The Little Boy Found | |
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![]() One of Blake's prints for "Little Boy Found" |
"The Little Boy Found" is a poem by William Blake first published in the collection Songs of Innocence in 1789. Songs of Innocence was printed using illuminated printing, a style Blake created. By integrating the images with the poems the reader was better able to understand the meaning behind each of Blake's poems. [1]
"The Little Boy Found" is a sequel to "The Little Boy Lost". The two poems are written as simple songs, similar to nursery rhymes. [2]
The little boy lost in the lonely fen,
Led by the wand'ring light,
Began to cry, but God ever nigh,
Appeard like his father in white.
He kissed the child & by the hand led
And to his mother brought,
Who in sorrow pale, thro' the lonely dale
Her little boy weeping sought. [3]
The poem's rhyme scheme is ABCB DEFE, with internal rhymes (CC and FF) on the third and seventh lines (The third line of each stanza). Blake uses a form of alliteration in the first two lines, repeating the letter l in "little...lost...lonely...led...light". The repetition of sound creates a rhythmic flow, setting the tone for the rest of the poem. The poem consists of two stanzas. In the first stanza the little boy is lost in a bog, and afraid when God comes to him. In the second stanza God leads him back to his mother, who had been looking for him.
The Little Boy Found presents a pastoral setting.
One of the major themes in "The Little Boy Found" is the presence of God in people's lives. This is explicitly said in line 4. God is a common topic in Blake's poetry, especially in Songs of Innocence and Songs of Experience . In "The Little Boy Found" being 'lost' does not always refer to literally being lost. It can also refer to being lost in life, such as drug addiction or just being out of touch. Although Blake was a religious man, God does not always refer to the deity that most people associate with the name. It could also mean the loving connections and relationships that people have with other people. [2] According to the article 'Pictorial and Poetic Design in Two Songs of Innocence' by Thomas Connolly "some individuals are maimed because they are exposed to destructive experience without the shielding protection of a guardian." [4] In "The Little Boy Found" the boy has been lost, and wandering. He is then led by the light of God. God appears as his father in white; this portraying God's innocence. He is then led by God to his mother. The fact that the boy was lost signifies that he might have strayed from his original innocence. However, through the guidance of God he is led back to his mother, this exemplifies the pureness and innocence of children.
Scholars agree that "The Little Boy Found" is the 14th object in the order of the original printings of the Songs of Innocence and of Experience . The following, represents a comparison of several of the extant copies of the poem, their print date, their order in that particular binding of the book of poems, and their holding institution: [5]
"The Lamb" is a poem by William Blake, published in Songs of Innocence in 1789.
"The Chimney Sweeper" is the title of a poem by William Blake, published in two parts in Songs of Innocence in 1789 and Songs of Experience in 1794. The poem "The Chimney Sweeper" is set against the dark background of child labour that was prominent in England in the late 18th and 19th centuries. At the age of four and five, boys were sold to clean chimneys, due to their small size. These children were oppressed and had a diminutive existence that was socially accepted at the time. Children in this field of work were often unfed and poorly clothed. In most cases, these children died from either falling through the chimneys or from lung damage and other horrible diseases from breathing in the soot. In the earlier poem, a young chimney sweeper recounts a dream by one of his fellows, in which an angel rescues the boys from coffins and takes them to a sunny meadow; in the later poem, an apparently adult speaker encounters a child chimney sweeper abandoned in the snow while his parents are at church or possibly even suffered death where church is referring to being with God.
"The Echoing Green" is a poem by William Blake published in Songs of Innocence in 1789. The poem talks about merry sounds and images which accompany the children playing outdoors. Then, an old man happily remembers when he enjoyed playing with his friends during his own childhood. The last stanza depicts the little ones being weary when the sun has descended and going to their mother to rest after playing many games.
Songs of Innocence and of Experience is a collection of illustrated poems by William Blake. It appeared in two phases: a few first copies were printed and illuminated by Blake himself in 1789; five years later, he bound these poems with a set of new poems in a volume titled Songs of Innocence and of Experience Shewing the Two Contrary States of the Human Soul. Blake was also a painter before the creation of Songs of Innocence and Experience and had painted such subjects as Oberon, Titania, and Puck dancing with fairies.
