"The Lamb" is a poem by William Blake, published in Songs of Innocence in 1789.
"The Lamb" is the counterpart poem to Blake's poem: "The Tyger" in Songs of Experience . Blake wrote Songs of Innocence as a contrary to the Songs of Experience – a central tenet in his philosophy and a central theme in his work. [1] Like many of Blake's works, the poem is about Christianity. The lamb is a frequently used name of Jesus Christ, who is also called "The Lamb of God" in the Gospel of John 1:29 and 36, as well as throughout John's Book of Revelation at the end of the New Testament.
Little Lamb who made thee?
Dost thou know who made thee?
Gave thee life and bid thee feed
By the stream and o'er the mead;
Gave thee clothing of delight,
Softest clothing wooly bright;
Gave thee such a tender voice,
Making all the vales rejoice:
Little Lamb who made thee?
Dost thou know who made thee?
Little Lamb I'll tell thee,
Little Lamb I'll tell thee:
He is called by thy name,
For he calls himself a Lamb:
He is meek and he is mild,
He became a little child:
I a child and thou a lamb,
We are called by his name:
Little Lamb God bless thee.
Little Lamb God bless thee. [2]
At first glance, this poem appears to consist of rhyming couplets, and the first and last couplet in the first stanza could be said to exhibit identical rhyme; however, the rhyme is an exact repeat of the three last words, or phrase, "who made thee," and the last couplet is a repetition of the first verbatim. The effect is that of a refrain in a song, such as a lullaby in this "Song of Innocence." The speaker is even a child. The final word of the third and fourth lines (the first couplet in the body of the text), "feed mead," rhyme identically with the final word of the first two lines, "thee," creating a smooth transition.
The body of the first stanza follows the rhyming scheme AABBCC: "feed mead delight bright voice rejoice;" the body of the second, follows the rhyming scheme ABCCBA: "name lamb mild child lamb name"—a pattern found in the Bible and a kernel of a larger Hebraic technique or device.
An exact repeat of the entire line is employed in the second stanza's first and last couplets: the first two lines, and then the last two different lines, with the ABCCBA scheme in the body. The whole is indeed effective, one might even say "innocent" with perfect truth.
In the first stanza, the speaker, a child, asks the lamb who its creator is, and if it knows who; the child knows and tells the lamb the answer in the second stanza.
Like the other Songs of Innocence and Songs of Experience, "The Lamb" may have been intended to be sung, but no records survive of Blake's own musical settings. [3] It was set to music by Vaughan Williams in his 1958 song cycle Ten Blake Songs , although he described it as "that horrible little lamb – a poem that I hate". [4] It was also given a setting by Sir John Tavener, who explained: "'The Lamb' came to me fully grown and was written in an afternoon and dedicated to my nephew Simon for his 3rd birthday." American poet Allen Ginsberg set the poem to music, along with several other of Blake's poems, in 1969 and included it on his album Songs of Innocence and Experience by William Blake. [5] Ginsberg's songs were re-worked by Steven Taylor for the album Songs of Innocence & of Experience: Shewing The Two Contrary States Of The Human Soul, released in 2019, by Ace Records, to coincide with the Blake exhibition at Tate Britain. [6] [7]
"The Tyger" is a poem by the English poet William Blake, published in 1794 as part of his Songs of Experience collection and rising to prominence in the romantic period. The poem is one of the most anthologised in the English literary canon, and has been the subject of both literary criticism and many adaptations, including various musical versions. The poem explores and questions Christian religious paradigms prevalent in late 18th century and early 19th century England, discussing God's intention and motivation for creating both the "Lamb" and the eponymous "Tyger."
"The Chimney Sweeper" is the title of a poem by William Blake, published in two parts in Songs of Innocence in 1789 and Songs of Experience in 1794. The poem "The Chimney Sweeper" is set against the dark background of child labour that was prominent in England in the late 18th and 19th centuries. At the age of four and five, boys were sold to clean chimneys, due to their small size. These children were oppressed and had a diminutive existence that was socially accepted at the time. Children in this field of work were often unfed and poorly clothed. In most cases, these children died from either falling through the chimneys or from lung damage and other horrible diseases from breathing in the soot. In the earlier poem, a young chimney sweeper recounts a dream by one of his fellows, in which an angel rescues the boys from coffins and takes them to a sunny meadow; in the later poem, an apparently adult speaker encounters a child chimney sweeper abandoned in the snow while his parents are at church or possibly even suffered death where church is referring to being with God.
