Liars and Prayers | ||||
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Studio album by | ||||
Released | April 22, 2008 | |||
Recorded | December 2007 and January 2008 | |||
Studio | Mad Oak Studios, Allston, MA Translator Audio, Brooklyn, NY | |||
Genre | Alternative rock, Blues rock, Indie rock | |||
Length | 57:10 | |||
Label | Thrill Jockey Low Transit Industries (Australia) | |||
Producer | Thalia Zedek Andrew Schneider | |||
Thalia Zedek chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
Pitchfork | [2] |
PopMatters | Positive [3] |
All About Jazz | [4] |
Cokemachineglow | Positive [5] |
Spin | [6] |
Exclaim! | Positive [7] |
Metro | Positive [8] |
The Washington Post | Positive [9] |
The Phill(er) | Positive [10] |
Liars and Prayers is Thalia Zedek's fourth solo album, released four years after Trust Not Those in Whom Without Some Touch of Madness.
Recorded between December 2007 and January 2008 at Mad Oak Studios, in Allston, MA, and Translator Audio, in Brooklyn, NY, and released on April 22, 2008, by Thrill Jockey) Records, Liars and Prayers is Thalia Zedek’s fourth solo album. The first one to be released under the name Thalia Zedek Band, Liars and Prayers was co-produced by the members of the band and record producer Andrew Schneider (Cave In, Unsane, Daughters). Further recording was undertaken by Jane Pipiki at WGBH Studios and the album was ultimately mastered by Roger Seibel. The Brooklyn Paper reported that, after the release of Trust Not Those in Whom Without Some Touch of Madness and the touring of Europe and Australia that ensued, Zedek believed she and her band "had taken the viola, drums, guitar thing as fas as [they] could." [11] Upon her return to Boston, then, she invited bassist Winston Braman (Shepherdess) and pianist Mel Lederman (Victory at Sea) to join her as she prepared material for her following album. [12] Both Braman and Coughlin had played bass and drums, respectively, in Zedek's previous band Come’s final record Gently, Down the Stream, after the departure of the original rhythm section consisting of Sean O’Brien and Arthur Johnson. Meanwhile, Lederman had already contributed piano to several tracks in Zedek's first and third solo records, namely, Been Here and Gone and Trust Not Those in Whom Without Some Touch of Madness.
“Body Memory" was written in remembrance of Lisa King, [13] a "pioneering punk spoken-work artist/activist [who] died in February 2006." [14]
In Australia, the album was released by Low Transit Industries.
All songs by Thalia Zedek. All arrangements by Zedek, Winston Braman, Daniel Coughlin, David Michael Curry, and Mel Lederman.
No. | Title | Writer(s) | Length |
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1. | "Next Exit" | Thalia Zedek | 7:12 |
2. | "lower allston" | Thalia Zedek | 4:37 |
3. | "Do You Remember" | Thalia Zedek | 5:46 |
4. | "We Don't Go" | Thalia Zedek | 4:11 |
5. | "Body Memory" | Thalia Zedek | 6:43 |
6. | "Begin to Exhume" | Thalia Zedek | 4:30 |
7. | "Stars" | Thalia Zedek | 4:55 |
8. | "Wind" | Thalia Zedek | 4:49 |
9. | "circa the end" | Thalia Zedek | 5:03 |
10. | "Come Undone" | Thalia Zedek | 3:42 |
11. | "Green and Blue" | Thalia Zedek | 5:49 |
On Metacritic, the album has a weighted average score of 81 out of 100, based on 5 critics, indicating "universal acclaim". [15] Reviewing Liars and Prayers for PopMatters, Jennifer Kelly characterised the album as Zedek's "most cathartic, powerful solo album yet," going as far as labelling it "one of the year's most intense and fiercely passionate albums." [16] In his review of the album for The Phill(er), novelist Doug Cowie describes it as "an hour of melodic, rocking, aching music that wears its country, blues and punk hats in a surprisingly complicated and layered way […] and it's played by a terrific band." [17] Meanwhile, in her review for AllMusic, Heather Phares remarks that "Liars and Prayers’ only flaw may be that its unflagging intensity is almost overwhelming, given that the album is nearly an hour long, but it's still some of Zedek's most thoughtful and full-bodied work." [18] Vish Khanna, writing for Exclaim! , praised the album as "a ruminative response to living in America under the Bush Administration," [19] going on to describe the Thalia Zedek Band as Zedek's "own latter-day Patti Smith Group," before drawing the distinction that, "while reserved rage is employed instead of a frenetic punk zeal, there’s a similar belief in the revolutionary power of language." [20] In Joe Gross’ positive review of the album for Spin, he asserts that "[m]elodrama is Zedek’s natural state, and augmenting her touring crew of drums and viola with bass and piano fills out the lyrical paranoia — guitar rushes and soaring riffs speak louder than words." [21] The Brooklyn Paper claims "the whole record is a bit of a perfect storm". [22]
Dave Ullrich is a Canadian musician and entrepreneur.
Come is an American alternative rock band, formed in Boston by Thalia Zedek, Chris Brokaw, Arthur Johnson (drums), and Sean O'Brien (bass).
Howard Bilerman is a Canadian musician, sound engineer, and record producer based in Montreal, Quebec. He co-owns the hotel2tango recording studio, and played drums for the band Arcade Fire.
Don Kerr is a Canadian multi-instrumentalist and record producer. He is the drummer, lead singer and front man of Toronto band, Communism. He plays in Ron Sexsmith's band, and sometimes with The Kelele Brothers and Dan Mangan.
Thalia Zedek is an American singer and guitarist. Active since the early 1980s, she has been a member of several notable alternative rock groups, including Live Skull and Uzi both of which, according to Spin magazine, "made big noise in the underground", and Come. Critic Heather Phares writes that Zedek's music can be defined by "the permanent, aching rasp in her voice, her guitar's bluesy bite, the startlingly clear-eyed lyrics about life and loss."
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C'mon was a Canadian rock band based in Toronto, known for its explosive live shows. The core members were Ian Blurton on guitar and vocals, and Katie Lynn Campbell on bass and vocals and with Randy Curlew and later Dean Dallas Bentley on drums.
Uzi was an American alternative rock band, formed in 1984 in Boston, Massachusetts and disbanded in 1987. The band featured Thalia Zedek, Danny Lee (drums), Randy Barnwell, Bob Young (guitar) and Phil Milstein. Never achieving commercial success during their short period of activity, the band gained a cult following, becoming a part of Boston's underground rock scene.
TUNS is a Canadian indie rock supergroup, consisting of Mike O'Neill of The Inbreds, Chris Murphy of Sloan and Matt Murphy of The Super Friendz. The band's name is a reference to the Technical University of Nova Scotia.
Been Here and Gone is Thalia Zedek's debut solo album, following the demise of Come, her previous band.
Trust Not Those in Whom Without Some Touch of Madness is Thalia Zedek's third solo album, released under two months after Hell is in Hello.
Via is Thalia Zedek's fifth solo album, released five years after Liars and Prayers.
Eve is Thalia Zedek's sixth solo album, released three years after Via.
Fighting Season is Thalia Zedek's seventh solo album, released two years after Eve.
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Spencer Burton is a Canadian musician, who has been active both as a member of the indie rock band Attack in Black and as a solo country singer-songwriter. He also previously performed and recorded under the name Grey Kingdom, releasing two EPs and two albums under that name in the early 2010s, before deciding to use his own name on later releases.