"The Little Black Boy" is a poem by William Blake included in Songs of Innocence in 1789. It was published during a time when slavery was still legal and the campaign for the abolition of slavery was still young.
"The Blossom" is a poem by William Blake, published in Songs of Innocence in 1789.
The Sick Rose is a poem by William Blake. The poem mentions through the symbols of the rose and the worm, how intense experience preys upon unpolluted innocence. The first publication was in 1794, when it was included in his collection titled Songs of Experience as the 39th plate. The incipit of the poem is O Rose thou art sick. Blake composed the page sometime after 1789, and presents it with the illuminated border and illustrations that were typical of his self publications. Most aspects of the original production were undertaken by the author; the composition of the poem and design, engraving, and promotion of the work. The printing was usually done by Blake's wife, Catherine, as well as any colouring not performed by Blake himself.
"Holy Thursday" is a poem by William Blake, first published in Songs of Innocence and Experience in 1794. This poem, unlike its companion poem in "Songs of Innocence" (1789), focuses more on society as a whole than on the ceremony held in London.
Earth's Answer is a poem by William Blake within his larger collection called Songs of Innocence and of Experience. It is the response to the previous poem in The Songs of Experience-- Introduction . In the Introduction, the bard asks the Earth to wake up and claim ownership. In this poem, the feminine Earth responds.
The Little Girl Lost is a 1794 poem published by William Blake in his collection Songs of Innocence and of Experience. According to scholar, Grevel Lindop, this poem represents Blake's pattern of the transition between "the spontaneous, imaginative Innocence of childhood" to the "complex and mature adult state of Experience."
The Little Vagabond is a 1794 poem by William Blake in his collection Songs of Innocence and of Experience. His collection, Songs of Innocence, was originally published alone, in 1789. The scholar Robert Gleckner says that the poem is a form of transformation of the boy in the poem "The School Boy", from Songs of Innocence.
"Infant Joy" is a poem written by the English poet William Blake. It was first published as part of his collection Songs of Innocence in 1789 and is the counterpart to "Infant Sorrow", which was published at a later date in Songs of Experience in 1794.
"The Shepherd" is a poem from William Blake's Songs of Innocence (1789). This collection of songs was published individually four times before it was combined with the Songs of Experience for 12 editions which created the joint collection Songs of Innocence and of Experience (1794). Blake produced all of the illuminated printings himself beginning in 1789. Each publication of the songs has the plates in a different order, and sixteen other plates were published posthumously.
"Night" is a poem in the illuminated 1789 collection Songs of Innocence by William Blake, later incorporated into the larger compilation Songs of Innocence and of Experience. "Night" speaks about the coming of evil when darkness arrives, as angels protect and keep the sheep from the impending dangers.
Spring is a lyric poem written and illustrated by William Blake. It was first published in Songs of Innocence (1789) and later in Songs of Innocence and Experience (1794).
"The Little Boy Lost" is a simple lyric poem written by William Blake. This poem is part of a larger work entitled Songs of Innocence which was published in the year 1789. "The Little Boy Lost" is a prelude to "The Little Boy Found".
"Laughing Song" is a poem published in 1789 by the English poet William Blake. This poem is one of nineteen in Blake's collection Songs of Innocence.
"The School Boy" is a 1789 poem by William Blake and published as a part of his poetry collection entitled Songs of Experience. These poems were later added with Blake's Songs of Innocence to create the entire collection entitled "Songs of Innocence and of Experience Shewing the Two Contrary States of the Human Soul". This collection included poems such as "The Tyger", "The Little Boy Lost", "Infant Joy" and "The Shepherd". These poems are illustrated with colorful artwork created by Blake first in 1789. The first printing in 1789 consisted of sixteen copies. None of the copies of Songs of Innocence are exactly alike as some of them are incomplete or were colored in posthumously "in imitation of" other copies.
"A Dream" is a poem by English poet William Blake. The poem was first published in 1789 as part of Blake's collection of poems entitled Songs of Innocence.
"A Cradle Song" is a poem written by William Blake in 1789, as part of his book Songs of Innocence.