"The Little Boy Lost" is a simple lyric poem written by William Blake. This poem is part of a larger work titled Songs of Innocence which was published in the year 1789. "The Little Boy Lost" is a prelude to "The Little Boy Found".
"The Little Boy Lost" is a simple lyric poem written by William Blake. This poem is part of a larger work titled Songs of Innocence which was published in the year 1789. "The Little Boy Lost" is a prelude to "The Little Boy Found".
Father, father, where are you going
O do not walk so fast.
Speak father, speak to your little boy
Or else I shall be lost,
The night was dark no father was there
The child was wet with dew.
The mire was deep, & the child did weep
And away the vapour flew. [1]
Upon the publication of "The Little Boy Lost" and Songs of Innocence, people of Blake's time perceived the compilation of poems as a children's book because it was easy to read, the poems were very short, meant to be sung, and were accompanied by colourful illustrations.
In modern times, however, much deeper understanding of the poem has developed. One can not analyse a poem by William Blake without noting its themes that come from the Christian faith. Some interpret the poem as representing the relationship between humans and our spiritual lives with the Biblical God. The father represents earthly pleasures that we might end up following. A person can become lost in a spiritual journey by acting on impulse; following drugs, a lavish lifestyle, or anything else that goes against Biblical principles. [2] Like the little boy covered in mud, adults who have followed the wrong "god" to a life of sin are covered in that sin and completely lost. [3]
"The Little Boy Lost" is a two stanza poem with eight total lines. It is written in ballad metre (essentially a loose common metre). [4] In the poem Blake uses internal rhyme in line 7 "The mire was deep, & the child did weep" with the words "weep" and "deep". This played a role in the simplicity of reading the poem. The use of caesuras throughout the poem also contributes to the easy reading, giving the reader a chance to slowly read and take in the words and meanings. The repetition words, such as "Father", put an emphasis on the meaning of Father in the piece. The title "Father" serves the use of ambiguity, because one may interpret different meaning from the word. The poem itself is ambiguous, because it has its literal meaning and religious meaning. Blake incorporated symbolism in line 9 "And away the vapour flew", "vapour" symbolise the "Father" from the beginning of the poem.
Scholars agree that "The Little Boy Lost" is the 13th object in the order of the original printings of the Songs of Innocence and of Experience . The following, represents a comparison of several of the extant copies of the poem, their print date, their order in that particular binding of the book of poems, and their holding institution: [5]
"The Lamb" is a poem by William Blake, published in Songs of Innocence in 1789.
"The Chimney Sweeper" is the title of a poem by William Blake, published in two parts in Songs of Innocence in 1789 and Songs of Experience in 1794. The poem "The Chimney Sweeper" is set against the dark background of child labour that was prominent in England in the late 18th and 19th centuries. At the age of four and five, boys were sold to clean chimneys, due to their small size. These children were oppressed and had a diminutive existence that was socially accepted at the time. Children in this field of work were often unfed and poorly clothed. In most cases, these children died from either falling through the chimneys or from lung damage and other horrible diseases from breathing in the soot. In the earlier poem, a young chimney sweeper recounts a dream by one of his fellows, in which an angel rescues the boys from coffins and takes them to a sunny meadow; in the later poem, an apparently adult speaker encounters a child chimney sweeper abandoned in the snow while his parents are at church or possibly even suffered death where church is referring to being with God.
"The Echoing Green" is a poem by William Blake published in Songs of Innocence in 1789. The poem talks about merry sounds and images which accompany the children playing outdoors. Then, an old man happily remembers when he enjoyed playing with his friends during his own childhood. The last stanza depicts the little ones being weary when the sun has descended and going to their mother to rest after playing many games.
Songs of Innocence and of Experience is a collection of illustrated poems by William Blake. Originally, Blake illuminated and bound Songs of Innocence and Songs of Experience separately. It was only in 1795 that Blake combined the two sets of poems into a volume titled Songs of Innocence and of Experience Shewing the Two Contrary States of the Human Soul. Even after beginning to print the poems together, Blake continued to produce individual volumes for each of the two sets of poetry.
