cover for the 1880 edition | |
Author | Alexander Gilchrist |
---|---|
Cover artist | Frederic Shields |
Country | England |
Language | English |
Subject | William Blake |
Genre | biography |
Publication date | 1863; 1880 |
The Life of William Blake, "Pictor Ignotus." With selections from his poems and other writings is a two-volume work on the English painter and poet William Blake, first published in 1863. The first volume is a biography and the second a compilation of Blake's poetry, prose, artwork and illustrated manuscript.
William Blake was an English poet, painter, and printmaker. Largely unrecognised during his lifetime, Blake is now considered a seminal figure in the history of the poetry and visual arts of the Romantic Age. What he called his prophetic works were said by 20th-century critic Northrop Frye to form "what is in proportion to its merits the least read body of poetry in the English language". His visual artistry led 21st-century critic Jonathan Jones to proclaim him "far and away the greatest artist Britain has ever produced". In 2002, Blake was placed at number 38 in the BBC's poll of the 100 Greatest Britons. While he lived in London his entire life, except for three years spent in Felpham, he produced a diverse and symbolically rich œuvre, which embraced the imagination as "the body of God" or "human existence itself".
The book was largely written by Alexander Gilchrist, who had spent many years compiling the material and interviewing Blake's surviving friends. However, Gilchrist had left it incomplete at his sudden death from scarlet fever in 1861. The work was published two years later, having been completed by his widow Anne Gilchrist with help from Dante Gabriel Rossetti and William Michael Rossetti.
Alexander Gilchrist, an English author, is known mainly as a biographer of William Etty and of William Blake. Gilchrist's biography of Blake is still a standard reference work about the poet.
Scarlet fever is a disease which can occur as a result of a group A streptococcus infection, also known as Streptococcus pyogenes. The signs and symptoms include a sore throat, fever, headaches, swollen lymph nodes, and a characteristic rash. The rash is red and feels like sandpaper and the tongue may be red and bumpy. It most commonly affects children between five and 15 years of age.
Anne Gilchrist, née Burrows, was an English writer, best known for her connection to American poet Walt Whitman.
The book became the first standard text on the Blake, a foundation of the extensive scholarship on his life and work. The original 1863 edition was subtitled "Pictor Ignotus", Latin for "unknown artist", a common phrase used for unattributed artworks. Here it refers to Blake's obscurity at the time. The phrase was taken from the recently published poem of that title by Robert Browning, part of which was used as an epigraph. [1] A second edition was published in 1880; this included additional material and revisions to the earlier transcripts of Blake's work and Gilchrist's bibliographical details. Both are referred as Gilchrist's Blake or Life.
Robert Browning was an English poet and playwright whose mastery of the dramatic monologue made him one of the foremost Victorian poets. His poems are known for their irony, characterization, dark humour, social commentary, historical settings, and challenging vocabulary and syntax.
In literature, an epigraph is a phrase, quotation, or poem that is set at the beginning of a document, monograph or section thereof. The epigraph may serve as a preface to the work; as a summary; as a counter-example; or as a link from the work to a wider literary canon, with the purpose of either inviting comparison or to enlisting a conventional context.
Several of Blake's short poems, such as "The Tyger", were typeset during his lifetime and had become widely known since the author's death in 1827, having been reproduced in commonplace books by William Wordsworth and others; however, the larger corpus of his work remained in relative obscurity.
"The Tyger" is a poem by the English poet William Blake published in 1794 as part of the Songs of Experience collection. Literary critic Alfred Kazin calls it "the most famous of his poems", and The Cambridge Companion to William Blake says it is "the most anthologized poem in English". It is one of Blake's most reinterpreted and arranged works.