"The Echoing Green" is a poem by William Blake published in Songs of Innocence in 1789. The poem talks about merry sounds and images which accompany the children playing outdoors. Then, an old man happily remembers when he enjoyed playing with his friends during his own childhood. The last stanza depicts the little ones being weary when the sun has descended and going to their mother to rest after playing many games.
Songs of Innocence and of Experience is a collection of illustrated poems by William Blake. Originally, Blake illuminated and bound Songs of Innocence and Songs of Experience separately. It was only in 1794 that Blake combined the two sets of poems into a volume titled Songs of Innocence and of Experience Shewing the Two Contrary States of the Human Soul. Even after beginning to print the poems together, Blake continued to produce individual volumes for each of the two sets of poetry.
"The Little Black Boy" is a poem by William Blake featured in his collection Songs of Innocence published in 1789. The work was published during a period when slavery was still legal and the campaign for the abolition of slavery was in its nascent stages.
"The Blossom" is a poem by William Blake, published in Songs of Innocence in 1789.
"The Sick Rose" is a poem by William Blake, originally published in Songs of Innocence and of Experience as the 39th plate; the incipit of the poem is O Rose thou art sick. Blake composed the poem sometime after 1789, and presented it with an illuminated border and illustration, typical of his self-publications. Since the 20th century, the poem has been the subject of scrutiny by scholars for its oblique and enigmatic meaning, and bizarre, suggestive imagery.
"The Garden of Love" is a poem by the Romantic poet William Blake. It was published as part of his collection, Songs of Experience.
The Little Vagabond is a 1794 poem by English poet William Blake in his collection Songs of Innocence and of Experience. His collection, Songs of Innocence, was originally published alone, in 1789. The scholar Robert Gleckner says that the poem is a form of transformation of the boy in the poem "The School Boy", from Songs of Innocence.
"A Poison Tree" is a poem written by William Blake, published in 1794 as part of his Songs of Experience collection. It describes the narrator's repressed feelings of anger towards an individual, emotions which eventually lead to murder. The poem explores themes of indignation, revenge, and more generally the fallen state of mankind.
"Infant Joy" is a poem written by the English poet William Blake. It was first published as part of his collection Songs of Innocence in 1789 and is the counterpart to "Infant Sorrow", which was published at a later date in Songs of Experience in 1794.
"The Shepherd" is a poem from William Blake's Songs of Innocence (1789). This collection of songs was published individually four times before it was combined with the Songs of Experience for 12 editions which created the joint collection Songs of Innocence and of Experience (1794). Blake produced all of the illuminated printings himself beginning in 1789. Each publication of the songs has the plates in a different order, and sixteen other plates were published posthumously.
"Night" is a poem in the illuminated 1789 collection Songs of Innocence by William Blake, later incorporated into the larger compilation Songs of Innocence and of Experience. "Night" speaks about the coming of evil when darkness arrives, as angels protect and keep the sheep from the impending dangers.
Spring is a lyric poem written and illustrated by William Blake. It was first published in Songs of Innocence (1789) and later in Songs of Innocence and Experience (1794).
"The Little Boy Found" is a poem by William Blake first published in the collection Songs of Innocence in 1789. Songs of Innocence was printed using illuminated printing, a style Blake created. By integrating the images with the poems the reader was better able to understand the meaning behind each of Blake's poems.
"The Little Boy Lost" is a simple lyric poem written by William Blake. This poem is part of a larger work titled Songs of Innocence which was published in the year 1789. "The Little Boy Lost" is a prelude to "The Little Boy Found".
"Laughing Song" is a poem published in 1789 by the English poet William Blake. This poem is one of nineteen in Blake's collection Songs of Innocence.
"The School Boy" is a 1789 poem by William Blake and published as a part of his poetry collection entitled Songs of Experience. These poems were later added with Blake's Songs of Innocence to create the entire collection entitled "Songs of Innocence and of Experience Shewing the Two Contrary States of the Human Soul". This collection included poems such as "The Tyger", "The Little Boy Lost", "Infant Joy" and "The Shepherd". These poems are illustrated with colorful artwork created by Blake first in 1789. The first printing in 1789 consisted of sixteen copies. None of the copies of Songs of Innocence are exactly alike as some of them are incomplete or were colored in posthumously "in imitation of" other copies.
"A Dream" is a poem by English poet William Blake. The poem was first published in 1789 as part of Blake's collection of poems entitled Songs of Innocence.
"A Cradle Song" is a poem written by William Blake in 1789, as part of his book Songs of Innocence.