

Double Negative is a piece of land art located in the Moapa Valley on Mormon Mesa near Overton, Nevada. Double Negative was created in 1969 by artist Michael Heizer, and consists of a trench dug into the earth.

<span class="mw-page-title-main">James Turrell</span> American artist known for work with light

James Turrell is an American artist known for his work within the Light and Space movement. He is considered the "master of light" often creating art installations that mix natural light with artificial color through openings in ceilings thereby transforming internal spaces by ever shifting and changing color.

Doug Pray is an American documentary film director, producer, editor, and cinematographer who often explores unique subcultures in his films.

<span class="mw-page-title-main">Ace Gallery</span> Contemporary art gallery in Los Angeles, California

ACE Gallery is an internationally recognized art gallery specializing in contemporary art. ACE Gallery Los Angeles is located in the Miracle Mile section of Los Angeles a few blocks east of Museum Row.

<i>City</i> (artwork) Land art sculpture in Nevada, U.S.

City is a land art sculpture by Michael Heizer in Garden Valley, a desert valley in rural Lincoln County in the U.S. state of Nevada. More than a mile long, it is the largest contemporary artwork ever built. It was begun in 1972, took 50 years to complete, and cost an estimated $40 million. City is maintained by the Triple Aught Foundation and opened on September 2, 2022, to limited, reservation-only viewing by a maximum of six visitors per day.

Mungo Thomson is a contemporary visual artist based in Los Angeles.

Virginia Dwan was an American art collector, art patron, philanthropist, and founder of the Dwan Light Sanctuary in Montezuma, New Mexico. She was the former owner and executive director of Dwan Gallery, Los Angeles (1959–1967) and Dwan Gallery New York (1965–1971), a contemporary art gallery closely identified with the American movements of minimalism, conceptualism, and land art.

<span class="mw-page-title-main">Maria Nordman</span> American sculptor

Maria Nordman is a German-American sculptor and conceptual artist. She is known for creating the contexts of FILM ROOMS starting in 1967: FILM ROOM EAT 1967-PRESENT and FILM ROOM EXHALE 1967- PRESENT. These two works are the fulcrum of other works that follow, of other works that follow, enabling new considerations of rooms as sculpture. Her works in film, still photography, and sculpture variously connect to writing, musical projects, architecture, public space, and performance.

<i>Urban Light</i> Art installation in Los Angeles, California, United States

Urban Light (2008) is a large-scale assemblage sculpture by Chris Burden located at the Wilshire Boulevard entrance to the Los Angeles County Museum of Art (LACMA). The 2008 installation consists of restored street lamps from the 1920s and 1930s. Most of them once lit the streets of Southern California.

Glenn Akira Kaino is an American conceptual artist based in Los Angeles.

Helen Pashgian is an American visual artist who lives and works in Pasadena, California. She is a primary member of the Light and Space art movement of the 1960s, but her role has been historically under-recognized.

Michael Govan is the director of the Los Angeles County Museum of Art. Prior to his current position, Govan worked as the director of the Dia Art Foundation in New York City.

<span class="mw-page-title-main">Elyn Zimmerman</span> American sculptor

Elyn Zimmerman is an American sculptor known for her emphasis on large scale, site specific projects and environmental art. Along with these works, Zimmerman has exhibited drawings and photographs since graduating with an MFA in painting and photography at University of California, Los Angeles in 1972. Her teachers included Robert Heineken, Robert Irwin, and Richard Diebenkorn.

Joshua S. Friedman is an American businessman and co-founder of Los Angeles–based hedge fund Canyon Partners.

The Foundation for the Advancement of Mesoamerican Studies, Inc., or FAMSI, is a website used for research in pre-Columbian studies and ancient Mesoamerican cultures. FAMSI was formerly an American not-for-profit grant-making research foundation, established 1993 and based in Crystal River, Florida. It provided research grants and resources to scholars focussing on ancient Mesoamerican cultures, including the Olmec, Maya, Aztec, and others. Grants were available for projects in archaeology, art history, linguistics, ethnography, epigraphy, sociology, and ethnohistory. The non-profit dissolved in 2012, but its research website has remained active under the administration of the Los Angeles County Museum of Art since 2012.

References

  1. "Levitated Mass - Michael Heizer 2012". Google Arts & Culture. 2012. Retrieved November 30, 2018.
  2. "The LACMA Rock: The overnight run to Long Beach". Los Angeles Times. March 6, 2012. Retrieved November 30, 2018.
  3. Nagourney, Adam (December 27, 2011). "340-Ton Sculpture VS. Immovable Bureaucracy". The New York Times. Retrieved November 30, 2018.
  4. 1 2 Knight, Christopher (June 22, 2012). "Review: LACMA's new hunk 'Levitated Mass' has some substance". Los Angeles Times. Retrieved 25 June 2012.
  5. 1 2 3 4 Finkel, Jori (May 25, 2012). "Michael Heizer's calling is set in stone". Los Angeles Times. Retrieved 25 June 2012.
  6. Nagourney, Adam (October 7, 2011). "Los Angeles County Museum Moves a 340-Ton Rock" . Retrieved 2018-10-29.
  7. Mass Movers, Observatoire du Land Art, February 26, 2012, retrieved November 19, 2012
  8. Nagourney, Adam (March 10, 2012). "Lights! Cameras! (and Cheers) for a Rock Weighing 340 Tons". The New York Times. Retrieved 25 June 2012.
  9. Paquette, Danielle (June 24, 2012). "Masses descend around and below LACMA's 'Levitated Mass' sculpture". Los Angeles Times. Retrieved 25 June 2012.
  10. "340 grammes déplacés... during Levitated Mass by Michael Heizer" (PDF) (Press release). Observatoire du Land Art. August 31, 2011. Archived from the original (PDF) on February 29, 2012. Retrieved June 25, 2012.
  11. Wagley, Catherine (March 22, 2012). "LACMA Rock: Will We Ever Get Past Its Journey and Focus on the Finished Sculpture?". Los Angeles Weekly. Archived from the original on May 17, 2013. Retrieved April 13, 2013.
  12. 26 Michael Heizer, Levitated Mass, 1969-2012, Complex Magazine, Jan 8, 2013, retrieved June 22, 2013
  13. Finkel, Joni (June 18, 2012). "Mungo Thomson riffs of Michael Heizer's 'Levitated Mass'". Los Angeles Times. Retrieved 25 June 2012.
  14. Levitated Mass: The Story of Michael Heizer's Monolithic Sculpture - 2013 Los Angeles Film Festival, Los Angeles Film Festival, 2013, archived from the original on June 24, 2013, retrieved June 22, 2013

34°03′52″N118°21′36″W / 34.06444°N 118.36000°W / 34.06444; -118.36000