Commonplace books are a way to compile knowledge, usually by writing information into books. They have been kept from antiquity, and were kept particularly during the Renaissance and in the nineteenth century. Such books are essentially scrapbooks filled with items of every kind: recipes, quotes, letters, poems, tables of weights and measures, proverbs, prayers, legal formulas. Commonplaces are used by readers, writers, students, and scholars as an aid for remembering useful concepts or facts. Each one is unique to its creator's particular interests but they almost always include passages found in other texts, sometimes accompanied by the compiler's responses. They became significant in Early Modern Europe.
William Wordsworth was an English Romantic poet who, with Samuel Taylor Coleridge, helped to launch the Romantic Age in English literature with their joint publication Lyrical Ballads (1798).
The second volume, edited and annotated by Dante Gabriel Rossetti, included most of Blake's songs, verse and other poetry, his prose, and letters. These were often the first publication in typeset. The editors sometimes adapted the works during transcription, printing "Tyger" as "Tiger" for the well known example, and largely excluded discussion and republication of the 'Prophetic Books'. The transcriptions included the Poetical Sketches (selections), the Songs of Innocence and of Experience , the Book of Thel , and unpublished poetry from manuscript as "Ideas of Good and Evil". Prose works include the rare Descriptive Catalogue , Blake's description of the paintings exhibited at his solo exhibition in 1809. It includes his analysis of Chaucer's The Canterbury Tales , and an account of his panoramic depiction of the pilgrims leaving London.
Poetical Sketches is the first collection of poetry and prose by William Blake, written between 1769 and 1777. Forty copies were printed in 1783 with the help of Blake's friends, the artist John Flaxman and the Reverend Anthony Stephen Mathew, at the request of his wife Harriet Mathew. The book was never published for the public, with copies instead given as gifts to friends of the author and other interested parties. Of the forty copies, fourteen were accounted for at the time of Geoffrey Keynes' census in 1921. A further eight copies had been discovered by the time of Keynes' The Complete Writings of William Blake in 1957. In March 2011, a previously unrecorded copy was sold at auction in London for £72,000.
Songs of Innocence and of Experience is an illustrated collection of poems by William Blake. It appeared in two phases. A few first copies were printed and illuminated by William Blake himself in 1789; five years later he bound these poems with a set of new poems in a volume titled Songs of Innocence and of Experience Shewing the Two Contrary States of the Human Soul. William Blake was also a painter before the songs of innocence and experience and made paintings such as Oberon, Titania, and Puck dancing with fairies.
The Book of Thel is a poem by William Blake, dated 1789 and probably composed in the period 1788 to 1790. It is illustrated by his own plates, and compared to his later prophetic books is relatively short and easier to understand. The metre is a fourteen-syllable line. It was preceded by Tiriel, which Blake left in manuscript. A few lines from Tiriel were incorporated into The Book of Thel. Most of the poem is in unrhymed verse.
The work reproduced many of Blake's illustrations from public and private collections, interspersed throughout the biography and series of plates from his illuminated books. Many of these were engraved by William James Linton. Other designs, commentary and the second edition's cover were provided by Frederic Shields.
William James Linton was an English-born American wood-engraver, landscape painter, political reformer and author of memoirs, novels, poetry and non-fiction.
Frederic James Shields was a British artist, illustrator and designer closely associated with the Pre-Raphaelites through Dante Gabriel Rossetti and Ford Madox Brown.
Anne Gilchrist appended a memoir of her husband, Alexander, to the second volume.
A review by James Smetham of the first edition was included in the second as an "Essay on Blake". The biography of the second edition was expanded with Blake's letters, obtained in an 1878 sale at Sothebys.
Gabriel Charles Dante Rossetti, generally known as Dante Gabriel Rossetti, was a British poet, illustrator, painter and translator, and a member of the Rossetti family. He founded the Pre-Raphaelite Brotherhood in 1848 with William Holman Hunt and John Everett Millais. Rossetti was later to be the main inspiration for a second generation of artists and writers influenced by the movement, most notably William Morris and Edward Burne-Jones. His work also influenced the European Symbolists and was a major precursor of the Aesthetic movement.