"The Little Black Boy" is a poem by William Blake included in Songs of Innocence in 1789. It was published during a time when slavery was still legal and the campaign for the abolition of slavery was still young.
"The Blossom" is a poem by William Blake, published in Songs of Innocence in 1789.
Holy Thursday is a poem by William Blake, from his 1789 book of poems Songs of Innocence.
Earth's Answer is a poem by William Blake within his larger collection called Songs of Innocence and of Experience. It is the response to the previous poem in The Songs of Experience-- Introduction . In the Introduction, the bard asks the Earth to wake up and claim ownership. In this poem, the feminine Earth responds.
The Little Vagabond is a 1794 poem by English poet William Blake in his collection Songs of Innocence and of Experience. His collection, Songs of Innocence, was originally published alone, in 1789. The scholar Robert Gleckner says that the poem is a form of transformation of the boy in the poem "The School Boy", from Songs of Innocence.
"Infant Joy" is a poem written by the English poet William Blake. It was first published as part of his collection Songs of Innocence in 1789 and is the counterpart to "Infant Sorrow", which was published at a later date in Songs of Experience in 1794.
"The Shepherd" is a poem from William Blake's Songs of Innocence (1789). This collection of songs was published individually four times before it was combined with the Songs of Experience for 12 editions which created the joint collection Songs of Innocence and of Experience (1794). Blake produced all of the illuminated printings himself beginning in 1789. Each publication of the songs has the plates in a different order, and sixteen other plates were published posthumously.
The Voice of the Ancient Bard is a poem written by the English poet William Blake. It was published as part of his collection Songs of Innocence in 1789, but later moved to Songs of Experience, the second part of the larger collection Songs of Innocence and of Experience, 1794.
"Night" is a poem in the illuminated 1789 collection Songs of Innocence by William Blake, later incorporated into the larger compilation Songs of Innocence and of Experience. "Night" speaks about the coming of evil when darkness arrives, as angels protect and keep the sheep from the impending dangers.
Spring is a lyric poem written and illustrated by William Blake. It was first published in Songs of Innocence (1789) and later in Songs of Innocence and Experience (1794).
"The Little Boy Found" is a poem by William Blake first published in the collection Songs of Innocence in 1789. Songs of Innocence was printed using illuminated printing, a style Blake created. By integrating the images with the poems the reader was better able to understand the meaning behind each of Blake's poems.
"Laughing Song" is a poem published in 1789 by the English poet William Blake. This poem is one of nineteen in Blake's collection Songs of Innocence.
"A Little Boy Lost" is a poem of the Songs of Experience series created in 1794 after the Songs of Innocence (1789) by the poet William Blake. The poem centers on the theme of religious persecution and the corrupted dictates of dogmatic Church teachings. As part of Songs of Experience the poem is set in the wider context of exploring the suffering of innocent and oppressed individuals—in this case a young boy, and his parents—within a flawed society that is oppressed and disillusioned with life's experience.
"The School Boy" is a 1789 poem by William Blake and published as a part of his poetry collection entitled Songs of Experience. These poems were later added with Blake's Songs of Innocence to create the entire collection entitled "Songs of Innocence and of Experience Shewing the Two Contrary States of the Human Soul". This collection included poems such as "The Tyger", "The Little Boy Lost", "Infant Joy" and "The Shepherd". These poems are illustrated with colorful artwork created by Blake first in 1789. The first printing in 1789 consisted of sixteen copies. None of the copies of Songs of Innocence are exactly alike as some of them are incomplete or were colored in posthumously "in imitation of" other copies.
"A Dream" is a poem by English poet William Blake. The poem was first published in 1789 as part of Blake's collection of poems entitled Songs of Innocence.
"A Cradle Song" is a poem written by William Blake in 1789, as part of his book Songs of Innocence.
Media related to Songs of Innocence - The Little Boy Lost at Wikimedia Commons