Christina Georgina Rossetti was an English poet who wrote a variety of romantic, devotional, and children's poems. She is famous for "Goblin Market" and "Remember". She also wrote the words of two Christmas carols well known in the British Isles: "In the Bleak Midwinter", later set to music by Gustav Holst and by Harold Darke, and "Love Came Down at Christmas", also set by Harold Darke and by other composers.
Arthur William Symons, was a British poet, critic and magazine editor.
Gabriele Pasquale Giuseppe Rossetti was an Italian nobleman, poet, constitutionalist, scholar, and founder of the secret society Carbonari who emigrated to England. He was a member of the Italian noble and Boyar princely Rossetti family.
William Sharp was a Scottish writer, of poetry and literary biography in particular, who from 1893 wrote also as Fiona Macleod, a pseudonym kept almost secret during his lifetime. He was also an editor of the poetry of Ossian, Walter Scott, Matthew Arnold, Algernon Charles Swinburne and Eugene Lee-Hamilton.
The Germ, thoughts towards nature in art and literature (1850) was a periodical established by the Pre-Raphaelite Brotherhood to disseminate their ideas. It was not a success, only surviving for four issues between January and April 1850. The Germ was renamed Art and Poetry, being Thoughts towards Nature, conducted principally by Artists for its last two issues.
"Never pain to tell the love" is a poem by William Blake.
"The Sick Rose" is a poem by William Blake. The poem mentions through the symbols of the rose and the worm, how intense experience preys upon unpolluted innocence. The first publication was in 1794, when it was included in his collection titled Songs of Experience as the 39th plate. The incipit of the poem is O Rose thou art sick. Blake composed the page sometime after 1789, and presents it with the illuminated border and illustrations that were typical of his self publications. Most aspects of the original production were undertaken by the author; the composition of the poem and design, engraving, and promotion of the work. The printing was usually done by Blake's wife, Catherine, as well as any colouring not performed by Blake himself.
James Smetham was an English Pre-Raphaelite Brotherhood painter and engraver, a follower of Dante Gabriel Rossetti.
A Vision of the Last Judgement is a painting by William Blake that was designed in 1808 before becoming a lost artwork. The painting was to be shown in an 1810 exhibition with a detailed analysis added to a second edition of his Descriptive Catalogue. This plan was dropped after the exhibition was cancelled, and the painting disappeared. Blake's notes for the Descriptive Catalogue describe various aspects of the work in a detailed manner, which allow the aspects of the painting to be known. Additionally, earlier designs that reveal similar Blake depiction of the Last Judgement have survived, and these date back to an 1805 precursor design created for Robert Blair's The Grave. In addition to Blake's notes on the painting, a letter written to Ozias Humphrey provides a description of the various images within an earlier design of the Last Judgement.
"The Mental Traveller" is a poem by William Blake. It is part of a collection of unpublished works called The Pickering Manuscript and was written in a manner that suggests the poem was to be read directly from the collection.
Pity is a colour print on paper, finished in ink and watercolour, by the English artist and poet William Blake, one of the group known as the "Large Colour Prints". Along with his other works of this period, it was influenced by the Bible, Milton, and Shakespeare. The work is unusual, as it is a literal illustration of a double simile from Macbeth, found in the lines:
The Grave is a blank verse poem by the Scottish poet Robert Blair. It is the work for which he is primarily renowned. According to Blair, in a letter he wrote to Dr. Dodderidge, the greater part of the poem was composed before he became a minister, Edinburgh editor and publisher John Johnstone stating that it was composed whilst he was still a student, although "probably corrected and amplified by his more matured judgement". The poem, 767 lines long, is an exemplar of what became known as the school of graveyard poetry.
The Notebook of William Blake was used by William Blake as a commonplace book from c. 1787 to 1818.
Algernon Charles Swinburne was an English poet, playwright, novelist, and critic. He wrote several novels and collections of poetry such as Poems and Ballads, and contributed to the famous Eleventh Edition of the Encyclopædia Britannica.
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